WGXC-90.7-FM Community Calendar
The Community Calendar gathers upcoming events in the Hudson Valley, Catskills, and Capital Region. Add your event to be posted here, and hear these activities read on the radio by WGXC programmers!Saturday
Dec
11
Sheffield Winter Farmers' Market
91 Main St. | Sheffield, Massachusetts 01257
http://deweyhall.com/
The Sheffield Farmers’ Market is holding a winter market with local produce, meats, baked goods, crafts and gifts, and live music. We will continue to offer our SNAP Match program just as we do for t...
Saturday
Dec
11
Holiday Puppet Show
117 Harry Howard Ave. | Hudson, NY 12534 | 518-822-1875
http://www.fasnyfiremuseum.com/
A Holiday Puppet Show presented by the Catskill Puppet Theater. After the show, children can complete the holiday scavenger hunt. This event is made possible by a generous grant award from the Museum’...
Saturday
Dec
11
Bosque Subdivision Public Hearing
4099 State Route 145 | Durham, NY 12422 | (518) 239-8412
The second of two public hearings being held by the Durham Town Board on the Bosque major subdivision proposal. Residents are encouraged to attend to express their opinions on the plan and its impact...
Saturday
Dec
11
My Witch
44 W. Bridge St. | Catskill, NY 12414 | (518) 943-3818
https://bridgest.org/
Fat Knight Theatre’s production of John Ahlin’s “My Witch: The Margaret Hamilton Stories.” Just how did a gentle kindergarten teacher from Cleveland end up scaring the living daylights out of every la...
ONGOING
Saturday
Dec
11
ONGOING EVENTS
Sunday
Dec
12
Holiday Cake Raffle and Bake Sale
91 Main St. | Sheffield, Massachusetts 01257
http://deweyhall.com/
Dewey Hall is excited to offer our first ever Holiday Cake Raffle with a holiday cookie bake sale. This event is inspired by a walking game tradition from the 1880's, similar to musical chairs. The wa...
Sunday
Dec
12
My Witch
44 W. Bridge St. | Catskill, NY 12414 | (518) 943-3818
https://bridgest.org/
Fat Knight Theatre’s production of John Ahlin’s “My Witch: The Margaret Hamilton Stories.” Just how did a gentle kindergarten teacher from Cleveland end up scaring the living daylights out of every la...
ONGOING
Sunday
Dec
12
ONGOING EVENTS
Monday
Dec
13
Village of Philmont Meeting
124 Main St. | Philmont, NY | (518) 672-7032
http://www.philmont.org/
The Village of Philmont Board of Trustees meets on the second Monday of each month at 7 p.m. at the Village Hall. Board meetings are open to the public. To comment or ask questions in person sign up i...
ONGOING
Monday
Dec
13
ONGOING EVENTS
Tuesday
Dec
14
Club Helsinki Virtual Open Mic Show
Every Tuesday Night Cameron Melville and Ryder Cooley host a Virtual Open Mic Night featuring music, poetry, comedy, interviews, performance art and more! This will be streaming live on the Club Helsi...
ONGOING
Tuesday
Dec
14
ONGOING EVENTS
Wednesday
Dec
15
Catskill Library Board meeting
1 Franklin St. | Catskill, NY
http://www.catskillpubliclibrary.org/
3335 Route 23A | Palenville, NY 12463 | 518-678-3357
http://catskillpubliclibrary.org/
Regular monthly meeting of the Catskill Library Board of Trustees. The meetings are held at either the Catskill Library or the Palenville Branch Library. The meetings are subject to change, so please...
ONGOING
Wednesday
Dec
15
ONGOING EVENTS
Thursday
Dec
16
PAKT
Live performance and webcast from the Avalon Lounge in Catskill. Webcast will be available at wgxc.org until 10 p.m., while FM broadcast on 90.7-FM is only until 9 p.m. PAKT: PERCY JONES - bass ALEX...
ONGOING
Thursday
Dec
16
ONGOING EVENTS
ONGOING
Friday
Dec
17
ONGOING EVENTS
ONGOING
Saturday
Dec
18
ONGOING EVENTS
Sunday
Dec
19
Left Bank Holiday Market
Left Bank Ciders is hosting a handful of local vendors in their taproom at 150 Water Street in Catskill - wares include holiday wreathes, cutting boards, ceramics, fiery syrup, teas and tinctures, and...
