During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

Live webstream for this, and most, shows at Spotty Dog Books & Ale available from free103point9 and WGXC at http://comm.free103point9.org:8000/spottydog.mp3.m3u. This show will be rebroadcast on free103point9 Online Radio and WGXC 90.7-FM at midnight (the night of the show), Wed., July 10, 2013.

Ian McColm is a drummer, guitarist, and composer from Alexandria, VA. Aside from his work with ambient guitar duo Nagual, he has appeared on releases from Feeding Tube and Marmara Records and shared stages and bills with likes of Rufus Reid, Aaron Dilloway, Chris Corsano, Robert Turman, Home of Easy Credit, MV/EE, Ben Greenberg, Daniel Bachman, and Sylvaine Helary. In fall of 2012, Ian was featured on two new releases: Leminiscate Duo, with Washington, D.C. drone artist Chris Videll, and the Nagual/Katie Buono collaboration.
Jack Patterson is a multi-instrumentalist from Baltimore, Maryland. At age fourteen, he experienced a cerebral hemorrhage in Guitar Center, and formed the band Needle Gun, wherein his neural trauma gushed forth into myriad self-effacing infrahuman night terrors. His more recent attempts have involved the defacement of Steve Jobs, hemorrhoidal intimacy, violin, and synthesizers. This has occurred alone, as well as in groups such as Schweinmacht and Gram Nath, sharing stages with the likes of Rodger Stella.

During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

The conference will span two and half days and will feature over 75 presenters from around the world. Presentations will include lectures, workshops, performances, listening walks, poster sessions and roundtables. Confirmed keynote speakers include: Composer/performer and Deep Listening founder Pauline Oliveros; Auditory Neuroscientist Seth Horowitz, author of "The Universal Sense: How Hearing Shapes the Mind." free103point9 Online Radio will have a live webstream of much of the conference, some of it aired live on WGXC 90.7-FM in the Hudson Valley.

Live webcast up and running this Sunday morning.

Click on http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u or copy and paste this link into your media player:
http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u

Day One: The Art of Listening
Sessions webcast until 7 p.m., live WGXC 90.7-FM broadcast 7-9:30 p.m. Fri. July 12.
9-10 a.m.: Keynote: Pauline Oliveros, Deep Listening Founder. Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.
10:30 a.m.-noon: Presentation session 1. Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.

Corringham - Listening and Sounding in Hong Kong Alarcon - Networked migrations: listening to and performing the “in-between” space Mulhaney - The Composer Isn't There: a personal exploration of place in fixed media composition Eriksson - Listening and playing in DIY-3D sound spaces
1-3pm: Workshops
Studio Beta. Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.
1-2 p.m.: Wilsey - Game / No Game: Deep Listening and Music Games for the Educator's Toolkit
2-3pm: L. Pertl - Unlocking the Young Deep Listener Through Rhythm Sticks and Pitched Tubes
Studio 2 Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.
1-2 p.m.: Smith - Awareness through Animation: Animated Notation and DeepListening Practices In Educational, Performance, and Composition
2-3 p.m.: AOM/Lowrey - Avatar Orchestra Metaverse/Deep Listening/Cyberspace/Global Awareness
4:30-6 p.m.: Presentation session 2
Buzzarté - Incorporating Deep Listening Practices into Secondary General Music Classrooms Dickel - Researching sound in silence Brian Pertl - Using Deep Listening to Teach Entrepreneurship TBD
7:30-9 p.m.: Round Table: Deep Listening and Pedagogy
Moderator: Maud Hickey with: Thomas Ciufo, Michael Duch, Joseph Hoefs, Phoenix Perry, Meg Schedel, Mary Simoni. Click on http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u to listen.

9:00: Concert TBA Click on http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u to listen.

