Study Center Reading Library

The Wave Farm Study Center provides reference materials to artists, curators, students, and educators researching contemporary and historical practices in media, radio, sound, and visual arts with respect to the topic of transmission and reception. Wave Farm's Research Library is a growing collection of reference materials, which includes books, journals, articles, manuals, and files specific to transmission arts, radio, video, performance, sound, media theory, and contemporary art practice. Contact us to schedule a research visit.

Adams, Bill. 2004. mug. Regency Arts Press.

Ahwesh, Peggy. 2013. Kissing Pont. CR10 Art.

Alarcón, Miguel Molina. 2008. Baku: Symphony of Sirens: Sound Experiments in the Russian Avant Garde. ReR Megacorp.

Albertini, Rosanna. 1999. Technological Rituals: Stories from the Annenberg Dialogues. University of Southern California, Annenberg Center for Communication

Allain, Paul, and Jen Harvie. 2005. The Routledge Companion to Theatre and Performance. Routledge.

Allison, Marcella. 1995. The Electronic Superhighway: Travels with Nam June Paik. Carl Solway Gallery, in conjunction with the Ft. Lauderdale Museum of Art.

Ammer, Manuela, and Susanne Neuburger. 2009. Nam June Paik: Exposition of Music, Electronic Television, Revisited. Walther Konig.

Anderson, Edwin P. 1955. Audels radiomans guide;: Covering theory, construction, and servicing, including television [and] electronics. T. Audel.

Anderson, John Nathan. 2013. Radio's Digital Dilemma: Broadcasting in the Twenty-First Century. Routledge.

Angelo, and Temporary Services. 202. Prisoners' Inventions. Half Letter Press.

Animation-recherche-confrontation. 1980. Ecouter par les Yeux. ARC.*

Ano, Blanco, and Javier Duero. 2006. Observatori 2006: 7o Festival International de Investigation Artistica de Valencia. Observatori.

Apprich, Clemens, Josephine Berry Slater, Anthony Iles, and Oliver Lerone Schultz. 2013. Provocative Alloys: A Post-Media Anthology. Mute.

Apple, Jacki and Marina LaPalma. 2019. Performance / Media / Art / Culture: Selected Essays 1983-2018. Intellect Ltd.

Armstrong, Elizabeth, Joan Rothfuss, and Janet Jenkins. 1993. In the Spirit of Fluxus. Distributed Art Pub Inc (Dap).

Arnheim, Rudolf. 1969. Visual Thinking. University of California Press.

Arnheim, Rudolf. 1971. Radio. Ayer Co Pub.

Arnheim, Rudolf. 1974. Art and Visual Perception: A Psychology of the Creative Eye. University of California Press.

Aronson, Arnold. 2000. American Avant-Garde Theatre: A History. Routledge.

Artaud, Antonin. 1994. The Theater and Its Double. Grove Press.

Arteaga, Alfred. 1997. Chicano Poetics: Heterotexts and Hybridities. Cambridge University Press.*

Ascott, Roy. 2001. Reframing Consciousness : Art, Mind and Technology. Intellect L & D E F a E.

Ashbery, John. 2005. Something Close to Music. David Zwirner Books.

Atkins, Robert. 1990. Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords. Abbeville Press.

Attali, Jacques. 1985. Noise: The Political Economy of Music. Univ Of Minnesota Press.

Aufermann, Knut, Helen Hahmann, Sarah Washington, and Ralf Wendt. 2019. Radio Revolten: 30 days of radio art. Spector Books.

Augaitis, Daina, and Dan Lander. 1994. Radio Rethink: Art, Sound and Transmission. Banff Centre Pr.

Auslander, Philip. 1999. Liveness: Performance in a Mediatized Culture. Routledge.

Auslander, Philip. 2007. Theory for Performance Studies: A Student's Guide. Routledge.

Avakian, George. 1959. The 25-Year Retrospective Concert of The Music of John Cage (album liner notes.)

Backus, John. 1969. The Acoustical Foundations of Music. Musical sound: a lucid account of its properties, production, behavior, and reproduction. NY, Norton, 1969.

Bailey, Derek. 1993. Improvisation: Its Nature And Practice In Music. Da Capo Press.

Baker, Jeannine, Murphy, Kate, and Skoog, Kristin. 2019. Feminist Media Histories. University of California Press.

Baldessari, John. 2005. John Baldessari: Somewhere Between Almost Right and Not Quite (With Orange). Guggenheim Museum.*

Banes, Sally. 1993. Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. Duke University Press Books.

Banks, Joe. 2003. Disinformation: The Analysis of Beauty. The Aldgate Press.

Banta, G. Lue. 2018. Dossier I: Using Graphs to Make Predictions. Sticky Press.

Baran, Stanley J. 1980. The Viewer's Television Book: A Personal Guide to Understanding Television and Its Influence. Penrith Publishing Company.

Barrett, G Douglas. After Sound: Toward a Critical Music. Bloomsbury.

Barry, Judith, Teiji Furuhashi, Chris Marker, and Brad Miskell. 2002. Video Spaces: Eight Installations. The Museum of Modern Art, New York.

Barthes, Roland. 1991. The Grain of the Voice: Interviews 1962-1980. University of California Press.

Barthes, Roland. 1992. On Racine. University of California Press.

Baruchello, Gianfranco, and Henry Martin. 1985. Why Duchamp: an essay on aesthetic impact. McPherson & Company.

Battcock, Gregory. 1978. New Artists Video: A Critical Anthology. E. P. Dutton.

Baudriallard, Jean. 1988. Forget Foucault . Semiotext(e).

Baudrillard, Jean. 1983. In the Shadow of the Silent Majorities. Semiotext(e).

Baudrillard, Jean. 1983. simulations. Semiotext(e).

Baudrillard, Jean. 1995. Simulacra and Simulation. University of Michigan Press.

Beck, Joy, and Tony Grajeda. 2008. Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press.*

Becker, Carol. 1994. The Subversive Imagination: Artists, Society & Social Responsiblity. Routledge.

Beckett, Samuel. 1994. Krapp's Last Tape and Other Dramatic Pieces: Includes: All That Fall; Embers; Acts Without Words, I and II; Mimes. Grove Press.

Beers, Frederick L. 1884. History of Greene County, New York: With Biographical Sketches of Its Prominent Men. Higginson Book Company.

Bell, John. 2000. Strings, Hands, Shadows: A Modern Puppet History. Detroit Institute of Arts.

Bell, John. 2001. Puppets, Masks, and Performing Objects. The MIT Press.

Beloff, Zoe, Norman Klein, Amy Herzog, and Aaron Beebe. 2009. The Coney Island Amateur Psychoanalytic Society and Its Circle. Christine Burgin.

