Fiscal Sponsorship

Fiscal sponsorship is a formal arrangement in which a 501(c)(3) public charity sponsors a project that may lack exempt status. This alternative to starting your own nonprofit allows you to seek grants and solicit tax-deductible donations under your sponsor's exempt status.

Wave Farm provides fiscal sponsorship to artists and organizations on a case-by-case basis for projects that are aligned with Wave Farm's organizational mission. Inquiries should be made well in advance of any related grant deadline.

The deadline for requests for fiscal sponsorship for NYSCA's Support for Artists 2027 has now passed. Please reach out to info@wavefarm.org to be added to a list for future sponsorship related to this opportunity. We will contact you in 2027 when NYSCA announces their next application deadline.

Fiscally Sponsored Artist Projects

David Goren, 2026 (Brooklyn, NY): The Island of Hope and Tears is a film project using Ellis Island’s archive of 1,200 oral histories of migrants dating back to the early 1900s to trace changing attitudes to migration and its effects on immigrants, as the US marks its 250th birthday in 2026 amid an upsurge of Nativism.

Sophi Kravitz, 2026 (Kingston, NY): Messages from Space is a is a sculptural sound installation that uses real-time gamma ray detection to translate cosmic signals into an evolving audio narrative, offering participants an optimistic view into humanity's future.

Amanda Turner Pohan, 2026 (Lanesville, NY): while the crash of collapsing walls sounds in our ears is a 90-minute ambisonic sound installation that tells a story of Euripedes’ Medea performed by female vocalists, recasting the city of Corinth as protagonist. Informed by archaeoacoustics, traditional foley techniques are reconstructed and reinterpreted.

Hans Tammen, 2026 (Brooklyn, NY): Laschamps Excursion is a 75-minute composition for a 20-piece chamber ensemble marking the 20th anniversary of the Third Eye Orchestra. The composition will focus on circular time, phase techniques, polytonalities and sonic complexity.

Myra Al-Rahim, 2025 (Queens, NY): Blue Lightning Ghost Train s an experimental song and performance cycle centered around queer narratives related to the ongoing opioid crisis. The project will incorporate collaborative surrealist performance vignettes, archival media, and composition for voice and electronics.

Ashely Middleton, 2025 (Saugerties, NY): In the Shadow of the Sun is an immersive installation that utilizes 3D animation, sound, and sculpture to navigate biologically driven changes in the soundscape of the Arctic.

Jordan Seiler, 2025 (New York, NY): Talk To Me at Wave Farm is a NYC payphone installed on the Wave Farm campus. When activated by Art Park visitors, calls are generated and reach members of the public who have signed up to be on the call list. TTM WF creates a serendipitous micro mutual aid network.

Johann Diedrick, 2024 (Brooklyn, NY): [ the hurricanes in your mouth ] is a new media sonic performance weaving together Jamaican sound system culture, pirate radio, and speculative Black performance practices that engage our ability to create new forms of sonic fugitivity through wind.

Timmy Simonds, 2024 (New York, NY): The Miss Othmar School for Teachers is a participant-engaged artwork that explores the act of teaching as performance through public radio broadcasts and workshops. This interdisciplinary project asks: "What would a school be with only teachers?"

Hans Tammen, 2024 (Brooklyn, NY): Bohnenberger's Machine for Dark Circuits Orchestra is a 60-minute composition, which consists of 15 performers of electronic instruments, one bagpipe, and one drummer. It will premiere at Roulette Intermedium in Brooklyn late 2024.

Elia Vargas, 2024 (Buffalo, NY): Heliotechnics/Heliotechniques is a speculative media art project that explores new ways of thinking about energetic entities, such as petroleum, whale oil, electricity, and the sun to decenter anthropocentric representations of nature, culture, and technology.

Dawn Weleski, 2024 (Earlville, NY): Refuse Refuse: Radio is a theatrical radio series that dramatizes current and impending climate catastrophe in rural Central New York.

Lea Bertucci, 2023 (Kingston, NY): Murmurations, a new work for electronically processed voices, explores the space between linguistic sense and nonsense. Utilizing practices of the conceptual writing movement, this work aims to braid the textural and textual into a single sonic stream.

Seth Cluett, 2023 (New York, NY): No Small Matter is a set of miniature media works using sound to point up the problematic effect of inherited 19th c. modes of engaging the natural world as an aesthetic respite on effectively communicating the scope and scale of climate change.

eteam, 2023 (Earlton, NY): Semi-Moons is a video series and a hybrid performance that asks: What is our relationship to our tech devices? What do we want from them, what do they want from us?

Maximilian Goldfarb, 2023 (Hudson, NY): Freshkill is a functional object and an ecological-architectural sculpture imbued with meaning from its history, form, and application. It will contain artifacts and perform as a generative platform for presenting the acoustic ecology of its site.

Charles Stobbs, 2023 (New York, NY): Chiral Proscenium involves the long term outdoor installation of a large-scale sculptural work at Wave Farm. In reference to a proscenium arch, the installation will exist as an intervention into the landscape while providing a venue for performance.

David Goren, 2022 (Brooklyn, NY): Irradiant Waves: Tracing Neighborhoods in the Sky is a transmission art installation designed to evoke New York City's vibrant and transgressive unlicensed FM radio soundscape in a contained space.

Kathy High, 2022 (Averill Park, NY): Stress Mess proposes to create augmented reality networks of care tracking invisible autoimmune disease stresses. From immunological research on High’s own body, she will develop soundscapes and augmented reality segments riffing off internal stress.

Jen Kutler, 2022 (Newfield, NY): Measures is a networked media art system using a wrist-worn electronic device created to generate and archive sound works created from sonifying the users' physiological indicators of empathy.

Heidi Neilson, 2022 (Long Island City, NY): Remote Magnetometer (RM) is a sculpture which emulates a scientific instrument attached to a satellite 22,000 miles from Earth. Using live feeds from the satellite itself, the sculpture responds to what is happening in real time in Earth’s orbit.