Day Two: The Science of Listening
Sessions webcast all day, and also on live WGXC 90.7-FM broadcast.
9-10 a.m.: Keynote: Seth Horowitz, auditory neuroscientist
10:30 a.m.-11:30 p.m.: Presentation session 3
Ward - Listeners Are Observers and Musicians Chafe - Acoustics of Imaginary Sound Marcus - Hearing the music in your mind
11:30-12 p.m.: Johannes Goebel Talk
1-2 p.m.: Round Table: Hearing vs. Listening, Artistic and Scientific Perspectives Moderator: Lance Brunner with: Pauline Oliveros, Seth Horowitz, China Blue, Ann Ward, Chris Chafe (to conf.)
2-4pm: Workshops
Studio Beta: 2-3 p.m.: Hahn - Banding improvisations
3-4 p.m.: Taylor - A sonically engaged collaborative sound art practice
Studio 2:
2-3 p.m.: Hege - From the Waters
3-4 p.m.: Miller - The Adaptive Use Musical Instrument (AUMI): Music-Making and Improvisation for All Abilities
4:30-6:10pm: Presentation session 4
Niedanthal - AUMI with disabled people in Music therapy
Rothenberg - Deep Listening to Cicadas: A Once-in-17-Years Event
Young - Creative Collaboration as Sound, Space, and Pattern Recognition
Nagai - Music Made from Being: Deep Listening, Embodiment, and the Shared Experience of Music
7:30-9:00pm: Presentation Session 5
Pearson - Listening (is) Sounding (is) Listening: Sonic Mimicry as Listening Practice Richter - Time Distortion in Deep Listening
Reinsel - Sound Cairn: Virtual Spaces
Burgasser - Embodying Physics: A Physical Language for Physics
9 p.m.: The Tuning Meditation

Day Three: Experiential Presentations
Sessions webcast all day, broadcast at WGXC 90.7-FM after midnight.
9:30-11 Presentation Session 6 (Studio Beta)
TBD Rudy Epstein Norderval
11-1 Lecture/Concert 1 (Studio Beta)
Chechile TBD Woodstrup TBD
2-4 Lecture/Concert 2
TBD TBD TBD Kreimer
Presenters: Ximena Alarcon - Networked migrations: listening to and performing the “in-between” space; David Arner - Birdsong and Beyond: The Spectrogram as Score; Bill Baird - Nada Brahma - The World is Sound; Genevive Bjorn - Opening the mind to deeper perception with smell and music; Somna m Bulist - Wave Dynamics on the harp; Adam Burgasser - Embodying Physics: A Physical Language for Physics; Kianna Burke - One Encounter, One Opportunity; Monique Buzzarté - Incorporating Deep Listening Practices into Secondary General Music Classrooms; Chris Chafe - Acoustics of Imaginary Sound; Alex Chechile - Composing with Otoacoutic Emissions, Ultrasonic Speakers, and Neurobiofeedback; Viv Corringham - Listening and Sounding in Hong Kong; Lulu De Panbehchi - Laughing and Cancer; Stijin Dickel - Researching sound in silence; Carlos Dominguez - A Module for Ambient Awareness; Nomi Epstein - Deep Listening in the Realization of Text Scores: A Human Sound Sculpture; Björn Eriksson - Listening and playing in DIY-3D sound spaces; Jean-Charles François - Pedagogical and communauty oriented project on improvisation, by PFL Traject; Johannes Goebel - Listening and Hearing - New and Known; Tomie Hahn - Banding improvisations; Anne Hege - From the Waters; Robert Kocik & Daria Fain - Prosodic Body; Jay Kreimer - Wired for Sound; Ted Krueger - Paroxysmal Steel; Filipe Lopes - One Hearing, Two Ears, Many Listenings; Norman Lowrey - Avatar Orchestra Metaverse/Deep Listening/Cyberspace/Global Awareness; Michael Lynch - Mockingbird: a cognitive architecture for intelligent music accompaniment; Bunita Marcus - Hearing the music in your mind; Kimberly McCarthy - Transgenerational Is just one aspect...; James McEntee - A Manifold of Sound: The Role of Deep Listening in Intuitive Sonification of Complicated Data; Liz Medoff - The Corporeal Monument: A Case for Embodied Commemoration; Leaf Miller - The Adaptive Use Musical Instrument (AUMI): Music-Making and Improvisation for All Abilities; Linda Mary Montano & Lisa Barnard Kelley - THE LOVE BUGS; Hilary Mullaney - The Composer Isn't There: a personal exploration of place in fixed media composition; Michelle Nagai - Music Made from Being: Deep Listening, Embodiment, and the Shared Experience of Music; Mark Nazemi - Mediated Spaces: Using active listening exercises to reduce anxiety for chronic pain patients; Ralf Martin Niedenthal - AUMI with disabled people in Music therapy; Kristin Norderval - A well-tempered ear: Bridging the gap between improvisation and notated composition; Tina Pearson - Listening (is) Sounding (is) Listening: Sonic Mimicry as Listening Practice; Brian Pertl - Using Deep Listening to Teach Entrepreneurship; Leila Ramagopal Pertl - Unlocking the Young Deep Listener Through Rhythm Sticks and Pitched Tubes; Joseph Reinsel - Sound Cairn: Virtual Spaces; Ben Richter - Time Distortion in Deep Listening; Maurice Rickard - Our Resonant Places; Jane Rigler - Refocusing the Gaze: Performance Practice through Deep Listening; David Rothenberg - Deep Listening to Cicadas: A Once-in-17-Years Event; Jonathan Rudy - Listening for the Resonance of Peace: Vibrations of Fear and Love from Case Studies in Somalia and Afghanistan; Ryan Ross Smith - Awareness through Animation: Animated Notation and Deep Listening Practices In Educational, Performance, and Composition; Thomas Stoll - Dynamic Soundscape Composition; Sean Taylor - A sonically engaged collaborative sound art practice; Ann Warde - Listeners Are Observers and Musicians; Jennifer Wilsey - Game / No Game: Deep Listening and Music Games for the Educator's Toolkit; Bart Woodstrup - Samay Chakra: Listening to the world through sensors; Gayle Young - Creative Collaboration as Sound, Space, and Pattern Recognition.