Benjamin, Walter and Lecia Rosenthal. 2014. Radio Benjamin. Verso.

Benjamin, Walter. 2014. Sonnets, trans. Carl Skoggard. Publication Studio Hudson.

Benjamin, Walter. 2015. Berlin Childhood Circa 1900, trans. Carl Skoggard. Publication Studio Hudson.

Benjamin, Walter. 2015. The "Berlin Chronicle" Notices, trans. Carl Skoggard. Publication Studio Hudson.

Bernstein, David W. 2008. The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. University of California Press.

Bers, Rachel. 2007. The Andy Warhol Foundation for the Visual Arts 1987-2007 a 20 Year Report Box Set. Andy Warhol Foundation.

Bhagat, Alexis, and Lauren Rosati. 2013. Listen my heart to the whispers of the world with which it makes love to you: A Cinema for the Ear. Khoj International Artists Association.

Bhagat, Alexis. 2005. Everybody says... A study in consonance for four voices. Self-published.

Bial, Henry. 2003. The Performance Studies Reader. Routledge.

Biewen, John and Alexa Dilworth. 2010. Reality Radio: Telling True Stories in Sound. The University of North Carolina Press.

Biggs, Bryan, Christoph Cox, and Sara-Jayne Parsons. 2012. Janek Schaefer: Sound Art: A Retrospective. The Bluecoat.

Biosphere Open Microphones. 18-22 September 2019.

Birringer, Johannes. 1998. Media & Performance: Along the Border. The Johns Hopkins University Press.

Biserna, Elena (ed.). 2022. Going Out: Walking, Listening, Soundmaking. umland.

Bishop, Claire, and Boris Groys. 2009. Bring the Noise: Futurism. Tate Etc.

Bishop, Claire. 2005. Installation Art. Routledge.

Blau, Andrew. 2005. Deep Focus: A Report on the Future of Independent Media. National Alliance for Media Arts and Culture.

Blonsky, Marshall. 1985. On Signs. The Johns Hopkins University Press.

Boettger, Suzaan. 2004. Earthworks: Art and the Landscape of the Sixties. University of California Press.

Bonney, Jo. 1999. Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century. Theatre Communications Group.

Borelli, Caterina. 1984. From TV to video (e Dal video all TV). Alitalia.

Borger, Irene. 1999. The Force of Curiosity. CalArts/Alpert Award in the Arts, California.

Born, Erik Christopher. 2016. Sparks to Signals: Literature, Science, and Wireless Technology, 1800-1930. University of California, Berkeley.

Boulez, Pierre. 1986. Orientations: Collected Writings. Harvard University Press.*

Boyd, Malcolm. 1999. J. S. Bach. Oxford Companion Series. Oxford University Press.*

Boyle, Deirdre. 1997. Subject to Change: Guerrilla Television Revisited. Oxford University Press, USA.

Bradbury, Ray. 1952. Timeless Stories for Today and Tomorrow. Bantum Books.

Bradley, Cisco. 2023. The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront. Duke University Press.

Braga, Newton C. 2001. Pirate Radio and Video: Experimental Transmitter Projects. Newnes.

Brand, Stewart. 1988. The Media Lab: Inventing the Future at M. I. T.. Penguin Books.

Brater, Enoch. 1991. Theatre Journal: Radio Drama. The Johns Hopkins University Press/Association for Theatre in Higher Education.

Bravo, Michael, and Nicola Triscott. 201. Arctic Perspective Cahier No. 2: Geopolitics and Autonomy. Hatje Cantz.

Brecht, Bertolt. 1978. Brecht On Theatre. Methuen.

Breitwieser, Sabine. 2000. Re-Play: The Beginnings of International Media Art in Austria. Generali Foundation, Wein.

Brejon, Benjamin, Ewen Chardronnet, Mauel Joao Neto, Jonathan Saldanha, and Filipe Silva. 2012. Sonores: Sound/Space/Signal. Guimaraes- Capital Europeia da Cultura.

Bronowski, Jacob. 1979. The Origins of Knowledge and Imagination. Yale University Press.

Bronson, A.A., and Peggy Gale. 1979. Performance by Artists. Art Metropole.

Brown, Carolyn. 2009. Chance and Circumstance: Twenty Years with Cage and Cunningham. Northwestern University Press.

Bua, Matt, and Max Goldfarb. 2012. Architectural Inventions: Visionary Drawing of Buildings. Laurence King Publishers.

Buchloh, Benjamin H. D., Judith F. Rodenbeck, and Robert E. Haywood. 2000. Experiments in the Everyday: Allan Kaprow and Robert Watts--Events, Objects, Documents. Miriam & IRA D. Wallach Art Gallery.

Buchmuller, Eva. 1996. Squat Theatre. Artists Space.

Buckley, Carmel and Mark Harris. 2014. Sparrow Come Back Home. Delaware Center for the Contemporary Arts.

Bunis, Marty, Sue, Bunis. 1992. A Collector’s Guide to Antique Radios: Second Edition. Collector Books.

Bunyard, Britt. 2018. Fungi Magazine, Volume 11, No. 3.

Bussman, Klaus. 1993. Nam June Paik: Eine Data Base. Cantz.

Cage, John and Alfredo Jaar. 2012. Other People Think. John Cage Trust.

Cage, John and Morton Feldman. 2015. Radio Happenings. MusikTexte.

Cage, John, and Laura Kuhn. 2010. John Cage Book of Days 2011. The John Cage Trust.

Cage, John, and Laura Kuhn. 2011. John Cage Book of Days 2012. The John Cage Trust.

Cage, John. 1961. Silence: Lectures and Writings. Wesleyan.

Cage, John. 1968. Soixanté Résponses à Trente Questions de Daniel Charles. Revue d.Esthétique.

Cage, John. 1969. A Year from Monday: New Lectures and Writings by John Cage. Wesleyan University Press.

Cage, John. 1979. Empty Words: Writings '73-'78. Wesleyan.

Cage, John. 1982. John Cage Etchings 1978-1982. Crown Point Gallery.

Cage, John. 1993. Composition in Retrospect. Exact Change.

Cage, John. 1993. Rolywholyover A Circus. Museum of Contemporary Art Los Angeles / Rizzoli.

Cage, John. 2001. James Joyce, Marcel Duchamp, Erik Satie: An Alphabet. The John Cage Trust.

Cage, John. 2012. Cage's Satie: Composition for Musum. Musee d'art contemporain de Lyon.

Cage, John. 2014. A Composer's Confessions. Allia Editions.

Calvino, Italo. 1978. Invisible Cities. Harcourt Brace Jovanovich.

Cannon, Don L., and Gerald Luecke. 1984. Understanding Communications Systems. Sams Publishing.

Cardullo, Professor Bert, and Robert Knopf. 2001. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. Yale University Press.

