Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

When the World Screamed is a sound installation and performance that speculates on the possibilities of co-creating with non-human entities and processes through sound synthesis and modulation. Consisting of large-scale string instruments constructed by stringing piano wires across tree trunks, this outdoor installation will generate sounds through a series of strumming mechanisms. Amplified by electric guitar pickups, the sound will be further modulated through sonic filters triggered by moisture, ambient radiation, and temperature sensors plugged into the ground. By allowing this data to distort, alter, and modulate the sound, the installation is a collaboration between human and non-human systems. Additionally, Narula and d’Andriole will interact with the installation by moving and altering the locations of ground sensors to create a 30-minute sound performance piece that further highlights the collaboration between the artists’ bodies and the earth. The residency will culminate with a radio event in which Narula and d’Andriole will play recordings from the installation and performance, present transmission related readings, including Arthur Conan Doyle’s short story, “When the World Screamed,” along with a discussion about how intersectional identities inform ideas of art, technology, and culture.

Abhishek Narula is an artist and educator working at the intersection of art, science, and technology. His installations, performances and interventions are thought experiments to challenge fundamental assumptions underlying digital systems, technology, culture and society. Using computer code and electronics as aesthetic tools, Abhishek also seeks to develop alternative imaginaries and possibilities of the synthetic and artificial. Abhishek is a hardware junkie, an avid DIY’er and an open-source advocate. Born in New Delhi, India, Abhishek has exhibited and presented his work at national and international festivals, conferences, venues, galleries and publications such as the Science Gallery Detroit, Speculum Artium Media Festival Slovenia, New Media Caucus (NMC), Boulder Museum of Contemporary Art, The Boulder Public Library, The Boulder Creative Collective Warehouse, The Hyde Park Art Center, and Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA) and Infosys Pathfinders Institute. He earned his MFA from the University of Michigan Stamps School of Art and Design, and he holds his MS and BS in Electrical Engineering from the Georgia Institute of Technology. He is currently an Assistant Professor in Electronic Art and Intermedia at Michigan State University. anarula.com

Lorelei d’Andriole is an intermedia artist, educator, and writer whose work is at the intersections of transgender and sound studies. Born in Oklahoma City, Oklahoma, d’Andriole toured across the country in punk bands and played hundreds of shows in venues ranging from house shows to amphitheaters while earning her BFA in New Media from the University of Central Oklahoma (Magna Cum Laude) in 2018. She went on to earn her MA and MFA with honors from the University of Iowa’s Intermedia program, where she received the Len Everett Award for Excellence and the Stanley Fellowship for International Research. She has shown work nationally at universities, galleries, and festivals including University of Arkansas’s sUgAR Gallery, the University of Nevada Las Vegas, and Public Space One’s Open-Air Media Festival in Iowa City, IA. As production director at KRUI 89.7 FM from 2018-2021, d’Andriole hosted an experimental radio art program where she did weekly broadcasts for three years. d’Andriole is currently a visual arts fellow at the Leslie-Lohman Museum of Art in New York City and an Assistant Professor in Electronic Art and Intermedia at Michigan State University.