"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The Northeast Fiddlers’ Convention is a family-friendly, traditionally-inspired old-time and bluegrass music gathering. Nestled in the secluded natural setting of a vast historic Shaker village, participants and appreciators of all levels are invited to jam, listen, compete, learn, pick, dance, and celebrate. Music and workshops from Down Hill Strugglers w/ John Cohen. Camping available. Film Screening Friday night. Picking/Jamming encouraged all weekend long. Band and instrument contests, Saturday square dance.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The Northeast Fiddlers’ Convention is a family-friendly, traditionally-inspired old-time and bluegrass music gathering. Nestled in the secluded natural setting of a vast historic Shaker village, participants and appreciators of all levels are invited to jam, listen, compete, learn, pick, dance, and celebrate. Music and workshops from Down Hill Strugglers w/ John Cohen. Camping available. Film Screening Friday night. Picking/Jamming encouraged all weekend long. Band and instrument contests, Saturday square dance.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

If you have always wanted to make the clothes you envision in your head, this is your chance. Using the techniques from her book, Design-It-Yourself Clothes, Cal will teach you how to draft your own basic patterns for a T-shirt, skirt and shift dress based on the measurements of your unique body. Then you will learn how to take those patterns and stylize them into endless variations.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

If you have always wanted to make the clothes you envision in your head, this is your chance. Using the techniques from her book, Design-It-Yourself Clothes, Cal will teach you how to draft your own basic patterns for a T-shirt, skirt and shift dress based on the measurements of your unique body. Then you will learn how to take those patterns and stylize them into endless variations.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

If you have always wanted to make the clothes you envision in your head, this is your chance. Using the techniques from her book, Design-It-Yourself Clothes, Cal will teach you how to draft your own basic patterns for a T-shirt, skirt and shift dress based on the measurements of your unique body. Then you will learn how to take those patterns and stylize them into endless variations.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

WGXC's Spring Testify! Pledge Drive will run June 10 through June 23, 2019. During this drive, we seek to continue to build our base of monthly sustaining donors to WGXC. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

A new project in McDermott’s wearable technology Urban Armor series, The Public Speaker is a skirt covered in 50 small speakers, which have been individually soldered to mini amplifiers. A base skirt layer is covered in strips of LED lights, creating a soft glow behind the speakers, which pulses in time to audio frequencies. At Wave Farm, The Public Speaker will be transformed into an interactive walking radio receiver, tuned to overlooked and underheard frequencies, revealing invisible networks wherever she goes.

Kathleen McDermott combines craft and sculpture techniques with open-source electronic experiments to build video-based narratives of a strange future. She takes a critical perspective on emerging and wearable technologies by creating electronics that are counterproductive, humorous, and uncontrollable. A recurring theme in her work has been the relationship between technology, the body, and personal and public space, grounded in the belief that absurdity can be an appropriate response to technologically-enabled feelings of alienation.

The International Computer Music Conference (ICMC) is the preeminent annual gathering for computer music researchers and practitioners from around the world. Its unique interweaving of research paper presentations and concerts of new computer music, refereed by ICMA- approved international panels of experts, creates a vital synthesis of science, technology, and the art of music. The 2019 ICMC will be a joint ICMC-NYCEMF conference and festival to be held Sunday, June 16 through Sunday June 23, 2019. The event will take place in the heart of New York City at New York University and the Abrons Arts Center, with performances at partnering venues such as the Fridman Gallery. The International Computer Music Conference will be streamed live on Wave Farm Radio with select broadcasts on WGXC-FM. Visit nycemf.org for an up-to-date listing of performances.

If you have always wanted to make the clothes you envision in your head, this is your chance. Using the techniques from her book, Design-It-Yourself Clothes, Cal will teach you how to draft your own basic patterns for a T-shirt, skirt and shift dress based on the measurements of your unique body. Then you will learn how to take those patterns and stylize them into endless variations.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

Fireworks, to celebrate the nation's anniversary, are being held on a variety of dates, at several locations in the Hudson Valley, including:

• July 3, Hunter. Scribner's Lodge hosts a BBQ from 6-10 p.m. with fireworks at dusk.

• July 3, Coxsackie. The Coxsackie Farmers Market has live music at 4 p.m. by James Dykeman and 6:30 p.m. by Wyld Blu. Fireworks at 9:15 at Coxsackie Riverside Park.