Carlson, Marvin. 1996. Performance: A Critical Introduction. Routledge.

Carnegie Corporation of New York. 1978. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission of the Future of Public Broadcasting. Carnegie Corporation of New York.

Carr, C. 1993. On Edge: Performance at the End of the Twentieth Century. Wesleyan.

Casillas, Dolores Inés. Sounds of Belonging: U.S. Spanish-Language Radio and Public Advocacy. New York University Press.

Chadabe, Joel. 1996. Electric Sound: The Past and Promise of Electronic Music. Pearson.

Chandler, Annmarie, and Norie Neumark. 2005. At a Distance: Precursors to Art and Activism on the Internet. The MIT Press.

Chavez, Maria. 2012. Of Technique: Chance Procedures on Turntable. Self-published.

Chavez, Maria. 2015. Hands. Self-published.

Chion, Michel. 1994. Audio-Vision: Sound on Screen. Columbia University Press.

Chion, Michel. 2016. Sound: An Acoulogical Treatise. Duke University Press.

Christie, Amanda Dawn. 2014. Amanda Dawn Christie: Land Lost, trans. Pierre Igot. Galerie d'art Louise-et-Reuben-Cohen, Université de Moncton.

Chude-Sokei, Louis. 2016. The Sound of Culture. Wesleyan University Press.

Coe, Lewis. 1996. Wireless Radio: A Brief History. Mcfarland & Co Inc Pub.

Cohen-Cruz, Jan. 1998. Radical Street Performance: An International Anthology. Routledge.

Collins, Nicolas. ssssssssshhhhhh!!!! Sonic Arts Network.

Collins, Philip. 1987. Radios: The Golden Age. Cronicle Books.

Committee, the Cairo Bicentennial. 2002. Portrait of the Past. Cairo Bicentennial Committee.

Connor, Steven. 1989. Postmodernist Culture: An Introduction to Theories of the Contemporary. Blackwell Pub.

Conte, Kari and Susan Hapgood (eds). 2023. Bringing Worlds Together: A Rethinking Residencies Reader. Rethinking Residencies.

Cooke, Lynne, Karen Kelly, and Barbara Schroder. 2010. Max Neuhaus: Times Square, Time Piece Beacon. Dia Art Foundation.

Cooper, Beck. 2013. Mapping Manhattan: A Love (and Sometimes Hate) Story in Maps by 75 New Yorkers. Harry N. Abrams.

Cope, David. 1993. New Directions in Music. Brown & Benchmark Pub.

Cornell, Lauren and Halter, Ed. 2015. Mass Effect: Art and the Internet in the Twenty-First Century. MIT Press.

Courtemanche, Peter. 2004. Scrambled Bites: Art's Birthday 2004. The Western Front.

Courtemanche, Peter. 2005. Reverie: Noise City 2004-2005. The Western Front.

Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music. Continuum.

Cox, Christoph. 2018. Sonic Flux. The University of Chicago Press.

Cox, Trevor. 2015. Sonic Wonderland: A Scientific Odyssey of Sound. Vintage Books.

Crawford, Tad. 1999. Business & Legal Forms for Fine Artists. Allworth Press.

Crook, Tim. 1999. Radio Drama. Routledge.

Crosby, Harry H. and George R. Bond. 1968. The McLuhan Explosion; A Casebook on Marshall McLuhan and Understanding Media. New York American Book Company 1968..

Crow, Barbara, Michael Longford, and Kim Sawchuk. 2010. The Wireless Spectrum: The Politics, Practices, and Poetics of Mobile Media. University of Toronto Press, Scholarly Publishing Division.

Culler, Jonathan. 2008. On Deconstruction: Theory and Criticism After Structuralism, 25th Anniversary Edition. Cornell University Press.

Cullinane, James. 2011. Found a Little Jawbone.... soundBarn press.

Cunningham, Merce. 2012. A Pictures Book for J.C. Xmas 1984. The John Cage Trust.

Daedalus, Donald. 2012. Metacontrast.

Davidson, Aaron, and Melissa Dubbin. 2009. Fallen Books: A Project by Melissa Dubbin and Aaron S. Davidson. onestar press.

Davis, Douglas, and Allison Simmons. 1977. The New Television: A Public/Private Art. The MIT Press.

Davis, Douglas. 1993. Five Myths of Television Power or Why the Medium Is Not the Message. Simon & Schuster.

de la Motte, Helga, Bernhard Leitner, and Bernd Schulz. 2003. Resonances. Kehrer Verlag.

de la Torre, Monica. 2022. Feminista Frequencies: Community Building Through Radio in the Yakima Valley. University of Washington Press.

de Melo Pimenta, Emanuel Dimas. 2010. Virtual Notations: the music of Emanuel Dimas de Melo Pimenta.

de Melo Pimenta, Emanuel Dimas. 2012. John Cage: the silence of the music: 100 years. CreateSpace Independent Publishing Platform.

De Michiel, Helen, and Jack Walsh (NAMAC Co-directors)S. 2005. Taking Liberties: Freedom, Creativity and Risk in the Media Arts. National Alliance for Media Arts and Culture.

De Michiel, Helen. 2005. A Closer Look: Hidden Histories. National Alliance for Media Arts and Culture.

De Oliveira, Nicolas, Nicola Oxley, and Michael Petry. 2004. Installation Art in the New Millennium: The Empire of the Senses. Thames & Hudson.

de Vega, Mario. 2016. Limen: Ecologies of Transmission.

Decker-Phillips, Edith. 2010. Paik Video. Barrytown/Station Hill Press, Inc..

Deitsch, Dina. (Dir.) 2018. Expressions Unbound: American Outsider Art. Tufts University Art Galleries.

Deschamps, Francois. 1995. Memoire D'un Voyage En Oceanie. PhotoForum, Inc..

Deschamps, Francois. 1999. Sombras Rojas. Visual Studies Workshop Press.

Desjarlais, Robert. 2003. Sensory Biographies: Lives and Deaths Among Nepal’s Yolmo Buddhists. University of California Press.*

Despont, Louise. 2014. The Six-Sided Force. Pioneer Works.

Deutsch, Diana. 2019. Musical Illusions and Phantom Words. Oxford University Press.

Dewey-Hagborg, Heather, and Chelsea E. Manning. 2017. A Becoming Resemblance. Fridman Gallery.

Dewey, Johy. 1980. Art as Experience. Perigee Trade.

Dibbets, Jan, and R.H. Fuchs. 1980. Jan Dibbets. Van Abbemuseum.*

Dickinson, Peter. 2008. John Cage Was All The Rage. British Association for American Studies.

Dieringer, Jon. 2017. Screen Slate: New York City Cinema 2011-2015. Screen Slate & Topos Press.

