Court: Internet Radio Services Don't Need To License From Labels

billboard

iTunes reps 1 in every 4 songs sold in U.S.

cnet

Future Bleak for WiMAX?

dailywireless

2009 Reg Fees: Filing Deadline Set At September 22, 2009

comm law blog

Americans Tune Out Mobile Music ?

informationweek.com

From Nik Goodman:

I’ve just visited client station KRONEHIT based in Vienna, who are just celebrating audience figures (from their measurement system in Austria called ‘Radio Test’) that put them well over the ½ Million listeners mark. Well done to all the hardworking team there. One of the fun initiatives that I heard about while I was there, is a fantastic idea that I had to share with you.

In summer, as we know, there are a lot of insects about... especially mosquitoes, which if you are near any water, can be particularly bad. So KRONEHIT are offering listeners a 'Mosquito Free Summer'! How? Well... with a little bit of technical trickery!

They are embedding a silent tone of 14,850 Hertz in the signal, which imitates the buzzing of female mosquitoes. Therefore other female mosquitoes who hear this tone, are apparently repelled by the sound, and don’t come near it! Brilliant!

Therefore, the message is simple. If you’re outdoors, get KRONEHIT playing on the radio and you’ll enjoy your first summer without mosquitoes!! Genius!

Now, there’s a lot of debate as to whether high frequencies actually repel mosquitoes or not.... but that’s not the point. The initiative is quirky enough for people to try and it and stands out as something really interesting when you hear it.

When I was told about this, I didn’t know if it was some sort of whacky radio stunt or not... but they are actually doing it for real, with a real frequency generator on the transmission chain. And I’m sure they’ll be lots of listeners who say how brilliantly it works too.

Listening to Music on Mobile Phones Doubled in Past Year
audio4cast

A (video) Rant on Internet Radio
hear2.0

Onkyo TX-NR807 AV receiver with internet radio and DLNA streaming
slashgear.com

Analysis: WOXY Adds To Future Sounds’ Growing Business Model
billboard

The Music Festival Grows Up
wsj

World’s first dial-free radio unveiled
telegraph.co.uk

SoundExchange/CPB Deal Is Extended
comm law blog

Internet Evolution Launches IE Radio With craigslist’s Founder
foxbusiness.com

Clear Channel reports $3.7 billion quarterly loss
bizjournals.com

CMX vs. Cocktail, another battlefield in Apple vs. labels
Guardian.

UK Study: Teens Relationship With Music Shifting

hypebot

Radio and the Internet Put the Smackdown on Newspapers

future now

WFMU's new iphone app

Facebook Buys FriendFeed

WSJ

MLB beefs up Roku's rotation

cnet

CBS Radio sells its Portland stations

oregonian

sony, warner, universal and emi to launch cmx album download format

times online

An Open Letter to Radio Programmers

oregon media central

Internet Radio—Where’s the Momentum?

paragon

Should Starbucks ban laptops?

cnet

free103point9 is pleased to announce the 2009/2010 AIRtime Fellowship recipients: Brett Ian Balogh, Sabine Gruffat & Bill Brown, and Zach Poff.

The AIRtime program provides artists (individuals and/or collectives) with valuable assistance with which to concentrate on new transmission works and conduct research about the genre using free103point9's resource library and equipment holdings. Fellows present their work in conjunction with WGXC, in Greene and Columbia Counties, and free103point9 city-based programs at the Ontological Theater at St. Mark's Church in Manhattan. Fellows receive an honorarium, and technical and administrative support from free103point9 staff.


About the selected artists and projects:

Brett Ian Balogh (Chicago, IL), Noospherium

Brett Ian Balogh is an artist working at the intersection of objects, sounds and spaces. His current practice employs sound, radio and digital fabrication technologies to re-imagine traditional notions of space and our placement within. Balogh’s AIRtime project, Noospherium will manifest as an array of radio receivers installed throughout an exhibition space as points of sound diffusion accompanied by a video projection. Audio samples will be taken from various portions of the radio spectrum and rebroadcast via low-power FM by a programmable wide-band transceiver developed by Balogh. A computer application written in Max/MSP will control the sampling and rebroadcast of the received signals as well as animate the audio across the array of receivers, endowing the resulting soundscape with motion within the space. The video projection will consist of computer-animated representations of broadcast coverage areas derived from data available from the FCC relevant to the geographic location of the venue. This project aims to unite the DIY spirit of both the radio and open-source communities by advancing a low-cost, user-friendly, programmable, and extensible transmission arts platform, which will be made available to others.