ONGOING
Sunday
Dec
19
ONGOING EVENTS
ONGOING
Monday
Dec
20
ONGOING EVENTS
Tuesday
Dec
21
Club Helsinki Virtual Open Mic Show
Every Tuesday Night Cameron Melville and Ryder Cooley host a Virtual Open Mic Night featuring music, poetry, comedy, interviews, performance art and more! This will be streaming live on the Club Helsi...
ONGOING
Tuesday
Dec
21
ONGOING EVENTS
ONGOING
Wednesday
Dec
22
ONGOING EVENTS
ONGOING
Thursday
Dec
23
ONGOING EVENTS
ONGOING
Friday
Dec
24
ONGOING EVENTS
ONGOING
Saturday
Dec
25
ONGOING EVENTS
ONGOING
Sunday
Dec
26
ONGOING EVENTS
ONGOING
Monday
Dec
27
ONGOING EVENTS
Tuesday
Dec
28
Club Helsinki Virtual Open Mic Show
Every Tuesday Night Cameron Melville and Ryder Cooley host a Virtual Open Mic Night featuring music, poetry, comedy, interviews, performance art and more! This will be streaming live on the Club Helsi...
ONGOING
Tuesday
Dec
28
ONGOING EVENTS
ONGOING
Wednesday
Dec
29
ONGOING EVENTS
ONGOING
Thursday
Dec
30
ONGOING EVENTS
ONGOING
Friday
Dec
31
ONGOING EVENTS
ONGOING
Saturday
Jan
01
ONGOING EVENTS
ONGOING
Sunday
Jan
02
ONGOING EVENTS
ONGOING
Monday
Jan
03
ONGOING EVENTS
ONGOING
Tuesday
Jan
04
ONGOING EVENTS
ONGOING
Wednesday
Jan
05
ONGOING EVENTS
ONGOING
Thursday
Jan
06
ONGOING EVENTS
ONGOING
Friday
Jan
07
ONGOING EVENTS
Saturday
Jan
08
Sheffield Winter Farmers' Market
91 Main St. | Sheffield, Massachusetts 01257
http://deweyhall.com/
The Sheffield Farmers’ Market is holding a winter market with local produce, meats, baked goods, crafts and gifts, and live music. We will continue to offer our SNAP Match program just as we do for t...
ONGOING
Saturday
Jan
08
ONGOING EVENTS
ONGOING
Sunday
Jan
09
ONGOING EVENTS
ONGOING
Monday
Jan
10
ONGOING EVENTS
ONGOING
Tuesday
Jan
11
ONGOING EVENTS
ONGOING
Wednesday
Jan
12
ONGOING EVENTS
ONGOING
Thursday
Jan
13
ONGOING EVENTS
ONGOING
Friday
Jan
14
ONGOING EVENTS
Saturday
Jan
15
Weird Science with Professor Sparks
117 Harry Howard Ave. | Hudson, NY 12534 | 518-822-1875
http://www.fasnyfiremuseum.com/
The FASNY Museum of Firefighting hosts Professor Sparks.
ONGOING
Saturday
Jan
15
ONGOING EVENTS
ONGOING
Sunday
Jan
16
ONGOING EVENTS
Monday
Jan
17
MLK Jr. Day Rally
Please Join us for a very special MLK Birthday Holiday Observance which will include a 11 a.m. Motorcade preceding the Rally. Vehicle Line up 10:30 a.m. at Columbia and N. 6th Street parking lot. At t...
ONGOING
Monday
Jan
17
ONGOING EVENTS
ONGOING
Tuesday
Jan
18
ONGOING EVENTS
Wednesday
Jan
19
Catskill Library Board meeting
1 Franklin St. | Catskill, NY
http://www.catskillpubliclibrary.org/
3335 Route 23A | Palenville, NY 12463 | 518-678-3357
http://catskillpubliclibrary.org/
Regular monthly meeting of the Catskill Library Board of Trustees. The meetings are held at either the Catskill Library or the Palenville Branch Library. The meetings are subject to change, so please...
