Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Inspired by data that links radiation emissions from cell towers and 5G technology to the spectrum of biological and behavioral side effects experienced by honeybees, Honeybees & EMF Radiation: Intraspecific Transmissions Beyond The Hive is informed by processes of converting EMF radiation into sound waves. At Wave Farm, Mwalimu-Banks and Cutler will capture radiation waves from local bee hives using a number of electronic measurement devices and transmute these libraries of sound into broadcast material for collaborative sound installations. The work seeks to create opportunities for education on the impact of EMF radiation within the Upper Hudson Valley landscape, while reflecting on how the bodies and complex communication systems of honeybees mirror our own. Through a series of daily field recordings, Mwalimu-Banks and Cutler will explore practices of deep listening, to both the activity of honeybees inside the hive, and the reverberation of sound transmissions within the ecology of their field of resonance. Listening to the fluctuations in vibroacoustics caused by EMF radiation, may offer insight into the consequences of living in an increasingly 5G-centered world. By generating this archive of materials, Mwalimu-Banks and Cutler aim to create psychic maps for interactive dialogue with honeybees and their transmissions on sovereignty, accountability, community, and sustainability.

Desiree Mwalimu-Banks is a Zambian-born, East-Coast raised, artist, writer, curator, educator, diviner, and mother, whose work explores somatic relationships between indigenous identity, water ecologies, apiary culture, and the ecstatic, within the framework of the sacred feminine and the African diaspora. Mwalimu-Banks pursues the electrical synapses that link human cosmic origins to constellations of blackness, by excavating cultural memory as artifact. She creates sound and video installations which reimagine the frequencies and landscapes of the archetypal feminine and its relationship to self-actualization. Mwalimu-Banks has partnered with individuals and communities in re-visioning embodied collaborations with the natural world including Movement Research, Stanford University, Naropa University, CUNY, the Manhattanville Purchase College Interfaith Studies Department, and The Caribbean Cultural Center. Her works can be seen in digital and print-based publications, including Heart & Soul, Sensheant, and teenvogue.com. Her article: “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra” was included in Olive Whiteman's recent anthology publication, Harmony In Chakras. desireemwalimubankscosmitransmissions.com

Composer and sound-artist Grant Cutler works toward the creation of an erotics-of-listening through an interdisciplinary exploration of acoustic phenomenon. Based in Brooklyn, New York Cutler creates music and sound for a variety of installations, films, and performances. His work has been featured by the Guggenheim’s CPA commission series, the Baryshnikov Art Center, The Walker Art Center, NPR, Pitchfork, BBC, and many others. His award-winning scores have been exhibited at film festivals world-wide including Tribeca, Ashland Independent, and Paris International. Cutler’s interest in the phenomenology of sound continues to drive his creative pursuits while his field-recording practice feeds a profoundly personal relationship to listening. grantcutler.com

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Part virtual dance party and part live performance, Revival! is a celebration of visual and sonic transmissions that are contained within Black spiritual and ecstatic experience. The title itself references the religious practices and histories of African Americans who have used spirituals in the form of song, dance, and performance as modes of connection, transcendence, and pleasure outside of the systemic violences pressing on our lives. Zakat and Oluwafemi use turntables to deejay both visual and aural content sourced from an archive of found footage from the internet, documentaries, live performances, and interviews. At Wave Farm Revival! will manifest both as a radio broadcast and a live event at Avalon Lounge in Catskill, NY.

Rashid Zakat is a filmmaker and artist based in Philadelphia. He uses video, photography, design, audio, and the web to encourage people to find as much beauty, joy, and wonder as possible. Professionally Zakat has a 15-year long career as a director and cinematographer for non-fiction, experimental films, and music videos. He has done work for India.Arie, Carmelo Anthony, Black Thought, The Philadelphia Museum of Art, BlackStar Film Festival, Soul Train, Topic, WHYY, Philadelphia Contemporary, Mural Arts, & BET to name a few. His personal work includes short documentary, iPhone and traditional portrait projects, visual mixtapes, digital publications, video installations, open mics and dance parties that experiment with visuals. rashidzakat.com

Oluwafemi is a deejay, music producer and visual artist based in Philadelphia, by way of Central New Jersey, by way of Lagos, Nigeria. Oluwafemi is inspired by drums and patterns, the rhythmic evolution of repetition. For over a decade, he has enjoyed mixing songs of drum influenced genres - the family of funk, hip-hop, soul, reggae, dancehall, house music, and their innumerable offshoots. These diasporic sounds have traveled with Oluwafemi to various cities on the east coast, California and Costa Rica. His style is simultaneously groovy and soulful, often drawing from a wide range of cultural influence and history.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Engagement Periods: September - November 2022; December 2022 - February 2023; or March - May 2023
Stipend: $5,000
Location: Remote (w/ one visit to Wave Farm in Acra, NY) *
Application Deadline: June 30, 2022
Notification: July 2022

Wave Farm is delighted to announce a fourth year of the Radio Art Fellowship. In 2022-2023 Wave Farm will host three separate three-month fellowships. This is a part-time engagement for a radio researcher and artist living and working in the United States. Each Wave Farm Radio Art Fellow will work closely with Wave Farm’s Executive Director, Galen Joseph-Hunter, and Artistic Director, Tom Roe. The Fellows will also have the opportunity to work with Mentors: Anna Friz, Joan Schuman, Neil Verma, and Gregory Whitehead.