• July 4, Windham. There are events and a parade from 2-7 p.m. in Windham, with fireworks at Windham Mountain Resort at dusk.

• July 4, Cairo. There are vendors in Angelo Canna Park at 5 p.m., with fireworks at dusk.

• July 4, Saugerties. Parade and fireworks, 11 a.m.–10 p.m. at Cantine Field.

• July 4, Germantown. "An Old-Fashioned Independence Day" from 2-10 p.m. at the Clermont State Historic Site with 18th century crafts, period reenactments, unnamed live music, and fireworks.

• July 5, Catskill. Fireworks at dusk in Dutchman’s Landing Park.

• July 6, East Durham. Parade kicks off at 11 a.m. on Route 145, ending at the Michael J. Quill Irish Cultural Centre. Fireworks at dusk.

• July 6, Tannersville. Parade at 3 p.m. begins at the Go Greene Food Mart and ends at the Village Hall on Main Street. Music at Colonial Golf Course. Fireworks at dusk.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

Fireworks, to celebrate the nation's anniversary, are being held on a variety of dates, at several locations in the Hudson Valley, including:

• July 3, Hunter. Scribner's Lodge hosts a BBQ from 6-10 p.m. with fireworks at dusk.

• July 3, Coxsackie. The Coxsackie Farmers Market has live music at 4 p.m. by James Dykeman and 6:30 p.m. by Wyld Blu. Fireworks at 9:15 at Coxsackie Riverside Park.

• July 4, Windham. There are events and a parade from 2-7 p.m. in Windham, with fireworks at Windham Mountain Resort at dusk.

• July 4, Cairo. There are vendors in Angelo Canna Park at 5 p.m., with fireworks at dusk.

• July 4, Saugerties. Parade and fireworks, 11 a.m.–10 p.m. at Cantine Field.

• July 4, Germantown. "An Old-Fashioned Independence Day" from 2-10 p.m. at the Clermont State Historic Site with 18th century crafts, period reenactments, unnamed live music, and fireworks.

• July 5, Catskill. Fireworks at dusk in Dutchman’s Landing Park.

• July 6, East Durham. Parade kicks off at 11 a.m. on Route 145, ending at the Michael J. Quill Irish Cultural Centre. Fireworks at dusk.

• July 6, Tannersville. Parade at 3 p.m. begins at the Go Greene Food Mart and ends at the Village Hall on Main Street. Music at Colonial Golf Course. Fireworks at dusk.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

Fireworks, to celebrate the nation's anniversary, are being held on a variety of dates, at several locations in the Hudson Valley, including:

• July 3, Hunter. Scribner's Lodge hosts a BBQ from 6-10 p.m. with fireworks at dusk.

• July 3, Coxsackie. The Coxsackie Farmers Market has live music at 4 p.m. by James Dykeman and 6:30 p.m. by Wyld Blu. Fireworks at 9:15 at Coxsackie Riverside Park.

• July 4, Windham. There are events and a parade from 2-7 p.m. in Windham, with fireworks at Windham Mountain Resort at dusk.

• July 4, Cairo. There are vendors in Angelo Canna Park at 5 p.m., with fireworks at dusk.

• July 4, Saugerties. Parade and fireworks, 11 a.m.–10 p.m. at Cantine Field.

• July 4, Germantown. "An Old-Fashioned Independence Day" from 2-10 p.m. at the Clermont State Historic Site with 18th century crafts, period reenactments, unnamed live music, and fireworks.

• July 5, Catskill. Fireworks at dusk in Dutchman’s Landing Park.

• July 6, East Durham. Parade kicks off at 11 a.m. on Route 145, ending at the Michael J. Quill Irish Cultural Centre. Fireworks at dusk.

• July 6, Tannersville. Parade at 3 p.m. begins at the Go Greene Food Mart and ends at the Village Hall on Main Street. Music at Colonial Golf Course. Fireworks at dusk.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Mid-Orbit: A Radio Sitcom About the 8 Planets is a radio play based on the planets in our solar system. Inspired by the planetary orbits and their associated mythologies, this radio piece playfully mixes classic sitcom tropes and sound effects, loveable and archetypical characters, and ambient music. This situational comedy utilizes radio waves and transmission frequencies from the planets themselves, as well existing data about their various atmospheres to generate the accompanying score. Curiously, in this sitcom the Earth is stricken with a case of laryngitis and remains silent throughout, which begs the question— what happens when we simply listen?