ONGOING
Wednesday
Jan
19
ONGOING EVENTS
ONGOING
Thursday
Jan
20
ONGOING EVENTS
ONGOING
Friday
Jan
21
ONGOING EVENTS
ONGOING
Saturday
Jan
22
ONGOING EVENTS
ONGOING
Sunday
Jan
23
ONGOING EVENTS
ONGOING
Monday
Jan
24
ONGOING EVENTS
ONGOING
Tuesday
Jan
25
ONGOING EVENTS
ONGOING
Wednesday
Jan
26
ONGOING EVENTS
ONGOING
Thursday
Jan
27
ONGOING EVENTS
ONGOING
Friday
Jan
28
ONGOING EVENTS
ONGOING
Saturday
Jan
29
ONGOING EVENTS
ONGOING
Sunday
Jan
30
ONGOING EVENTS
ONGOING
Monday
Jan
31
ONGOING EVENTS
ONGOING
Tuesday
Feb
01
ONGOING EVENTS
ONGOING
Wednesday
Feb
02
ONGOING EVENTS
ONGOING
Thursday
Feb
03
ONGOING EVENTS
ONGOING
Friday
Feb
04
ONGOING EVENTS
ONGOING
Saturday
Feb
05
ONGOING EVENTS
ONGOING
Sunday
Feb
06
ONGOING EVENTS
Monday
Feb
07
Radio Deprogramming Workshop with Andy Stuhl
What is the nature of the programming that radio programmers do? How did radio practices take shape early on under the idea that it was a programmable medium? What does the work of broadcast programmi...
Deprogramming: micro-interventions for media-makers
These short text prompts, along with their audio and video interpretations, are the products of our collaborative imagining in the Radio Deprogramming workshop. Deprogramming, we decided, can mean many things: disrupting routines, inverting diagrams, restoring relations to space, rupturing the ordinary, transporting while disorienting, flipping what’s public and what’s private in listening, offering footholds in the unscalable walls of communication systems, or perhaps dismantling the very medium-ness of a medium. The prompts are event scores, creative strategies, poetic ruptures, productive ambiguities, speculative fictions, project plans, and counter-imaginaries.
Andrew Madey [Email
Wipe your contacts, then try to reach out to them under a completely unfamiliar address.
Nicolas Montgermont [Radio]
Phone first : when you call a specific phone number, you automatically go live on air, bypassing any show that was playing. (https://nimon.org/en/radio-symetrique)
Andrew Madey [Radio]
Conduct important interviews only during the graveyard shift.
Michelle O'Connor [Radio]
Broadcast sounds rather than voices
Melissa Sarris [Print]
Translate a news story into a language you don’t speak and then attempt to read it aloud. (The chosen language could connect with a current refugee crisis.)
Nicolas Montgermont [Radio]
Ubiquitous : Using several physical studios that are streaming live sounds, an online mixer allows to plays on each studio independently.
Russell Gendron [Audio]
Using the automation tool in your DAW, create 'peaks' of any effect (try echo if you can't think of one) every 30 seconds, starting from the beginning.
Celeste Oram [Radio (public radio)]
When it comes time for the news on the hour, no newsreaders; no scripts. Only live crosses to man-on-the-street eyewitness accounts.
Andy Stuhl [Radio]
Move your station into the cloud. Drive to the nearest data center and stream your conversation with the security guards as you explain why you need to set up your transmitter there, where your sound files reside.
Andy Stuhl [Radio]
Move your station into the cloud. Place wires in a puddle to make the electrical connection between your mixing board and your transmitter. Conclude when the puddle evaporates.
Justin Maiman [Radio]
Build a radio transmission tower that regularly, but randomly, narrowcasts the radio signal to smaller and smaller areas, like neighborhoods or even just blocks or specific homes.
Melissa Sarris [Print]
Starting from the printed page (or print out any news article,) cut up and reassemble the sentences into something new. Attempting to make the new version sensical is optional.
Matthew Flores [Internet]
Make a website through a game of telephone.
Ed Woodham [Print]
Select the first paragraph from a current newspaper article and record yourself reading it backward ending with the headline.
Melike Ceylan [Telephone]
Each time you receive a new voice message, replace your existing voicemail greeting with it.
Jin Zhu [Red tape]
Make the mass or weight of each bureaucratic form you submit directly proportional to the potential consequences it will have on your life or finances.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and replace all vowels with the letter “E”
Ed Woodham [Print]
Select a recent front-page newspaper article (above the fold). Using the context of the article as inspiration – create an abstract visual, sound, dance, or performance interpretation of it – and document it in any form.
Michelle O'Connor [Radio]
Assume the radio is the audience
Melissa Sarris [Print]
A visual exploration: (over)use fonts - change the font (and point size!) repeatedly in every printed story, including the title. The news never looked so good!