Sabine Gruffat & Bill Brown (Madison, WI), The Bike Box

Sabine Gruffat is an interdisciplinary artist whose work maneuvers through, manipulates, and challenges prescribed genres and codes. Bill Brown seeks to correlate geographical coordinates with conceptual ones in his work, such as uncovering the memories and histories folded up inside physical landscapes and borders. Their collaborative AIRtime project, The Bike Box, is grounded in the artists’ interest in site-specific art and interactive media. The Bike Box will give an area’s residents access to cheap, durable, technology-enhanced bicycles in order to assist and encourage the exploration and interpretation of their environment. Bicycles at The Bike Box will be equipped with a GPS receiver/transmitter that may be connected to each user’s mobile phone. As cyclists pedal through the streets, their GPS coordinates will be beamed to a central computer and their positions will be displayed on a screen at The Bike Box receiving station. When cyclists pass through certain pre-selected GPS coordinates, their cell phones will ring, allowing them to listen to a pre-recorded description of the location informed by local land-use experts, historians, poets, and other interpreters.

Zach Poff (Brooklyn, NY), Radio Silence

Through artwork, teaching, and free software creation, Zach Poff examines the opportunities and challenges that arise from the translation of our experiences into "information." His recent work has been focused on how traditional broadcasting reverberates into digital media and influences notions of an emerging post-broadcast discourse. Poff’s AIRtime project, Radio Silence, explores the silent moments of talk-radio, using the cadences of different live radio personalities to compose an ongoing collaborative “performance.” Eight radio tuners feed their signals into custom software that will detect each silent moment and replace it with a unique “note.” Each note is a spectral average of the source audio, so it reflects the timbre of whatever is currently on the air. The speakers are arranged in a row above a computer display, which shows a “waterfall” visualization of the recent silences of each program and the call-letters of each station. The result is a multichannel composition of abstract bursts that inherit specific human rhythms from the rhetoric of their sources.

The 2009/2010 AIRtime Fellowship panelists included: Marie Evelyn (Analogous Projects,) Ralf Homann, and Shannon Sindelar (31 Down and Ontological Theater.)


free103point9 is a non-profit arts organization focused on establishing and cultivating the genre Transmission Arts. This genre encompasses a diversity of practices and media working with the idea of transmission or the physical properties of the electromagnetic spectrum. Transmission art is generally a participatory live-art or time-based art, and often manifests as radio art, video art, light sculpture, installation, and performance. free103point9 activities support and promote artists exploring transmission mediums for creative expression. free103point9's programs include public performances and exhibitions, online radio stations, the free103point9 Transmission Artists, an artist fellowship program, facilitation of a NYSCA regrant for individual artists, a distribution label, an education initiative, an online study center and archive, and a forthcoming full-power FM radio station WGXC-FM serving Greene and Columbia Counties in New York.

free103point9 is supported by The Andy Warhol Foundation for the Visual Arts; and with public funds through the Electronic Media and Film Program of the New York State Council on the Arts, a state agency; the Greene County Legislature through the County Initiative Program, administered in Greene County by the Greene County Council on the Arts; and the New York City Department of Cultural Affairs. Additional program support is provided by Experimental Television Center; a matching grant from Public Radio Capital, with funds provided by the New York State Music Fund; the Brooklyn Arts Council JPMorgan Chase Regrant Program; harpofoundation; the Puffin Foundation; the Joseph Family Charitable Trust; India Richards; and other generous individual donors. Past programs have been made possible by the Peter Norton Family Foundation; Meet The Composer's JPMorganChase Regrant Program for Small Ensembles; the Mid Atlantic Arts Foundation; the National Endowment for the Arts, a federal agency; CEC ArtsLink; and Mondriaan Stichting.