Digbee. 2019. Cyber Folk: Digbee's Electronic Chronicle. Harpy.

Doherty, Claire. 2004. From Studio to Situations: Contemporary Art and the Question of Context. Black Dog.

Dolan, Jill. 2001. Geographies of Learning: Theory and Practice, Activism and Performance. Wesleyan.

Donovan, Kate. 2017. Datscha Radio: Plots and Prophecies.

Donovan, Kate. 2018. Expanding Radio: Ecological Thinking and Trans-scalar Encounters in Contemporary Radio Art Practice. Universitat Potsdam.

Dorpfeld, David and Wanda. 2014. Legendary Locals of Greene County. Arcadia.

Douglas, Susan J. 2000. Listening In: Radio and the American Imagination. Three Rivers Press.

Dreishpoon, Douglas. 2017. Nothing and Everything: Seven Artists, 1947-1962. Hauser & Wirth Publishers.

Drift Station. FieldGuide: A Practical Handbook to Starting an Artist-Run Space.

Droste, M, and Bauhaus Archiv. 1993. Bauhaus : 1919-1933. Taschen.

Druckrey, Timothy. 1996. Electronic Culture: Technology and Visual Representation. Aperture.

Druckrey, Timothy. 1999. Ars Electronica: Facing the Future: A Survey of Two Decades. The MIT Press.

Dubbin, Melissa, and Aaron S. Davidson. 2009. Hungry Woman LSD Made My Son A Killer. Publisher.

Dubbin, Melissa, and Aaron S. Davidson. 2012. the camera moves… Publisher.

Dubbin, Melissa, and Aaron S. Davidson. 2013. Making a Record (Diamond, Ruby, Sapphire, Emerald). Publisher.

Duggan, Kevin, Lindsay K. Campbell, Bram Gunther, and Carol Parkinson. 2018. Common Ground: Art, Data, and Ecology at New York State Field Stations. Harvestworks Digital Media Arts Center.

Dunbar-Hester, Christina. 2014. Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism. The MIT Press.

Dunifer, Stephen. 2001. Seizing the Airwaves: A Free Radio Handbook. AK Press.

Dunning, John. Tune in Yesterday: The Ultimate Encyclopedia of Old-time Radio 1925-1976. Prentice-Hall, Inc.

Dworkin, Craig Douglas. The Greatest Works You've Never Heard.

Dworkin, Craig Douglas. Unheard Music.

Dyson, George B. 1998. Darwin Among The Machines: The Evolution Of Global Intelligence. Basic Books.

Eady, Cornelius. 2008. Hardheaded Weather. G. P. Putnam's Sons.

Eaton, Manford L. 1974. Bio-Music. Barton: Something Else Press,.

El Haouli, Janete. 2001. Radio: The Art of Sonorous Space. Online Contemporary Music Journal.

En Foco (ed.). 2023. NUEVA LUZ photographic journal: En Foco's 2023 Photography Fellowship Awardees. En Foco, Inc.

En Foco (ed.). 2022. NUEVA LUZ photographic journal: Wendel White. En Foco, Inc.

Ennes, Harold E. 1967. AM-FM Broadcast Operations. Howard W. Sams & Co., Inc./The Bobbs-Merrill Co., Inc. .

Ennes, Harold E. 1968. AM-FM Broadcast Maintenance. H. W. Sams.

Enrile, TJ. 2005. Popular Guide to Building a Community FM Broadcast Station. Free Radio Berkeley.

Erlmann, Veit. 2010. Reason and Resonance: A History of Modern Aurality. Zone Books.*

Espaldon, Diane V. 2005. The Artist Workspace Residency: A Guide For Artists. New York State Artist Workspace Consortium.

Esslin, Martin. 1993. Antonin Artaud. Riverrun Pr.

eteam. 2013. Buzz Cut. UCRARTSblock

eteam. 2020. Grabeland. Nightboat Books.

Evenson, Dudely, and Michael Shamberg. 1972. Radical Software (#5). Gordon and Breach.

Everitt, William L. 1942. Fundamentals of Radio. Prentice Hall.

Evers, Alf. 1987. Woodstock: History of an American Town. Overlook Books.

Farrington, Margot. 2005. Flares and Fathoms: Poems. Bright Hill Press.

Feldman, Matthew, Erik Tonning, and Henry Mead. 2014. Broadcasting in the Modernist Era. Bloomsbury Academic.

Feldman, Morton. 2000. Give My Regards to Eighth Street: Collected Writings of Morton Feldman. Exact Change.

Felton, Felix. 1949. The Radio Play: Its Techique and Possiblities. Sylvan Press.

Ferguson, Russell, William Olander, Marcia Tucker, and Karen Fiss. 1992. Discourses: Conversations about Postmodern Culture. The MIT Press.

Film History. Vol. 4, No. 3, 1993. Special Issue: Film Technology and the Public. John Libbey & Company, Ltd.*

Finkelpearl, Tom. 2001. Dialogues in Public Art. The MIT Press.

Finkelstein, Norman H. 2000. Sounds in the Air: The Golden Age of Radio.

Fischer, Marc. 2021. Public Collectors Police Scanner. Public Collectors.

Fischer, Marc. 2022. Against Competition. Robert Rauschenberg Foundation.

Fischer, Saskia, and Margot Hardenbergh. 2004. Media Empowerment Organizing Manual: A Guide to Understanding Media Power and Organizing for Media Justice in your Community. Media Empowerment Project.

Fisher, Margaret. 2002. Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933. The MIT Press.

Flesch, Hans. Zauberei auf dem Sender.

Flesch, Hans. Magic On The Radio: An Experimental Airwaves Fantasy. 1924. Translated by Carl Skoggard and Franziska Lamprecht, 2018. Wave Farm.

Foljahn, Tim, and Rick Moody. 2006. Thatcher Keats: Confidence Games. Charta.

Föllmer, Golo and Alexander Badenoch. 2018. Transnationalizing Radio Research - New Approaches to An Old Medium. [transcript] Media Studies.

Foote, Stephanie, and Anthony Lioi and Dana Luciano. 2018. Resilience: A Journal of the Environmental Humanities, Volume 5, Number 3, Fall 2018. University of Nebraska Press.

Foreman, Kamilah N, and Matilde Guidelli-Guidi and Sophia Larigakis. 2021. An Introduction to Dia's Locations and Sites. Dia Art Foundation.

Foreman, Richard. 1993. Unbalancing Acts: Foundations for a Theater. Theatre Communications Group.

Foundation, The BENTON. 2005. Citizen's Guide to the Public Interest Obligations of Digital Television Broadcasters. Benton Foundation.

Fowler, Gene, and Bill Crawford. 2002. Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, Revised Edition. University of Texas Press.