Michelle O'Connor [Radio]
Hand the microphone over to the audience
Ed Woodham [Print]
Select the last paragraph of a magazine article. Leave the first word capitalized but make all the other capital words lower case. Remove all of the spaces between the words and all of the punctuation except a period in the end. Create something with this final product.
Sadie Couture [Audio]
Change the mix: music in the front, voices in the back
Sadie Couture [Audio]
Play a piece backwards (not the words, but just the story)
Matthew Flores [Internet]
Make a website that can only be accessed in one location.
Stacey Copeland [Print]
Time sensitive news. Attach a wick to the bottom of the newspaper with instructions to lite the wick before reading.
Sadie Couture [Audio]
Constantly set up the story/segment, never do it, and then end
Melissa Sarris [Print]
Variation: Create one news story that includes a sentence (or just a word?) from every article in one day’s newspaper.
Nicolas Montgermont [Radio]
Fallback : when there is no signals in the radio, use a fallback mode that is playing random files in a folder. These files are produced or selected in the context of a sound residency of one month, by an artist changing every month. (https://p-node.org)
Melissa Sarris [Print]
Read a news story while pronouncing every printed letter phonetically, even the the “silent” ones.
Jin Zhu [Radio]
Cater the size of your broadcast to exactly match the size and shape of a family member or friend's current or past residence.
Stacey Copeland [Radio]
Broadcast live from the loudest place in your neighbourhood.
Melike Ceylan [Radio]
Speak without using your voice.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and transcribe the partial article into a perspective of an octopus
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and translate all nouns into French
Stephen Bradley [Radio (public radio space)]
purchase 5 helium-filled balloons large enough to levitate 1 of the solar-powered AM/FM receivers up into airspace. each ballon should have a 1-meter long string attached tied to the antennae of one of the receivers. tune the radio to the clearest station possible. attach a note to the radio with instructions to detune the station if found. release the ballon/receivers early in the morning of a sunny day. attempt to follow on foot the airborne receivers as far as you can.
Jin Zhu [Radio]
Alternately broadcast into outer space and inner space, in sync with your exhales and inhales.
Celeste Oram [Radio (public radio)]
Languages spoken on air are directly proportionate (i.e. airtime per day) to demographics of languages spoken in the broadcasting region.
Justin Maiman [Radio]
Broadcast all local high school and amateur sports games (football, tennis, volleyball, etc.) live without announcers and commentators, just the "nat" sounds from the game in real time.
Stephen Bradley [Radio (public radio space)]
place 3-5 solar-powered FM or AM receivers, with the volume up, and place the receivers high up in several different trees located in a public greenspace - face the radios towards the sun. tune the receivers within a few degrees of one another such as 90.1, 90.2, 90.3, etc avoiding clear commercial broadcasts. sit under the trees and listen.
Matthew Flores [Internet]
Make a website that you can only see half of.
Stephen Bradley [Radio (public radio space)]
prepare a number of cheap solar-powered AM or FM radio receivers with magnets on the back of each receiver. turn the volume up as loud as possible, tune each receiver to the weakest station, attach the prepared radios with magnets to the outside surface of 2-3 public transportation busses. take one of the buses and ride it to the end of its route.
Ricardo Iamuuri Robinson [Radio]
Broadcast sound collaged commercials of concepts and ideas. (eg. Capitalism, Neoliberalism, Freedom, etc)
Jin Zhu [Archives]
Create an archive (or an item for an archive) of forgetting. Is it possible to create an audio recording of someone forgetting a thing?
Justin Maiman [Radio]
"YouTube-ify" community radio. Instead of pushing out station produced content to the community via radio transmission, pull it directly from the local community — allow them to upload audio programming, field recordings, meetings, conversations, etc, directly to a server and then broadcast it. Aim to become a user-generated audio streaming service that aggregates and collects community created audio for broadcast.
Russell Gendron [Music]
Compose something - melody, riff, song - using something other than your primary instrument. Or, take a composition/idea and remove the primary instrument that you made it with.
Celeste Oram [Radio (public radio)]
Entirely UNedited pre-records; keep all the ums and fumbles.
Andy Stuhl [Radio]
Extend your station identification by noting the problems that arise when you only name your transmitter's municipal location. Instead describe in detail each spot of land, sky, and water that your signal reaches. Start over at the top of each hour.
Andrew Madey [TV]
Broadcast a slow screen crawl of inane, unrelated technical information during prime-time hours.