During his residency at Wave Farm, House will invoke the spirit of a town striking clock for the electroacoustic community created by the WGXC transmission. At regular intervals, a short musical piece will be broadcast. However, this piece will not simply count off the hours like a striking clock — rather, it will be the sonified data of online and physical phenomena within the geographic broadcast area. Data will be gathered from many sources: online content platform APIs such as Twitter, Flickr, etc, filtered geographically; macro environmental measurements including weather and astronomical phenomena; and local sensor systems placed on the grounds of Wave Farm measuring ambient acoustics, motion, electromagnetic qualities, and other conditions.

The Wave Farm Study Center, with its transmission art-themed library, five outdoor installations, and a lively artist-in-residency program begins regular open hours on July 6, 2013. Located at 5662 Route 23 Acra, NY 12405, Wave Farm will be open to the public every Saturday from 10 a.m. - 6 p.m July through October. Stop by to use the library, meet artists-in-residence, and explore artists' transmission projects including: Deep Cycle/M49 (Max Goldfarb); Circular Spectrum Analyzer (CCRT: LoVid and Douglas Repetto); Will o’the Wisps (Justin Downs);Sing Sun Room (Matt Bua); and Remote Audio Outpost (Japanther.) On Saturdays in the summer, tour the inside of a radio station as radio happens, and visit the grounds and radio-themed installations. Bring a picnic lunch, or just visit the library. Wave Farm continues to be open by appointment throughout the week; contact Wave Farm at 518-622-2598 to make arrangements.

The conference will span two and half days and will feature over 75 presenters from around the world. Presentations will include lectures, workshops, performances, listening walks, poster sessions and roundtables. Confirmed keynote speakers include: Composer/performer and Deep Listening founder Pauline Oliveros; Auditory Neuroscientist Seth Horowitz, author of "The Universal Sense: How Hearing Shapes the Mind." free103point9 Online Radio will have a live webstream of much of the conference, some of it aired live on WGXC 90.7-FM in the Hudson Valley.

Live webcast up and running this Sunday morning.

