Intimate Space was originally conceived as an installation for the festival Ars Sonora, Radio Clàsica, put on by Radio Nacional de Espana. As is her usual practice, Sodomka spent many months thinking about, researching, and conducting interviews about the concept of intimacy and intimate space before beginning composition or production. During this time, she spent time in Tokyo, which gave her insight into cultural and contextual differences in the idea of physical intimacy and personal space. When the time came for production, Sodomka and her collaborators, including Helmut Jasbar on electric guitar, Heidelinde Gratzl on accordion, and Sodomka herself using electronic instruments, gathered in the studio, and were able to take time to improvise and play together to get a good recording that captured their expression of intimate space. Afterwards, Sodomka worked with sound engineer Anton Reininger to mix a recording in Dolby 5.1 Digital Surround Sound that included a recorded interview with collaborator August Black edited by Anna Kuncio, and a sound donation by Daniel Lercher.

Sodomka’s original plan for the installation included using mini-FM transmitters broadcasting from cars outside the festival venue and the audience walking around the cars with receivers, but technical problems led to a smaller installation of transmitters located in a room. The piece was first broadcast on ORF Kunstradio as a radio art piece on September 20, 2009, and was installed and performed on September 23, 2009, at CDMC (Festival for Contemporary Music), in Alicante, Spain. In the installation, audience members walking around the room created a new version of the work, their movements and the pieces of the broadcast being transmitted from various transmitters shifting the sounds throughout the installation. The piece was broadcast again on October 24, 2009 by Ars Sonora, Radio Clàsica.

In both its installation and broadcast formats, the piece references and uses radio as a way to think about intimacy and intimate space as something that is broadcast, so to speak, from individuals and extending out at various distances depending on the cultural background and personality of individual “transmitters.” Compositionally, the piece was also inspired by the sounds Sodomka could hear from her “composer’s hut” in her garden: birdsong, neighborhood children, and other sounds of the people and natural world around her becoming a part of her intimate space and compositional work. Distance, communication, and intimacy are all factors in this intimate space. Similarly, mini-FM transmitters can allow people to transmit a broadcast within the distance of their own personal bubble, only allowing those physically close, and therefore within the intimate space, to receive those messages, and taking that personal bubble of intimate space with them wherever they go. “Radio creates a mapping between time and space,” Sodomka says, “transforming an acoustical geometry into a spatial geometry.” - Described by Wave Farm Radio Artist Fellow 2020/2021, Jess Speer.