Franklin, Paul B. (ed.) 2016. The Artist and His Critic Stripped Bare: The Correspondence of Marcel Duchamp and Robert Lebel. Getty Publications.

Frelin, Adam. 2010. Diviner. Bemis Center for Contemporary Arts.

Friedman, Martin, and Jan van der Marck. 1967. Light/Motion/Space. Walker Art Center.

Fry, Tony. 1993. RUA/TV?: Heidegger and the Televisual. Indiana University Press.

Fuegi, John. 1987. Bertolt Brecht: Chaos, according to Plan. Cambridge University Press.

Furlong, William. 1994. Audio Arts: Discourse and Practice in Contemporary Art. St Martins Pr.

Gagné, Caroline. 2019. Dialogues avec / with Chantal Dumas. Avatar.

Gallerneaux, Kristen. 2018. High Static Dead Lines. Strange Attractor Press.

Gann, Kyle. 2011. No Such Thing as Silence: John Cage's 4'33". Yale University Press.

Gazi, Angeliki, Guy Starkey, and Stanislaw Jedrzejewski. 2012. Radio Content in the Digital Age: The Evolution of a Sound Medium. Intellect Ltd.

Geers, Doug. 2006. Spark Festival of Electronic Music and Art. University of Minnesota School of Music.

Gentlemen, The Video. 2008. BYOTV Operations Manual. The Video Gentlemen.

Gerrish, Howard H. 1969. Transistor Electronics. Goodheart-Willcox Co Inc.,U.S..

Gessner, Robert. 1968. The Moving Image; a Guide to Cinematic Literacy. Dutton.

Giannachi, Gabriella. 2004. Virtual Theatres: An Introduction. Routledge.

Gilbert, Alan. 2006. Another Future: Poetry and Art in a Postmodern Twilight. Wesleyan.

Gilfillan, Daniel. 2009. Pieces of Sound: German Experimental Radio. University of Minnesota Press.

Gimarc, George. 1997. Post Punk Diary: 1980-1982. St. Martin's Griffin.

Glass, Philip, and Robert T. Jones. 1995. Music by Philip Glass. Da Capo Pr.

Gleick, James. 2012. The Information: A Hisotry, A Theory, A Flood. Vintage.

Goebel, Johannes and Kevin Duggan. 2015. Programming EMPAC: The First 4,158 Days. Rensselaer Polytechnic Institute

Goebel, Johannes. 2004. Wow & Flutter: The San Fransisco Tape Music Center, 1961-now. Rensselaer EMPAC: Experimental Media & Performing Arts Center.

Goldberg, Ken. 2001. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet. The MIT Press.

Goldberg, Roselee. 1993. Performance Art from Futurism to the Present. THAMES AND HUDSON.

Goldberg, Roselee. 2004. Performance: Live Art Since the '60s. Thames & Hudson.

Goldberg, RoseLee. 2007. Performa: New Visual Art Performance. Performa.

Goldberg, Roselee. 2011. Performance Art from Futurism to the Present. THAMES AND HUDSON.

Goldfarb, Maximilian. 2010. Deep Cycle. M49.

Goldfarb, Maximilian. 2015. Handbook + For Human Machines. Publication Studio Hudson.

Goldfarb, Maximilian. 2016. Remote Viewing: 500 Tableaux. Publication Studio Hudson.

Goldfarb, Maxmilian, Patrick Kiley, and Chris Lee. 2019. Repeater. Publication Studio Hudson.

Goodman, Lizbeth, and Jane de Gay. 2000. The Routledge Reader in Politics and Performance. Routledge.

Goosen, E.C. 1968. The Art of the Real: USA 1948-1968. MoMA.

Gorham, Joan. 2006. Annual Editions: Mass Media 06/07. McGraw-Hill/Dushkin.

Graf, Rudolf F., and William Sheets. 2001. Build Your Own Low-Power Transmitters: Projects for the Electronics Experimenter. Newnes.

Gramit, David. 2002. Cultivating Music. The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848. University of California Press.*

Grant, Jane, John Matthias, and David Prior (ed.). 2021. The Oxford Handbook of Sound Art. Oxford University Press.

Gregory, Danny, and Paul Sahre. 2003. Hello World: A Life in Ham Radio. Princeton Architectural Press.

Grierson, Francis. 2019. Psycho-phone Messages.

Griffiths, Paul. 1985. Modern Music, the Avant Garde Since 1945. George Braziller.

Grubbs, David. 2014. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. Duke University Press.

Grubbs, David. 2020. The Voice in the Headphones. Duke University Press.

Grundmann, Heidi, Elizabeth Zimmermann, Reinhard Braun, Dieter Daniels, Andreas Hirsh, and Anne Thurmann-Jajes. 2008. Re-Inventing Radio: Aspects of Radio as Art. Revolver.

Hall, Doug, and Sally Jo Fifer. 2005. Illuminating Video: An Essential Guide To Video Art. Aperture/Bay Area Video Coalition.

Hanhardt, John G. 1982. Nam June Paik. Whitney Museum of American Art, New York, in association with W. W. Norton & Company, New York, London.

Hanhardt, John G. 1987. Video Culture: A Critical Investigation. Gibbs Smith.

Hanhardt, John G. 2022. The Films of Andy Warhol Catalogue Raisonne, 1963-1965. Whitney Museum of American Art.*

Hanhardt, John G. Year. The Worlds of Nam June Paik. Guggenheim Museum.

Hanhardt, John G., Gregory Zinman, and Edith Decker-Phillips. 2019. We Are In Open Circuits: Writings by Nam June Paik. The MIT Press.

Haring, Kristen. 2006. Ham Radio's Technical Culture. The MIT Press.

Hasenkopf, Sylvia. 2011. The Articles from the Greenville Mountain View Pioneer. Volume One.

Hasenkopf, Sylvia. 2011. The Articles from the Greenville Mountain View Pioneer. Volume Two.

Haskell, Barbara, Tom Armstrong, and John G. Hanhardt. 1984. BLAM! The Explosion of Pop, Minimalism, and Performance, 1958-1964. Whitney Museum of American Art.*

Hawes, Richard. 1991. Radio Art. Amr Pub Co.

Heathfield, Adrian. 2004. Live: Art and Performance. Routledge.

Hecker, Florian, Reza Negarestani, and Stefan Helmreich. 2013. Florian Hecker: Chimerizations. Primary Information.

Heinrich, Ari Larissa, M. Neelika Jayawardane, William E. Jones, Tan Lin, and Shaka McGlotten, 2022. Cookie Jar 1 | Home is a Foreign Place. The Andy Warhol Foundation Arts Writers Grant.

Henderson, Linda Dalrymple, 1998. Duchamp in Context. Princeton University Press.