Click on http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u or copy and paste this link into your media player:
http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u

Day One: The Art of Listening
Sessions webcast until 7 p.m., live WGXC 90.7-FM broadcast 7-9:30 p.m. Fri. July 12.
9-10 a.m.: Keynote: Pauline Oliveros, Deep Listening Founder. Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.
10:30 a.m.-noon: Presentation session 1. Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.

Corringham - Listening and Sounding in Hong Kong Alarcon - Networked migrations: listening to and performing the “in-between” space Mulhaney - The Composer Isn't There: a personal exploration of place in fixed media composition Eriksson - Listening and playing in DIY-3D sound spaces
1-3pm: Workshops
Studio Beta. Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.
1-2 p.m.: Wilsey - Game / No Game: Deep Listening and Music Games for the Educator's Toolkit
2-3pm: L. Pertl - Unlocking the Young Deep Listener Through Rhythm Sticks and Pitched Tubes
Studio 2 Click on http://comm.free103point9.org:8000/deeplisteningtwo.mp3.m3u to listen.
1-2 p.m.: Smith - Awareness through Animation: Animated Notation and DeepListening Practices In Educational, Performance, and Composition
2-3 p.m.: AOM/Lowrey - Avatar Orchestra Metaverse/Deep Listening/Cyberspace/Global Awareness
4:30-6 p.m.: Presentation session 2
Buzzarté - Incorporating Deep Listening Practices into Secondary General Music Classrooms Dickel - Researching sound in silence Brian Pertl - Using Deep Listening to Teach Entrepreneurship TBD
7:30-9 p.m.: Round Table: Deep Listening and Pedagogy
Moderator: Maud Hickey with: Thomas Ciufo, Michael Duch, Joseph Hoefs, Phoenix Perry, Meg Schedel, Mary Simoni. Click on http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u to listen.

9:00: Concert TBA Click on http://comm.free103point9.org:8000/deeplisteningone.mp3.m3u to listen.

Day Two: The Science of Listening
Sessions webcast all day, and also on live WGXC 90.7-FM broadcast.
9-10 a.m.: Keynote: Seth Horowitz, auditory neuroscientist
10:30 a.m.-11:30 p.m.: Presentation session 3
Ward - Listeners Are Observers and Musicians Chafe - Acoustics of Imaginary Sound Marcus - Hearing the music in your mind
11:30-12 p.m.: Johannes Goebel Talk
1-2 p.m.: Round Table: Hearing vs. Listening, Artistic and Scientific Perspectives Moderator: Lance Brunner with: Pauline Oliveros, Seth Horowitz, China Blue, Ann Ward, Chris Chafe (to conf.)
2-4pm: Workshops
Studio Beta: 2-3 p.m.: Hahn - Banding improvisations
3-4 p.m.: Taylor - A sonically engaged collaborative sound art practice
Studio 2:
2-3 p.m.: Hege - From the Waters
3-4 p.m.: Miller - The Adaptive Use Musical Instrument (AUMI): Music-Making and Improvisation for All Abilities
4:30-6:10pm: Presentation session 4
Niedanthal - AUMI with disabled people in Music therapy
Rothenberg - Deep Listening to Cicadas: A Once-in-17-Years Event
Young - Creative Collaboration as Sound, Space, and Pattern Recognition
Nagai - Music Made from Being: Deep Listening, Embodiment, and the Shared Experience of Music
7:30-9:00pm: Presentation Session 5
Pearson - Listening (is) Sounding (is) Listening: Sonic Mimicry as Listening Practice Richter - Time Distortion in Deep Listening
Reinsel - Sound Cairn: Virtual Spaces
Burgasser - Embodying Physics: A Physical Language for Physics
9 p.m.: The Tuning Meditation

