Giulia Palladini is the 2025 Wave Farm Community Engagement Radio Art Fellow. Palladini will conduct a workshop called "Listening to Fascism/ Transmitting Antifascism: a Workshop." Looking at and listening to historical audio fragments from an international group of leaders who used fascist tactics to forward their personal agendas, this workshop aims to collectively create a new radio archive of resistance, informed by and learning from the past, to establish a strategy and hope for the future.

Inspired by Walter Benjamin’s and Bertolt Brecht’s belief in the potential of radio as an instrument of political education and popular knowledge production, this workshop mobilizes the listeners as experts, not as a product of scholarly knowledge but through personal and common histories.

Giulia Palladini is a writer, researcher and educator, working between different languages, fields of knowledge and practices of production and reproduction in art and social life. Her work strives for a situated and affective approach to writing, teaching and critical theory.

Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.


Giulia Palladini is the 2025 Wave Farm Community Engagement Radio Art Fellow. Palladini will conduct a workshop called "Listening to Fascism/ Transmitting Antifascism: a Workshop." Looking at and listening to historical audio fragments from an international group of leaders who used fascist tactics to forward their personal agendas, this workshop aims to collectively create a new radio archive of resistance, informed by and learning from the past, to establish a strategy and hope for the future.

Inspired by Walter Benjamin’s and Bertolt Brecht’s belief in the potential of radio as an instrument of political education and popular knowledge production, this workshop mobilizes the listeners as experts, not as a product of scholarly knowledge but through personal and common histories.

Giulia Palladini is a writer, researcher and educator, working between different languages, fields of knowledge and practices of production and reproduction in art and social life. Her work strives for a situated and affective approach to writing, teaching and critical theory.

Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.


Giulia Palladini is the 2025 Wave Farm Community Engagement Radio Art Fellow. Palladini will conduct a workshop called "Listening to Fascism/ Transmitting Antifascism: a Workshop." Looking at and listening to historical audio fragments from an international group of leaders who used fascist tactics to forward their personal agendas, this workshop aims to collectively create a new radio archive of resistance, informed by and learning from the past, to establish a strategy and hope for the future.

Inspired by Walter Benjamin’s and Bertolt Brecht’s belief in the potential of radio as an instrument of political education and popular knowledge production, this workshop mobilizes the listeners as experts, not as a product of scholarly knowledge but through personal and common histories.

Giulia Palladini is a writer, researcher and educator, working between different languages, fields of knowledge and practices of production and reproduction in art and social life. Her work strives for a situated and affective approach to writing, teaching and critical theory.

Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.


Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.


Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.


Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.


Bellow writes: During my residency at Wave Farm I will work on a radio play called one long rock song. I will use my time to create an event score for the play, organize field recordings and sound pieces, and listen. The script/event score will be comprised of different symbols as a citational method for place, event, sounds and story. This work will be attentive to my own relationship to stones through embodied memory and language. Through the play I offer my own experiences, songs, and memories, and dreams, to create sonic interference with the settler logics that reproduce themselves on land. My time will be rounded off with a broadcast of the play.

Riel Bellow is a multidisciplinary artist, educator, writer, and radio-host. They grew up moving around with the seasons and running around markets, between Santa Fe, New Mexico, San Cristóbal de las Casas, Chiapas, and Edmonton, Alberta. Across mediums they use storytelling as a mode of documentary that endeavors to break into the sequentiality of modern grammar, opening ethical and temporal possibilities for how and where language takes place. Riel has published work in Canada Art, ẹwà journal, Gender Fail, Vera List Center for Art and Politics, and elsewhere. Riel holds a BA from Pitzer College, an MFA from Bard College’s Milton Avery Graduate School, and has recently taught at Pomona College, and Scripps College.