No More Perks: Coffee Shops Pull the Plug on Laptop Users

WSJ

A Virtual Clown Car of Webcasting Settlements

Comm Law Blog

Mobile Internet Hot Spots: Hot or Not?

nytimes

2014 monthly mobile traffic will outpace the total traffic for all of 2008.

rbr.com

Startup SplashCast ceases operations

portland business journal

Crowded roads ahead for charity 2.0

CNet

The Album Is Dead, Long Live the App

wired

iLike Expands D.I.Y Artist & Concert iPhone Apps

hypebot

Closed Deal: WideOrbit Acquires Google Radio Assets

techcrunch

The Death Of Paid WiFi

dailywireless

From Wikipedia:

The Russian Woodpecker was a notorious Soviet signal that could be heard on the shortwave radio bands worldwide between July 1976 and December 1989. It sounded like a sharp, repetitive tapping noise, at 10 Hz, giving rise to the "Woodpecker" name. The random frequency hops disrupted legitimate broadcast, amateur radio, and utility transmissions and resulted in thousands of complaints by many countries worldwide. The signal was long believed to be that of an over-the-horizon radar (OTH) system. This theory was publicly confirmed after the fall of the Soviet Union, and is now known to be the Duga-3[1] system, part of the Soviet ABM early-warning network. This was something that NATO military intelligence was well aware of all along, having photographed it and giving it the NATO reporting name Steel Yard.

WOXY is moving to Austin
woxy.com

Mediafly (read podcast) channel coming to Roku Digital Media Player
cnet

WiMAX Moves Forward in Taiwan
WiMAX blog

The decade's 25 biggest tech flops (HD and XM make the list)
cnet

Coldplay First To Sell 1 Million Digital Albums
hypebot

Radio Cegeste from Edie Eves on Vimeo from June 20, 2009.

Pandora now pushing radio to pay for music, too

arstechnica

Pandora Gets Another $35 Million

hypebot

Rhino Launches New Digital Sales Format

hypebot

Microsoft is launching a music streaming service this month

telegraph

Court Affirms Most Webcasting Royalty Rules

CommLawBlog

RAIN's Internet radio royalty round-up

RAIN

Diapason Gallery for Sound is dedicating the month of October 09 to the exploration of the idea "Microsound", a technical term and also a musical genre. In honor of the 10th anniversary of the .microsound.org mailing list (founded by Kim Cascone) Diapason will present multi-channel installations, sound objects, performances, lectures, texts and other media in an effort to develop a survey on Microsound from today's post-digital perspective. Microsound is a term that encompasses explorations of sound on a time scale "shorter than musical notes". It includes subgenres such as Glitch music, granular synthesis, Lowercase sound, etc.

About Diapason: Since 2001, Diapason has been devoted to the presentation of sound art. The gallery, located in Sunset Park, Brooklyn, contains two listening environments with state-of-the-art multi-channel sound systems: the "lounge" contains a 12 channel sound system placed asymmetrically around the space and the "gallery" is a focused listening environment with a high quality 8 channel system. Installation and performance proposals that consider site and spatialization as an important parameter will be favored.

More information:
www.diapasongallery.org
http://microsound.org/links.php

Please submit your proposals by August 10 2009 to:
Daniel Neumann, curatorial assistant
neumann@alulatonserien.de

The webcasting deal: What took so long?
latimes

Hold on, pandora didn't save all internet radio
nytimes

Sadly, Pandora Is Still Going Bankrupt
michaelrobertson.com

Why National Public Radio's Mobile Web Approach Works
poynter.org

Sprint Gains Network Advantage: Deal with Ericsson Delivers Competitive Edge

Final Piece of the Webcasting Puzzle Settled
commLawBlog

Bertelsmann, KKR launch joint music rights venture
reuters

As Music Mags Fall, Pitchfork Is Booming
forbes

VLC 1.0 officially released after more than 10 years of work
arstechnica

Sources: Google OS lives (and it's coming to a netbook near you)
arstechnica

Casey Kasem Retires at 77

Online radio stations strike big deal on royalties
AP

The Death of Traditional Media (same day as MJ)
McVay media

Why Should Webcasters Pay 25% Of Revenue To Promote Musicians?
techdirt

Pandora Limits Users To 40 Hours Per Month
hypebot