Day Three: Experiential Presentations
Sessions webcast all day, broadcast at WGXC 90.7-FM after midnight.
9:30-11 Presentation Session 6 (Studio Beta)
TBD Rudy Epstein Norderval
11-1 Lecture/Concert 1 (Studio Beta)
Chechile TBD Woodstrup TBD
2-4 Lecture/Concert 2
TBD TBD TBD Kreimer
Presenters: Ximena Alarcon - Networked migrations: listening to and performing the “in-between” space; David Arner - Birdsong and Beyond: The Spectrogram as Score; Bill Baird - Nada Brahma - The World is Sound; Genevive Bjorn - Opening the mind to deeper perception with smell and music; Somna m Bulist - Wave Dynamics on the harp; Adam Burgasser - Embodying Physics: A Physical Language for Physics; Kianna Burke - One Encounter, One Opportunity; Monique Buzzarté - Incorporating Deep Listening Practices into Secondary General Music Classrooms; Chris Chafe - Acoustics of Imaginary Sound; Alex Chechile - Composing with Otoacoutic Emissions, Ultrasonic Speakers, and Neurobiofeedback; Viv Corringham - Listening and Sounding in Hong Kong; Lulu De Panbehchi - Laughing and Cancer; Stijin Dickel - Researching sound in silence; Carlos Dominguez - A Module for Ambient Awareness; Nomi Epstein - Deep Listening in the Realization of Text Scores: A Human Sound Sculpture; Björn Eriksson - Listening and playing in DIY-3D sound spaces; Jean-Charles François - Pedagogical and communauty oriented project on improvisation, by PFL Traject; Johannes Goebel - Listening and Hearing - New and Known; Tomie Hahn - Banding improvisations; Anne Hege - From the Waters; Robert Kocik & Daria Fain - Prosodic Body; Jay Kreimer - Wired for Sound; Ted Krueger - Paroxysmal Steel; Filipe Lopes - One Hearing, Two Ears, Many Listenings; Norman Lowrey - Avatar Orchestra Metaverse/Deep Listening/Cyberspace/Global Awareness; Michael Lynch - Mockingbird: a cognitive architecture for intelligent music accompaniment; Bunita Marcus - Hearing the music in your mind; Kimberly McCarthy - Transgenerational Is just one aspect...; James McEntee - A Manifold of Sound: The Role of Deep Listening in Intuitive Sonification of Complicated Data; Liz Medoff - The Corporeal Monument: A Case for Embodied Commemoration; Leaf Miller - The Adaptive Use Musical Instrument (AUMI): Music-Making and Improvisation for All Abilities; Linda Mary Montano & Lisa Barnard Kelley - THE LOVE BUGS; Hilary Mullaney - The Composer Isn't There: a personal exploration of place in fixed media composition; Michelle Nagai - Music Made from Being: Deep Listening, Embodiment, and the Shared Experience of Music; Mark Nazemi - Mediated Spaces: Using active listening exercises to reduce anxiety for chronic pain patients; Ralf Martin Niedenthal - AUMI with disabled people in Music therapy; Kristin Norderval - A well-tempered ear: Bridging the gap between improvisation and notated composition; Tina Pearson - Listening (is) Sounding (is) Listening: Sonic Mimicry as Listening Practice; Brian Pertl - Using Deep Listening to Teach Entrepreneurship; Leila Ramagopal Pertl - Unlocking the Young Deep Listener Through Rhythm Sticks and Pitched Tubes; Joseph Reinsel - Sound Cairn: Virtual Spaces; Ben Richter - Time Distortion in Deep Listening; Maurice Rickard - Our Resonant Places; Jane Rigler - Refocusing the Gaze: Performance Practice through Deep Listening; David Rothenberg - Deep Listening to Cicadas: A Once-in-17-Years Event; Jonathan Rudy - Listening for the Resonance of Peace: Vibrations of Fear and Love from Case Studies in Somalia and Afghanistan; Ryan Ross Smith - Awareness through Animation: Animated Notation and Deep Listening Practices In Educational, Performance, and Composition; Thomas Stoll - Dynamic Soundscape Composition; Sean Taylor - A sonically engaged collaborative sound art practice; Ann Warde - Listeners Are Observers and Musicians; Jennifer Wilsey - Game / No Game: Deep Listening and Music Games for the Educator's Toolkit; Bart Woodstrup - Samay Chakra: Listening to the world through sensors; Gayle Young - Creative Collaboration as Sound, Space, and Pattern Recognition.