Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Celeste is a new radio art piece by Glass Salt, an experimental music duo comprised of Caylie Stapes and Johann Diedrick, in collaboration with the radio transmission frequencies floating in the sky, the celestial sphere, and deep space. On the theme of “the duo”, Glass Salt engages with two opposing ends of the electromagnetic frequency spectrum: the very low frequencies in the atmosphere between 3 and 30khz, and the cosmic gamma radiation emitted from stellar radio sources at frequencies above 30 exahertz. This combination of a musical duo engaging with a duo of extreme frequency bands allows for the creation of adventurous new radio artwork that brings the unhearable into the range of human listening and performance. Celeste will be composed and broadcasted during the annual Perseid meteor shower, which brings over 100 shooting stars per hour to the night sky and will set the stage for a celestial backdrop for Glass Salt’s atmospheric engagement with the sky above.

Glass Salt is an experimental music and sound duo consisting of singer, producer and improviser Caylie Staples and artist, engineer, and musician Johann Diedrick. Staples and Diedrick improvise with voice, electronics, custom software, homemade hardware and percussion. Glass Salt creates with values of presence, tactility, transparency, friendship, collaboration, learning, skill-building and playfulness. They released their debut album “Greetings" on Whatever’s Clever Club in July 2020 and a follow-up album “Mer" on Cherche Encore in December 2020.

Caylie Staples is a Canadian-based innovative singer, songwriter, producer and improviser. She is internationally recognized for her unique skill of creating on-the-spot, free form lyrics and vocals. Current projects include her self-titled art-pop electronica project, improvisational duo Glass Salt with Johann Diedrick focused on voice and custom electronics, co-leading improvising avant-rock ensemble Anthems of the Void with NYC-based experimental luthier Bradford Reed, and co-writing electronica with Morgan Doctor for Aporia Records. Staples has a B.F.A. Honors in Music from York University, Toronto, Canada.

Johann Diedrick is an artist, engineer, and musician that makes installations, performances, and sculptures for encountering the world through our ears. He surfaces vibratory histories of past interactions inscribed in material and embedded in space, peeling back sonic layers to reveal hidden memories and untold stories. He shares his tools and techniques through listening tours, workshops, and open-source hardware/software. He is the founder of A Quiet Life, a sonic engineering and research studio that designs and builds audio-related software and hardware products for revealing possibilities off the grid through sonic encounter. He is a 2021 Mozilla Creative Media Award recipient, a member of NEW INC, and an adjunct professor at NYU’s ITP program. His work has been featured in Wire Magazine, Musicworks Magazine, and presented internationally at MoMA PS1, Ars Electronica, and the Somerset House, among others.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Can & String uses the medium of radio to play with authorized and unauthorized use of ambient audio data. It comprises a darkly satirical radio program featuring live feeds of police and emergency data from across New York State. Two fictional radio hosts deploy the affect of different styles of commercial and public broadcasting, throwing to curated feeds of frontline operations and interviewing special guests. The results will draw together a collision of different emergency streams, drawing to attention the discrepancy between degrees of official information and their access to public ears. The 60-minute pre-recorded radio feature will be complemented by an in-person Q&A on-site. Can & String brings together sound artists Kamari Carter and Julian Day for their third collaboration. Blissville (2020) used custom LED signage and video to explore hidden complexities of gentrification in Queens, New York City, focusing on a vulnerable triangle of land near Long Island City. (I Want) To Be Held (2021) featured a room-sized installation of LED lightboxes by Day and a live sonic intervention by Carter, responding to the previous year’s complex and inchoate public messaging circulating from combined protest, pandemic, and political turmoil. This new project unites two of their shared interests: the politics of eavesdropping and the conscious moderation of broadcast structures.

Kamari Carter is a producer, performer, sound designer, and installation artist primarily working with sound and found objects. Carter's practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Carter holds a BFA in Music Technology from California Institute of the Arts and an MFA in Sound Art from Columbia University. kamaricarter.com

Julian Day is a writer, composer, and artist. Their creative work has featured at Tate Modern, Whitechapel Gallery, MASS MoCA, Fridman Gallery, Wallach Art Gallery, Museum of Contemporary Art Australia, California-Pacific Triennial, and Asia Pacific Triennia, Bang On A Can Marathon, MATA, Spitalfields Music Festival, and Huddersfield Contemporary Music Festival. Day has studied at the University of Oxford and Columbia University, given presentations at Harvard, NYU, and UCLA, and published in Tempo, Contemporary Music Review, and Leonardo Music Journal. They have worked extensively in broadcasting, interviewing Elliott Carter, Pauline Oliveros, Steve Reich, Laurie Anderson, George Crumb, and Janet Cardiff among others. julianday.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com

