Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

One-hour look at the week in radio news, new radio art, experimental sounds, and more. This week, from Free Speech Radio News: "In Texas, a public school district has been allowed to continue to require students to carry locator chips, according to a ruling by a federal judge Tuesday." And then Layna Berman and Jeffry Fawcett, PhD. discuss electromagnetic field (EMF) exposure to children and adults in the short- and long-term. Hosted by Tom Roe. This show is repeated at 5 a.m. Sun., Jan. 13.

Episode 16 of the "Tabs Out Cassette Podcast" includes a 2012 Top 25 list, an interview with Ryan McGill (Afterlife) and Franklin Teagle (Afterlife / Tranquility Tapes).

Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

Presented as a special series broadcast at 7 p.m. on the first three Saturdays in January, The Status of Sound: Writing histories of sonic art was a day-long conference at the Graduate Center City University of New York on November 30, 2012. free103point9 is delighted to share the following presentations and discussions from this lively and important conference with WGXC audiences:

Saturday, January 5, 2012, 7 p.m.:
Sound Practice: Working Across Disciplines
Moderator: Meredith Mowder, Doctoral Student, Art History, The Graduate Center
"Sound Art/Music: Performing Nam June Paik's Early Compositions" Miki Kaneda, MoMA, Ph.D., Music (Ethnomusicology), University of California Berkeley
"Valie Export and the Sexual Politics of Sound" Amalle Dublon, Doctoral Student, Literature (with Certificate in Feminist Studies), Duke University
"The Other Side of Time: Vibration, Mythscience, and the Tapes of DJ Screw" David Michael Perez, M.A. History of Art with Honors, Goldsmiths, London
"Physical Memories: The Audio-visual Assemblages, of Oneohtrix Point Never" Hisham Awad, M.A., in Aural and Visual Cultures, Goldsmiths, London

Saturday, January 12, 2012, 7 p.m.:
Recording Sound: Theorizing Sonic Art
Moderator: Lauren Rosati, Doctoral Student, Art History, The Graduate Center
"Ephemeral, Immersive, Invasive: Sound as Curatorial Theme, 1966-2006" Seth Cluett, Doctoral Candidate, Music Composition, Princeton University
"Out of Earshot, Out of Mind, The Tribulations of Object-oriented Sound" Rahma Khazam, Doctoral Candidate, Art and Aesthetics, Unversite de la Sorbonne, Paris
"Vibrant Matter: Sound Art and Locational Determinacy" Charles Eppley, Doctoral Student, Art History, Stony Brook University
"Sounding the Body Electric: Experiments in Art and Music from Eastern Europe in the 1960s" David Crowley, Professor, Royal College of Art, London

Saturday, January 19, 2012, 7 p.m.:
Keynote Roundtable Discussion
Dr. Christoph Cox, Professor of Philosophy, Hampshire College
Dr. David Grubbs, Associate Professor at the Conservatory of Music, Brooklyn College
Dr. Brandon Joseph, Professor of Art History, Columbia University
Marina Rosenfeld, Professor of Music and Sound, Bard College


The Status of Sound is sponsored by the PhD program in Art History, John Rewald Endowment of the PhD Program in Art History and the Center for the Humanities at the Graduate Center. free103point9 extends a special thank you to Andrew Cappetta, Kendra Sullivan, Sarah Resnick, and Katherine Carl for making this broadcast possible.

Art's Birthday: An annual exchange-art event celebrated on January 17 by a loose collection of artists and artist organizations around the world. "Art's Birthday" is an annual event first proposed in 1963 by French artist Robert Filliou. He suggested that 1,000,000 years ago, there was no art. But one day, on the 17th of January to be precise, Art was born. According to Filliou, it happened when someone dropped a dry sponge into a bucket of water. Artists have celebrated Art's Birthday with lavish parties and gatherings, correspondence and mailart, and through Telematic networks using SloScan TV, Videophones, music composed for telephone lines, modem-to-modem MIDI connections, early bulletin board and chat systems, and (starting in the mid 1990's) the Internet. free103point9: transmission arts and WGXC 90.7-FM will broadcast several of these events Jan. 17-Jan. 20. Tune in around the world with us at artsbirthday.net.