Headquarters Staff of the American Radio Relay League. 1977. The Radio Amateur's Handbook. The American Radio Relay League.

Hendricks, Jon, Marianne Bech, and Media Farzin. 2009. Fluxus Scores and Instructions. Museum of Contemporary Art, Denmark.

Hendy, David. 2014. Noise: A Human History of Sound and Listening. Profile Books.

Henney, Keith. 1947. Principles of Radio. Wiley & Sons Inc.

Heuck, Farida, Ralf Homann, and Pia Lanzinger. 2006. Dangerous Crossings. The Grammar of Tolerance. Silke Schreiber Publisher.

Hicks, Andrew. 2017. Composing the World: Harmony in the Medieval Platonic Universe. Oxford University Press.*

Higgins, Dick. 1997. Modernism Since Postmodernism: Essays on Intermedia. San Diego State University Press.

Higgins, Dick. 2018. Intermedia, Fluxus and the Something Else Press. Siglio.

High, Kathy, Sherry Miller Hocking, and Mona Jimenez. 2014. The Emergence of Video Processing Tools: Television Becoming Unglued V1. Intellect Ltd.

High, Kathy, Sherry Miller Hocking, and Mona Jimenez. 2014. The Emergence of Video Processing Tools: Television Becoming Unglued V2. Intellect Ltd.

Hilmes, Michele, and Jason Loviglio. 2001. Radio Reader: Essays in the Cultural History of Radio. Routledge.

Himmelman, John. 2011. Cricket Radio: Turning In the Night-Singing Insects. Harvard University Press.

Hinley, Tim, et al. 2021. Where the Wild Gigs Were: A Trip Through America's Legendary Underground Music Venues. HoZac Books.

Hirschkind, Charles. 2006. The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics. Columbia University Press.*

Hollander, David. 2018. Unusual Sounds: The Hidden History of Library Music. Anthology Editions.

Holtzman, Steven R. 1995. Digital Mantras: The Language of Abstract and Virtual Worlds. The MIT Press.

Hong-hee, Kim. 1995. InfoArt '95 Kwangju Biennale. Kwangju Biennale Foundation.

Horne, Field. 2000. Greene Country Catskills: A History. Black Dome Press.

Hour, The Harvey Christ Radio. Year. Kool Aid . The Harvey Christ Radio Hour.

Hu, Tung-Hui. 2016. A Prehistory of the Cloud. MIT Press.

Huelsenbeck, Richard. 1994. The Dada Almanac. Atlas Press.

Huisman, Hetty. 1987. Sound Re Visited: an anthology concerning sound in art. Void Editions.

Huldisch, Henriette. (Cur.) 2018. Introducing Tony Conrad: A Retrospective. Carpenter Center for the Visual Arts at Harvard University.

Hulten, K.G. Pontus. 1968. The Machine: As Seen at the End of the Mechanical Age. The Museum of Modern Art, New York.

Humphreys, Richard. 1999. Futurism. Cambridge University Press.

Hunt, David. 2006. Scope New York. Scope.

Hunt, Samantha. 2009. The Invention of Everything Else. Mariner Books.

Huxley, Michael, and Noel Witts. 1996. The Twentieth-Century Performance Reader. Routledge.

Ingall, Andrew, Daniel Belasco, and Tom Colley. 2014. Videofreex: The Art of Guerilla Television. State University of New York Press.

Innes, Christopher. 1993. Avant Garde Theatre: 1892-1992. Routledge.

Irving, Washington. 1863. Rip Van Winkle. Elegant Ebooks.

Irwin, Robert. 1985. Being and Circumstance Notes Toward a Conditional Art. Lapis Pr.

Johansson, Anna, Linda Rydberg and Jessica Segerlund (Eds.). 2009. REsidency Far Away So Close: Reality and Visions for Independent Curators.

Johnson, Nicholas. 1970. How to Talk Back to Your Television Set. Bantam.

Johnson, Phylis West and Jay Needham (ed.). 2022. Resonance: The Journal of Sound and Culture. Volume 3, Number 3. University of California Press.

Johnson, Ronald. 2005. Radi os. Flood Editions.

Joseph-Hunter, Galen, and Lukasz Ronduda. 2004. The Workshop of the Film Form 1970-1977. Electronic Arts Intermix and the Polish Cultural Institute in New Yok.

Joseph-Hunter, Galen, Penny Duff, and Maria Papadomanolaki. 2011. Transmission Arts: Artists and Airwaves. PAJ Publications.

Joseph-Hunter, Galen. 2003. free103point9's: Tune (In))). free103point9.

Joseph-Hunter, Galen. 2004. Tune(In))) Santa Fe. free103point9 and SFAI.

Judson, William D. (Curator). 1988. American Landscape Video. The Carnegie Museum of Art.*

Kac, Eduardo. 2005. Telepresence and Bio Art: Networking Humans, Rabbits and Robots. University of Michigan Press.

Kahn, Douglas, and Gregory Whitehead. 1994. Wireless Imagination: Sound, Radio, and the Avant-Garde. The MIT Press.

Kahn, Douglas. 1999. Noise, Water, Meat: A History of Sound in the Arts. The MIT Press.

Kahn, Douglas. 2013. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts. University of California Press.

Kahn, Douglas. 2019. Energies In The Arts. MIT Press.

Kaprow, Allan, and Jeff Kelley. 2003. Essays on the Blurring of Art and Life: Expanded Edition. University of California Press.

Karasek, Cynthia and Randall Evans. 2012. A Rising Tide: Imagining a Warmer Climate in the Hudson Valley. Athens Cultural Center.

Kass, Ray. The Sight of Silence: John Cage's Complete Watercolors. 2011. National Academy Museum.

Kato, Sawako. 2009. Nijika. Tiny Tiny Press.

Keats, Thatcher. 2013. My Book of Lists. Publisher.

Kelly, Caleb. 2009. Cracked Media: The Sound of Malfunction. The MIT Press.

Kelly, Caleb. 2017. Gallery Sound. Bloomsbury Academic.

Kelly, Karen and Barbara Schroeder. (Eds.) 2016. Rosa Barba: The Color Out of Space. MIT List Visual Arts Center.

Kelly, Karen, Barbara Schroder, and Giel Vandecaveye. 2011. Dara Birnbaum: The Dark Matter of Media Light. Prestel.

Kershaw, Baz. 1999. The Radical in Performance: Between Brecht and Baudrillard. Routledge.

Kester, H. Grant. 2004. Conversation Pieces: Community and Communication in Modern Art. University of California Press.

Khlebnikov, Velimir, and Charlotte Douglas. 1990. The King of Time: Selected Writings of the Russian Futurian. Harvard University Press.

Kim-Cohen, Seth. 2009.In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. Bloonsbury Academic.

