Absolute Value of Noise is the alias of artist Peter Courtemanche. In “Tapeloping,” which commemorates the 30th anniversary of the first Absolute Value of Noise show on Vancouver’s CITR-FM, Courtemanche used the generative audio mixing software that underpins many of his recent works to combine samples from 30 artists who have collaborated with him or otherwise provided inspiration in the past. In his description of the piece, Courtemanche asks us to imagine these audio contributions as tape loops that stretch out through the hallways of a radio studio, wrapping around mic stands and doorknobs on their way back to the mixing desk. “Tapeloping”’s semi-automated collage invites listeners into the center of Courtemanche’s decades-long practice where broadcast radio serves as a platform for exchange and experimentation among noise artists.

Contributing artists include: Deanne Achong, Jim Andrews, Sean Arden, Steve Bates, Gívan Belá, Ian Birse, John Brennan, Hank Bull, Brian Charles (a ghost in the machine), Don Chow, Andrea Cserenyi (from the archives), DinahBird, Elisa Ferrari, David Floren, Anna Friz, Ken Gregory, Steve Heimbecker, GX Jupitter-Larsen, Eileen Kage, Laura Kavanaugh, Gene Kosowan, Sally Ann McIntyre, Brady Marks, Faith Moosang, Bill Mullan, Jem Noble + Milo Piccini Noble, Roberto Paci Dalò, Anthony Roberts, Matt Rogalsky, Adam Sloan + Liam Sloan, Maia Urstad, Gregory Whitehead, Elisabeth Zimmermann. - Described by Wave Farm Radio Artist Fellow 2021/2022, Andy Stuhl.