Stefana Fratila examines the act of bearing witness through public interventions, performances, sound and video installations. Interested in interrogating the relationship between memory and the body, she often incorporates her own experiences with disability and chronic illness. Her recent work focuses on how sound waves might be perceived by human ears as they travel through the different atmospheres of our solar system.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

"David Shrigley: To Be Of Use" showcases practical objects, each with a twist that undermines its anticipated function. Among the objects are selections from a series called Problem Guitars, each of which can be played, but in an altered capacity. An oversized telephone allows viewers to make phone calls—so long as the intended number doesn't contain a zero. Throughout the duration of the exhibition, The Artist—a Roomba outfitted with markers protruding from its nostrils—will produce a new weekly drawing to be displayed amongst the other artworks.

At 3 p.m. on May 25, Problem Guitars will be featured in a performance by musicians Melissa Auf der Maur, Kid Millions, Arone Dyer, Rebecca Ruth Borrer, and Matt Norman. The performance will be broadcast live on Wave Farm's WGXC 90.7-FM.

Stephen Bradley and Edward Ruchalski’s SpiderCricket (Sp+Cr) is a multi-phonic ecological radio installation informed by Wave Farm’s biophonic and radiophonic soundscape. The core of Sp+Cr uses a “spider web” wind-harp structure, which also functions as an antenna for low-power FM transmitters that broadcast on the property. Using DIY micro-mixers, numerous solar-powered FM radio receivers are tuned to one of the broadcast channels. Each wire’s unique length is tuned to a particular frequency that mixes with other sonic algorithms. Field recordings made during the dawn and dusk cycles are incorporated into Sp+Cr sculpture and into the final, live WGXC radio broadcast.

Bradley and Ruchalski’s (B&R) practice is informed by their close relationship to place realized through radio, deep listening, acoustic intervention, and compositions based on environmental field recording. Their artistic practice is grounded and based on studies of acoustic spaces, engaging site-specific improvised sound actions and installations that raise the audience’s awareness of the hidden, often subtle and difficult to hear sounds found amidst bioacoustics and noisy landscapes.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

RC (Radio Control) is a collaborative performance system for multiple movement artists and software defined radios (SDRs). The system enables performers to adjust the tuning and other parameters of the SDRs based on their location within the performance space and position. Video cameras aimed at the performance area feed images to a motion tracking patch in Max (software), generating location information which will be scaled and sent to the SDRs via OSC messages, controlling their tuning. Performers will have individual choreography instructions for the piece; some will be attempting to control the sounds of the radio in a specified sequence, others will have movement instructions based on the sounds they hear.

Bob Drake is an improvising musician, composer, and electro-acoustic luthier from Cleveland Ohio. He designs, builds, and plays electronic instruments in the tradition of Don Buchla and David Tudor, performing on these electroniums plus original electro-acoustic and extended-technique traditional instruments. His performances span free and structured improvisation, new music composition, noise, and minimalist “lowercase” musics. He teaches sound art, media installation, and electronics at Cleveland Institute of Art.

Learn to walk on professional peg-leg stilts with Bindlestiff Family Cirkus and participate in Black Arts and Cultural Festival Parade Saturday, August 10 and in Summer Cirkus show on August 11. Walk tall and let your community see you. Participation in all five days of workshop and parade is the priority for participants. Info: Stephanie@bindlestiff.org call/ text 917-744-6844 for info

Learn to walk on professional peg-leg stilts with Bindlestiff Family Cirkus and participate in Black Arts and Cultural Festival Parade Saturday, August 10 and in Summer Cirkus show on August 11. Walk tall and let your community see you. Participation in all five days of workshop and parade is the priority for participants. Info: Stephanie@bindlestiff.org call/ text 917-744-6844 for info

Learn to walk on professional peg-leg stilts with Bindlestiff Family Cirkus and participate in Black Arts and Cultural Festival Parade Saturday, August 10 and in Summer Cirkus show on August 11. Walk tall and let your community see you. Participation in all five days of workshop and parade is the priority for participants. Info: Stephanie@bindlestiff.org call/ text 917-744-6844 for info

Learn to walk on professional peg-leg stilts with Bindlestiff Family Cirkus and participate in Black Arts and Cultural Festival Parade Saturday, August 10 and in Summer Cirkus show on August 11. Walk tall and let your community see you. Participation in all five days of workshop and parade is the priority for participants. Info: Stephanie@bindlestiff.org call/ text 917-744-6844 for info