Each Fellowship will combine remote work with one on-site visits to Wave Farm’s research library and radio studios.* Located in New York’s Upper Hudson Valley, Wave Farm is a nonprofit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Wave Farm’s WGXC 90.7-FM: Radio for Open Ears is a full-power, creative community radio station in New York’s Upper Hudson Valley. The WGXC program schedule features original content by over one-hundred volunteer programmers, and commits significant daytime listening hours to radio art and experimental sound.

*Details of the Wave Farm visit schedule will be determined in collaboration with the selected artist, with consideration given to any ongoing travel restrictions related to COVID-19.

A definition of Radio Art: Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions, conceived of for transmission with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and this Radio Art Fellowship program.

Duties and Responsibilities:

Month 1: Radio Art Listening, Research, and Archive Contributions

The first month of the fellowship is focused on additions to the Wave Farm Radio Art Archive. (See wavefarm.org/radio/archive) The archive is an online resource and a broadcast series on Wave Farm’s WGXC 90.7-FM. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or pirate transmission. During their first month, the fellow will have the opportunity for focused and supported research in order to identify five to ten additions to the archive. The Fellow will prepare audio with introductions and back announcements for broadcast, as well as written work descriptions, and artist biographies. Mentors will be available for consultation, leads, and feedback.

Month 2: Community Engagement

The fellow will design and lead a workshop (or listening session) with WGXC programmers and interested members of the public. Recent Fellowship community engagement examples include: "Radio Deprogramming" with Andy Stuhl and "Radio Intensive" featuring Jacki Apple and Keith Antar Mason, with Jess Speer.

Month 3: Radio Art Creation

The Fellow will create their own original radio artwork(s) for broadcast. Works will be included in Wave Farm's syndicated weekly program "The Radio Art Hour" which is syndicated nationally, as well as possibly included in Wave Farm's biannually contribution to the Radia network (see radia.fm).

Fellowship Benchmarks:

• Biweekly Meetings: with Wave Farm staff.
• Monthly Check-ins with Mentors for feedback on archive additions and the Fellow’s original radio artworks.
• Culminating Public Program: a live radio broadcast featuring the Fellow and mentors in conversation reflecting on works created and archive selections.

2022 Application

Eligibility: The Radio Art Fellowship program opportunity is open to individuals whose primary residence is in the United States. (Note: applications from collaborative teams are not eligible.) The Fellowship stipend will appear as “Other Income” on 1099s issued in conjunction with tax years 2022 and 2023, depending on the dates of engagement. Women, gender non-conforming people, and people of color are encouraged to apply.

Wave Farm’s Radio Art Fellowship is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the County Initiative Program, administered in Greene County by CREATE.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm will welcome drop-in visitors from noon to 6 p.m. on Saturday July 23 and noon - 4 p.m. Sunday July 24, 2022 in conjunction with UPSTATE ART WEEKEND. Guests are encouraged to time their visits with live performance from Wave Farm Artists-in-residence Aaron Dilloway and Victoria Shen, Saturday at 3 p.m. and Sunday at 2 p.m.

Founded in 2020 by Helen Toomer of STONELEAF RETREAT to celebrate the cultural vibrancy of Upstate New York, UPSTATE ART WEEKEND connects people and places, building a community that not only visits for the weekend, but explores the Hudson Valley throughout the year. Its third expanded edition, takes place from July 22-24, 2022, and incorporates 145+ participants in the Hudson Valley. This three-day self-directed, accessible event connects tourists and locals alike, with art and the outdoors, celebrating the cultural vibrancy of Upstate New York.

Acra campus on 29-acres featuring 12 site-specific Property Installations will be open on Saturday July 23 and Sunday July 24 for guided tours.

On Saturday, July 23 at 3 p.m. and Sunday, July 24 at 2 p.m. Aaron Dilloway and Victoria Shen will present Inhaled Yowls Machine, a project and tape instrument which will be used for composing, recording, and broadcasting during their Wave Farm Residency. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and be presented in live performance with a quadraphonic sound configuration during Upstate Art Weekend.

Wave Farm / WGXC Acra
5662 Route 23
Acra, NY 12405
Directions and details at https://wavefarm.org/wf/visit

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.