Kim-Cohen, Seth. 2013. Against Ambience. Bloonsbury Academic.

Kim, Hyun-do. 2004. 2004 Gwangju Biennale. Gwangju Biennale Foundation.

Kirby, Michael. 1965. Happenings. Dutton.

Kirby, Michael. 1969. The art of time;: Essays on the avant-garde. E. P. Dutton.

Kirby, Michael. 2001. Futurist Performance. PAJ Publications.

Kirk, Kara. 1995. Public Information: Desire, Disaster, Document. San Francisco Museum of Modern Art/ Distributed Art Publishers, New York.

Kittler, Friedrich. 1999. Gramophone, Film, Typewriter. Stanford University Press.

Klaess, John. 2022. Breaks in the Air: The Birth of Rap Radio in New York City. Duke University Press.

Klnss, Jeff. 2009. lid, kid, space cadet: First Book of Dash! The Dog-Faced Ham. 6SJ7 Comics

Klnss, Jeff. 2010. Skybuddies: Second Book of Dash! The Dog-Faced Ham. 6SJ7 Comics

Klotsty, James. 2014. John Cage Was. Wesleyan University Press.

Klotz, Heinrich, Oliver Seifert, and Ursula Frohne. 1997. Mediascape. Harry N. Abrams.

Kluver, Billy, Julie Martin, and Barbara Rose. 1972. Pavilion by Experiments In Art and Technology. E.P. DUTTON & CO., INC..

Knapp, Bettina L. 1969. Antonin Artaud, Man of Vision (Original preface by Anais Nin). NY: David Lewis,.

Knouf. Nicholas A. 2016. How Noise Matters to Finance. University of Minnesota Press.

Knowles, Alizon. 1983. A Bean Concordance. Printed Editions.

Kolar, Jeff. 2018. Sonic Arcade: Shaping Space with Sound. The Museum of Arts and Design.

Kooi, Meredith. 2012. Range: Local, Distant, Fringe. Radius.

Kooi, Meredith. 2015. Extreme Weather. Altered Means.

Kooi, Meredith. 2015. Pitch Tree Peachtree Nickel Bottom Too. Self-published.

Korabiewski, Konrad, and Kristjan Loomfjord. 2019. NS-12. Hatje Cantz.

Kostelanetz, Richard. 1988. Conversing with Cage. Limelight Editions.

Kostelanetz, Richard. 2000. John Cage: Writer: Selected Texts. Cooper Square Press.

Kudryavtsev, B. 1958. Sounds We Cannot Hear. Foreign Languages Publishing House.

Kuhn, Laura. 2016. The Selected Letters of John Cage. Wesleyan University Press.

Kuhn, Laura. 2019. Love, Icebox: Letters from John Cage to Merce Cunningham. John Cage Trust.

Kumpf, Lawrence and Tyler Maxin (ed.). 2022. Blank Forms 08: Transmission form the Pleroma. Blanks Forms.

Kurjakovic, Daniel. 2000. Other Rooms, Other Voices. Art Books Intl Ltd.

Kurtz, Michael. 1988, Stockhausen: A Biography. Faber & Faber.

LaBelle, Brandon, and Erik Granly Jensen. 2006. Radio Territories. Errant Bodies Press.

Labelle, Brandon, Steve Roden, and Christof Migone. 2000. Site of Sound: of Architecture and the Ear. Errant Bodies Press.

LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. Continuum.

Ladd, Jim. 1992. Radio Waves: Life and Revolution on the Fm Dial. St. Martin's Griffin.

Lail, Thomas. 2010. May 08 Feb 10. soundBarn press.

Lane, Cathy, and Angus Carlyle. 2013. In The Field: The Art of Field Recording. Uniformbooks.

Lane, Cathy, and Angus Carlyle. 2021. Sound arts now. Uniformbooks.

Langer, Susanne K. 1963. Feeling and Form: A Theory of Art Developed From Philosophy in a New Key. Routledge & Kegan Paul.

Larson, Kay. 2012. Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists. Penguin Press HC, The.

Laughton, Roy. 1970. TV Graphics. Studio Vista/Reinhold.

Lechte, John. 1994. Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity. Routledge.

Lennon, John. 1995. John Lennon; Drawings, Performances, Film. Kunsthalle Bremen.*

Len, sTo. 2020. FOAM FutureOfAMaterial: Selected Writings. FreeLY Floating Press.

Leonardson, Eric. 2015. Sound and Listening: Beyond the Wall of Broadcast Sound. Routledge.

Lewis, Tom. 1991. Empire of the Air: The Men Who Made Radio. Harpercollins.

Licata, Elizabeth. 2006. The Squealer XX: Squeaky Wheel's Media Arts Journal (Fall 2006). Squeaky Wheel, Buffalo, New York.

Light, Alan. 2019. Sound Art Revisited. Bloomsbury Academic.

Lind, Maria. 2008. The Greenroom: Reconsidering the Documentary and Contemporary Art. CCS Bard Galleries and Hessel Museum of Art.

Lindsay, Charles. 2016. Carbon. Minor Matters Book LLC.

Lindsay, Charles. 2019. Recipes for the Mind. Terra Nova.

Lison, Andrew, Marcell Mars, Tomislav Medak, and Rick Prelinger, 2019. Archives. University of Minnesota Press.

Litwak, Mark. 1999. Contracts for the Film & Television Industry. Silman-James Pr.

London, Barbara. Video Art: The First Fifty Years. Phaidon.

Lunberry, Clark. Plays of Silence, Sites of Time: The Scripting and Staging of Absence.

Lysloff, Rene T. A., and Jr. Leslie C. Gay. 2003. Music and Technoculture. Wesleyan.

MacPhee, Josh. 2009. Paper Politics: Socially Engaged Printmaking Today. PM Press.

Maedel, George F. 1950. Basic Mathematics for Radio. Prentice Hall.

Magne, Lawrence. 1991. Passport to World Band Radio 1992. International Broadcastng Svs.

Manovich, Lev. 2002. The Language of New Media. The MIT Press.

Marchand, Philip. 1998. Marshall McLuhan: The Medium and the Messenger. The MIT Press.

Marrana, Bonnie. 1994. American Avant-Garde Performance: Class Readings Part I, Spring 1994. Publisher.

Marranca, Bonnie. 1994. American Avant-Garde Performance: Class Readings Part II, Spring 1994. Publisher.

Marranca, Bonnie. 1994. American Avant-Garde Performance: Class Readings Part III, Spring 1994. Publisher.

Marranca, Bonnie. 1977. The Theatre of Images. PAJ Publications.

Marranca, Bonnie (Ed.). 2009. Volume XXXI, No. 3. PAJ Publications.