Russell Gendron [Film photography]
Choose any colour, go for a walk and whenever you see that colour, take a photo of whatever you imagine that colour is 'looking' at.
Melike Ceylan [Radio]
Visit stations at neighbouring frequencies while on air: ask about their day, complain about a noise, or ask if they have any spare piece of equipment that you need.
Ed Woodham [Print]
Under a pseudonym write a short review (300 words max) of your real or imagined artwork for a major publication.
Matthew Flores [Internet]
Make a website that you have to print out to use.
ONGOING
Monday
Feb
07
ONGOING EVENTS
ONGOING
Tuesday
Feb
08
ONGOING EVENTS
Radio Deprogramming Workshop with Andy Stuhl
Deprogramming: micro-interventions for media-makers
These short text prompts, along with their audio and video interpretations, are the products of our collaborative imagining in the Radio Deprogramming workshop. Deprogramming, we decided, can mean many things: disrupting routines, inverting diagrams, restoring relations to space, rupturing the ordinary, transporting while disorienting, flipping what’s public and what’s private in listening, offering footholds in the unscalable walls of communication systems, or perhaps dismantling the very medium-ness of a medium. The prompts are event scores, creative strategies, poetic ruptures, productive ambiguities, speculative fictions, project plans, and counter-imaginaries.
Andrew Madey [Email
Wipe your contacts, then try to reach out to them under a completely unfamiliar address.
Nicolas Montgermont [Radio]
Phone first : when you call a specific phone number, you automatically go live on air, bypassing any show that was playing. (https://nimon.org/en/radio-symetrique)
Andrew Madey [Radio]
Conduct important interviews only during the graveyard shift.
Michelle O'Connor [Radio]
Broadcast sounds rather than voices
Melissa Sarris [Print]
Translate a news story into a language you don’t speak and then attempt to read it aloud. (The chosen language could connect with a current refugee crisis.)
Nicolas Montgermont [Radio]
Ubiquitous : Using several physical studios that are streaming live sounds, an online mixer allows to plays on each studio independently.
Russell Gendron [Audio]
Using the automation tool in your DAW, create 'peaks' of any effect (try echo if you can't think of one) every 30 seconds, starting from the beginning.
Celeste Oram [Radio (public radio)]
When it comes time for the news on the hour, no newsreaders; no scripts. Only live crosses to man-on-the-street eyewitness accounts.
Andy Stuhl [Radio]
Move your station into the cloud. Drive to the nearest data center and stream your conversation with the security guards as you explain why you need to set up your transmitter there, where your sound files reside.
Andy Stuhl [Radio]
Move your station into the cloud. Place wires in a puddle to make the electrical connection between your mixing board and your transmitter. Conclude when the puddle evaporates.
Justin Maiman [Radio]
Build a radio transmission tower that regularly, but randomly, narrowcasts the radio signal to smaller and smaller areas, like neighborhoods or even just blocks or specific homes.
Melissa Sarris [Print]
Starting from the printed page (or print out any news article,) cut up and reassemble the sentences into something new. Attempting to make the new version sensical is optional.
Matthew Flores [Internet]
Make a website through a game of telephone.
Ed Woodham [Print]
Select the first paragraph from a current newspaper article and record yourself reading it backward ending with the headline.
Melike Ceylan [Telephone]
Each time you receive a new voice message, replace your existing voicemail greeting with it.
Jin Zhu [Red tape]
Make the mass or weight of each bureaucratic form you submit directly proportional to the potential consequences it will have on your life or finances.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and replace all vowels with the letter “E”
Ed Woodham [Print]
Select a recent front-page newspaper article (above the fold). Using the context of the article as inspiration – create an abstract visual, sound, dance, or performance interpretation of it – and document it in any form.
Michelle O'Connor [Radio]
Assume the radio is the audience
Melissa Sarris [Print]
A visual exploration: (over)use fonts - change the font (and point size!) repeatedly in every printed story, including the title. The news never looked so good!
Michelle O'Connor [Radio]
Hand the microphone over to the audience
Ed Woodham [Print]
Select the last paragraph of a magazine article. Leave the first word capitalized but make all the other capital words lower case. Remove all of the spaces between the words and all of the punctuation except a period in the end. Create something with this final product.
Sadie Couture [Audio]
Change the mix: music in the front, voices in the back
Sadie Couture [Audio]
Play a piece backwards (not the words, but just the story)
Matthew Flores [Internet]
Make a website that can only be accessed in one location.