Wave Farm is delighted to announce that José Alejandro Rivera will serve as a 2022 Wave Farm Radio Art Fellow. During his engagement, Rivera will make additions to the Wave Farm Broadcast Radio Art Archive, an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. Rivera will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

José Alejandro Rivera (he/they) is a Puerto Rican, Ohio-born artist, composer, designer, and researcher currently based in SW Vermont. Their layered, place-based practice is informed by a background in music, architecture, and tending land. Working through sound and space to draw on critical cartography, technological ubiquity, systems, and flows of temporalities, José creates evocative, experimental soundworks, geo-notational maps, sound design for podcasts and the moving image, and multichannel, audiovisual installations and performances. He regards natural and built environments as woven fabrics of experience and association that exist and change across phenomenological, political, cultural, and aesthetic dimensions. In performances, they often use the space as an instrument, incorporating live and processed location recordings, various microphones and DIY electronics, radios, custom software, samples, and spatialized, textural elements that oscillate between noise and music. José’s encounters with the electromagnetic spectrum pursue expanded states of consciousness, sonic agency, sites of contingency and multiplicity, science fiction, and notions of identity as it relates to neurodivergence, diaspora, and queerness. His interests also include listening beyond sound, learning from the wisdom of plants and medicine making, regenerative farming, dreamwork, meditation, and movement practices like Qigong and yoga. https://proxemiasound.net/

As an extension of his aural cartographic practice, he performs and makes electroacoustic pieces as Proxemia. He has been featured on disquiet.com, framework radio, Rare Frequency, and textsound.org, among others. His multi-year exploration of the origins of weather mapping, radar, and the Green Building at MIT (2016-19), resulted in performances, a handmade cd/object, and a ground-level, 8.1 channel radio installation that mixed live transmission of spatial resonances with sonified weather data, custom software, and location recordings from the roof’s weather station. Other projects and collaborations have been exhibited at the Blackstar Film Festival, Martha Hill Dance Theater at Bennington College, National Arts Centre (NAC), MASS MoCA, Venice Biennale of Architecture, Bienal de Imagen en Movimiento (BIM), the deCordova Sculpture Park and Museum, Together Boston, Goethe-Institut Boston, ICA Boston (Leap Before You Look: Black Mountain College 1933–1957), The Sensory Ethnography Lab, MIT’s MediaLab and List Visual Art Center, The Center for Visual and Performing Arts at UMass Dartmouth, and Le Laboratoire in Cambridge, MA. From 2015-2020, he worked closely with Non-Event, a Boston-based experimental music series, as a live-sound engineer and graphic designer. Along with numerous collaborations, José’s fluid body of work also includes workshops, teaching, and the design and construction of an open­-air performance space for a youth dance and drumming group in rural Ghana. They studied art and sound in MIT’s Program in Art, Culture, and Technology (MSc 2017), and hold a BS in Architecture & Environmental Design from Kent State University (2011).

Virtues Vol. 2 is the second volume in a three-part series of EPs sonically interpreting a group of esoteric line drawings produced by the Samaritan Foundation—a new age spiritual cult Rami’s family was involved with in the early 1990s. Primarily working with found and manipulated audio sources, Rami & J. will use their time at Wave Farm to explore the possibilities of incorporating broadcast—a technology the Samaritan Foundation was deeply distrustful of—into this project. Among other strategies, they plan to collect field recordings from around the farm, re-recording them via broadcast at different frequencies and distances. They will also work towards a two-hour radio broadcast that incorporates elements of Virtues Vol. 1, as well as remixes from a forthcoming project (Virtues Vol. 1—Remixed & Reinterpreted), primary source recordings from the community, work in progress, and audio from video essays created exploring this group and the lasting impact on Rami’s family. This will mark the duo’s first time collaborating in person, previously only working remotely.

Rami George is an interdisciplinary artist currently based on Lenape land in what is now called Philadelphia. They have exhibited and screened broadly and remain motivated by political struggles and fractured narratives. ramigeorge.com

J. Midden is a musician and sound artist. His work explores questions about identity, uncertainty, and forgiveness. It has been described by The Quietus as “all-consuming” as well as “a banquet of the bizarre and beautiful” by the UK Press Association. He is currently based on unceded lands of the Clakamas, Cowlitz, and Confederated Tribes of the Grande Ronde in what is now called Portland, Oregon. jmidden.com