InonoutonInoutonin

2012
Andrea-Jane Cornell
Andrea-Jane Cornell's Score Workshop Radio and Microphone

Andrea-Jane Cornell's Score Workshop Radio and Microphone. Photo by Bryan Welch. (Sep 01, 2012)

Andrea Jane-Cornell's "InonoutonInoutonin" Post-broadcast Discussion

Andrea Jane-Cornell's "InonoutonInoutonin" Post-broadcast Discussion. Photo by Galen Joseph-Hunter. (Sep 01, 2012)

Andrea-Jane Cornell Conducts Her Score Workshop

Andrea-Jane Cornell Conducts Her Score Workshop. Photo by Bryan Welch. (Sep 01, 2012)

Andrea-Jane Cornell's Score Workshop Baoding Balls

Andrea-Jane Cornell's Score Workshop Baoding Balls. Photo by Bryan Welch. (Sep 01, 2012)

Andrea-Jane Cornell's Score Workshop Reading Cards

Andrea-Jane Cornell's Score Workshop Reading Cards. Photo by Bryan Welch. (Sep 01, 2012)

Bryan Welch Plays Metal Roofing During Andrea-Jane Cornell's Score Workshop

Bryan Welch Plays Metal Roofing During Andrea-Jane Cornell's Score Workshop. Photo by Galen Joseph-Hunter. (Sep 01, 2012)

Echo Roe Listens to the Andrea-Jane Cornell "InonoutonInoutonin" Broadcast.

Echo Roe Listens to the Andrea-Jane Cornell "InonoutonInoutonin" Broadcast.. Photo by Galen Joseph-Hunter. (Sep 01, 2012)

Graphic Score During Andrea-Jane Cornell's Score Workshop

Graphic Score During Andrea-Jane Cornell's Score Workshop. Photo by Bryan Welch. (Sep 01, 2012)

InonoutonInoutonin Graphic Score V 1.1

InonoutonInoutonin Graphic Score V 1.1. Created by Andrea-Jane Cornell. (Sep 01, 2012)

InonoutonInoutonin Graphic Score V 1.2

InonoutonInoutonin Graphic Score V 1.2. Created by Andrea-Jane Cornell. (Sep 01, 2012)

InonoutonInoutonin Graphic Score V 1.3

InonoutonInoutonin Graphic Score V 1.3. Created by Andrea-Jane Cornell. (Sep 01, 2012)

InonoutonInoutonin Graphic Score V 2

InonoutonInoutonin Graphic Score V 2. Created by Andrea-Jane Cornell. (Sep 01, 2012)

Andrea-Jane Cornell's InonoutonInoutonin (une ritournelle) is a performed comprovisation inspired by John Cage's use of the broadcast studio as a tool for generating compositional materials. The compositions' theme, attained through a toss of the I-Ching is zhèn, which is translated as "shake" / "thunder". Sonic shock waves emitted by thunder-claps decay over great expanses of time and space, and are shaped by refraction off the elements in the environment. This resonates with this projects' approach to signal processing wherein radio transmission is received and re-transmitted, creating a looping effect that expands the color and texture of the signal as it regenerates and undergoes a drawn out decay. The signal passes through each mode of transmission at staggered time intervals creating an intermediating radio matrix that transforms the broadcast studio and outlying areas into an extended instrument system.