Stacey Copeland [Print]
Time sensitive news. Attach a wick to the bottom of the newspaper with instructions to lite the wick before reading.
Sadie Couture [Audio]
Constantly set up the story/segment, never do it, and then end
Melissa Sarris [Print]
Variation: Create one news story that includes a sentence (or just a word?) from every article in one day’s newspaper.
Nicolas Montgermont [Radio]
Fallback : when there is no signals in the radio, use a fallback mode that is playing random files in a folder. These files are produced or selected in the context of a sound residency of one month, by an artist changing every month. (https://p-node.org)
Melissa Sarris [Print]
Read a news story while pronouncing every printed letter phonetically, even the the “silent” ones.
Jin Zhu [Radio]
Cater the size of your broadcast to exactly match the size and shape of a family member or friend's current or past residence.
Stacey Copeland [Radio]
Broadcast live from the loudest place in your neighbourhood.
Melike Ceylan [Radio]
Speak without using your voice.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and transcribe the partial article into a perspective of an octopus
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and translate all nouns into French
Stephen Bradley [Radio (public radio space)]
purchase 5 helium-filled balloons large enough to levitate 1 of the solar-powered AM/FM receivers up into airspace. each ballon should have a 1-meter long string attached tied to the antennae of one of the receivers. tune the radio to the clearest station possible. attach a note to the radio with instructions to detune the station if found. release the ballon/receivers early in the morning of a sunny day. attempt to follow on foot the airborne receivers as far as you can.
Jin Zhu [Radio]
Alternately broadcast into outer space and inner space, in sync with your exhales and inhales.
Celeste Oram [Radio (public radio)]
Languages spoken on air are directly proportionate (i.e. airtime per day) to demographics of languages spoken in the broadcasting region.
Justin Maiman [Radio]
Broadcast all local high school and amateur sports games (football, tennis, volleyball, etc.) live without announcers and commentators, just the "nat" sounds from the game in real time.
Stephen Bradley [Radio (public radio space)]
place 3-5 solar-powered FM or AM receivers, with the volume up, and place the receivers high up in several different trees located in a public greenspace - face the radios towards the sun. tune the receivers within a few degrees of one another such as 90.1, 90.2, 90.3, etc avoiding clear commercial broadcasts. sit under the trees and listen.
Matthew Flores [Internet]
Make a website that you can only see half of.
Stephen Bradley [Radio (public radio space)]
prepare a number of cheap solar-powered AM or FM radio receivers with magnets on the back of each receiver. turn the volume up as loud as possible, tune each receiver to the weakest station, attach the prepared radios with magnets to the outside surface of 2-3 public transportation busses. take one of the buses and ride it to the end of its route.
Ricardo Iamuuri Robinson [Radio]
Broadcast sound collaged commercials of concepts and ideas. (eg. Capitalism, Neoliberalism, Freedom, etc)
Jin Zhu [Archives]
Create an archive (or an item for an archive) of forgetting. Is it possible to create an audio recording of someone forgetting a thing?
Justin Maiman [Radio]
"YouTube-ify" community radio. Instead of pushing out station produced content to the community via radio transmission, pull it directly from the local community — allow them to upload audio programming, field recordings, meetings, conversations, etc, directly to a server and then broadcast it. Aim to become a user-generated audio streaming service that aggregates and collects community created audio for broadcast.
Russell Gendron [Music]
Compose something - melody, riff, song - using something other than your primary instrument. Or, take a composition/idea and remove the primary instrument that you made it with.
Celeste Oram [Radio (public radio)]
Entirely UNedited pre-records; keep all the ums and fumbles.
Andy Stuhl [Radio]
Extend your station identification by noting the problems that arise when you only name your transmitter's municipal location. Instead describe in detail each spot of land, sky, and water that your signal reaches. Start over at the top of each hour.
Andrew Madey [TV]
Broadcast a slow screen crawl of inane, unrelated technical information during prime-time hours.
Russell Gendron [Film photography]
Choose any colour, go for a walk and whenever you see that colour, take a photo of whatever you imagine that colour is 'looking' at.
Melike Ceylan [Radio]
Visit stations at neighbouring frequencies while on air: ask about their day, complain about a noise, or ask if they have any spare piece of equipment that you need.
Ed Woodham [Print]
Under a pseudonym write a short review (300 words max) of your real or imagined artwork for a major publication.
Matthew Flores [Internet]
Make a website that you have to print out to use.






