WGXC-90.7 FM
Saturday Afternoon Show: Saturday Afternoon Show: Andrea-Jane Cornell
Brooklyn (2003 - 2004) | Acra (2005 - 2015), NY
free103point9.org + transmissionarts.org/listen
90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere
http://www.wgxc.org/
5662 Route 23 | Acra, NY 12405 | 518-622-2598
http://wavefarm.org/
Andrea-Jane Cornell's Score Workshop Reading Cards. Photo by Bryan Welch. (Sep 01, 2012)
Andrea Jane-Cornell's "InonoutonInoutonin" Post-broadcast Discussion. Photo by Galen Joseph-Hunter. (Sep 01, 2012)
Andrea-Jane Cornell Conducts Her Score Workshop. Photo by Bryan Welch. (Sep 01, 2012)
Andrea-Jane Cornell's Score Workshop Baoding Balls. Photo by Bryan Welch. (Sep 01, 2012)
Andrea-Jane Cornell's Score Workshop Radio and Microphone. Photo by Bryan Welch. (Sep 01, 2012)
Bryan Welch Plays Metal Roofing During Andrea-Jane Cornell's Score Workshop. Photo by Galen Joseph-Hunter. (Sep 01, 2012)
Echo Roe Listens to the Andrea-Jane Cornell "InonoutonInoutonin" Broadcast.. Photo by Galen Joseph-Hunter. (Sep 01, 2012)
Graphic Score During Andrea-Jane Cornell's Score Workshop. Photo by Bryan Welch. (Sep 01, 2012)
InonoutonInoutonin Graphic Score V 1.1. Created by Andrea-Jane Cornell. (Sep 01, 2012)
InonoutonInoutonin Graphic Score V 1.2. Created by Andrea-Jane Cornell. (Sep 01, 2012)
InonoutonInoutonin Graphic Score V 1.3. Created by Andrea-Jane Cornell. (Sep 01, 2012)
InonoutonInoutonin Graphic Score V 2. Created by Andrea-Jane Cornell. (Sep 01, 2012)
Hosted by Tom Roe.
Wave Farm artist-in-residence Andrea-Jane Cornell (Montreal) hosts live from Wave Farm in Acra. The program will feature her contribution to 120 Hours for John Cage: InonoutonInoutonin, which will include a collaboration with participants from the workshop Score Workshop: indeterminacy, chance, improvisation taking place earlier that day.
Writes Cornell, InonoutonInoutonin is a performed "comprovisation" inspired by Cage's early work in the radio studio when he worked as a dance accompanist for Bonnie Bird in Seattle. The school had a radio studio in a small outhouse building. Cage would broadcast to the dance theatre, it was during this time that Cage discovered the radio's potential as a tool for composition. He used the broadcast studio equipment (microphones and variable speed turntables) to make recordings that he used in compositions such as Imaginary Landscape No.1. InonoutonInoutonin also takes inspiration from Cage's use of radio signals as compositional material that provide an indeterminate sonic result that is a mix between recorded music, spoken word and static. My intention is to use the broadcast studio as a compositional tool and employ broadcast technology as an extended instrument that expands both time and space of the sonic materials.