Martin, Carol. 1996. A Sourcebook on Feminist Theatre and Performance: On and Beyond the Stage. Routledge.

Martin, Julie, and Robert Whitman. 2007. Local Report. Experiments in Art & Technology/Lafayette College Williams Center Art Gallery.

Martin, Julie. 2016. 9e + 50: A concert series celebrating the 50th Anniversary of 9 Evenings: Theatre & Engineering. Fridman Gallery.

Mata. 2016. No Drums No DJs No Saturdays. Hesse Press.

Mays, Sas and Neil Matheson (ed.). 2013. The Machine and the Ghost: Technology and Spiritualism in Nineteenth-to-Tweny-First-Century Art and Culture. Manchester University Press.

McCarthy, Tom. 2011. C. Vintage.

McEvilley, Thomas. 1993. Art and Discontent: Theory at the Millennium. McPherson.

McGreevy, Stephen Paul. 1996. Electric Enigma. (Liner notes.) Irdial Discs.

McGuire, Richard. 2014. Here. Pantheon.

McKenzie, Jon. 2001. Perform or Else: From Discipline to Performance. Routledge.

McLuhan, Marshall, and Gerald Emanuel Stearn. 1969. McLuhan Hot and Cool: A Primer for the Understanding of McLuhan. Signet.

McLuhan, Marshall, and Quentin Fiore. 1967. The Medium is the Massage: An Inventory of Effects. Bantam Books.

Mcluhan, Marshall, and Quentin Fiore. 1989. The Medium is the Massage. Touchstone.

McLuhan, Marshall. 1962. The Gutenberg Galaxy. Univ of Toronto Press.

McLuhan, Marshall. 1964. Understanding Media: The Extensions of Man. New American Library.

McMahon, Morgan E.. 1981. Vintage Radio. Ziff-Davis Publishing Co.

McMahon, Morgan E.. 1990. A Flick of the Switch. Vintage Radio.

McSweeney's. 2021. The Audio Issue. McSweeney’s.

Mehlman, Jeffrey. 1993. Walter Benjamin for Children: An Essay on his Radio Years. University Of Chicago Press.

Métayer, Catherine. 2011. Triggered Sound. Palaver Press.

Miguel, Victoria. 2013. Laquearia. SmithandBrown.

Milam, Lorenzo W. 1972. Sex and Broadcasting / A Handbook on Starting Community Radio Stations. Dildo Press.

Miller, Branda, and Deborah Irmas. 1987. Surveillance: An Exhibition of Video, Photography, Installations. Los Angeles Contemporary Exhibitions.

Miller, Jonathan, and Frank Kermode. 1971. Marshall McLuhan. Penguin Books.

Millman, Jacob, and Samuel Seely. 1951. McGraw-Hill Electrical and Electronic Engineering Series: Electronics. McGraw-Hill Book Company, Inc. .

Milutis, Joe. 2006. Ether: The Nothing That Connects Everything. Univ Of Minnesota Press.

Milutis, Joe. 2012. Monkey pOM! a translation of Hanuman Chalisa. Publisher.

Milutis, Joe. 2012. twenty beloved french poems, treated poorly. no press.

Milutis, Joe. 2013. Failure, A Writer's Life. Zero Books.

Milutis, Joe. Year. The Torrent. none.

Minoru, Hatanaka, Koizumi Keiko, and Sekiguchi Masaki. 1998. Steina & Woody Vasulka: Video Works. YOSHIDA Hajimu, NTT Publishing Co., Ltd. .

Mitchell, Jack W. 2005. Listener Supported: The Culture and History of Public Radio. Praeger.

Mitchell, W. J. T. 1994. Landscape and Power. University Of Chicago Press.

Moell, Joseph D. and Thomas N. Curlee. 1987. Transmitter Hunting: Radio Direction Finding Simplified. TAB Books.

Molleson, Kate. 2022. Sound Within Sound: Radical Composers of the Twentieth Century. Abrams.

Montana, Reverend Anna, Rev. Joalien, Rev. Norm, and Rev. Randy Peter. 2005. The Dead Beat Scrolls: The Incomprehensible Teachings of Harvey Christ Redeemer. Cumulus Press.

Montez Press Radio. 2022. From the Punitive to the Ludic: Prompts for Writing Public Apologies. Montez Press Radio.

Montross, Sarah. (Cur.) 2018. Platform 23: Andy Graydon. deCordova.

Moore, Stephan. 2013. In the Garden of Sonic Delights. Caramoor Center for Music and the Arts.

Moorman, Marissa. 2019. Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931-2002. Ohio University Press.

Moran, Dermot. 2000. Introduction to Phenomenology. Routeldge.

Mosaic: An Interdisciplinary Critical Journal. Vol. 42, Nos. 1 & 2, 2009. Sound, Part I. The University of Manitoba Press.*

Mosaic: An Interdisciplinary Critical Journal. Vol. 42, Nos. 1 & 2, 2009. Sound, Part II. The University of Manitoba Press.*

Moser, Mary A. 1997. Immersed in Technology: Art and Virtual Environments. Mit Pr.

Mottel, Syeus. 2017. CHARAS: The Improbable Dome Builders. The Song Cave & Pioneer Works Press.

Mowitt, John. 2011. Radio: Essays in Bad Reception. University of California Press.*

Müller, Andrea. 2011. Arctic Perspective Cahier No. 1 - Architecture. Hatje Cantz.

Musteata, Natalie. 2014. If I Can't Dance To It It's Not My Revolution. Haverford College.

Nachman, Gerald. 2000. Raised On Radio: In Quest Of The Lone Ranger…and Other Lost Heroes from Radio's Heyday. Patheon Books.

Nadin, Peter, Richard Milazzo, and Andrew McCarron. 2007. Peter Nadin: First Mark. Charta.

Neale, Steve. 1985. Cinema and Technology: Image, Sound, Colour. Indiana University Press.*

Nechvatal, Joseph. 2011. Immersion Into Noise. MPublishing, University of Michigan Library.

Neumann, Erich. 1970. The Origins and History of Consciousness. Princeton University Press.

New Museum. 1994. Bad Girls (Exhibition Catalog). The New Museum.

Newhouse, Elizabeth L. 1994. Inventors and Discoverers: Changing Our World. Natl Geographic Society.

Nielson, Heidi. 2013. Faxes from Space. Publisher.

Nielson, Heidi. 2015. You Are Here. Publisher.

Nielson, Heidi. 2016. Outernet Library Branch: Wave Farm.

Nielson, Heidi. 2017. Southern Florida Beachball Antenna Archive. Publisher.

O'Grady, John P. 2001. Grave Goods: Essays of a Peculiar Nature. The University of Utah Press.

Obadike, Mendi Lewis, and Keithe Obadike. 2012. Phonotype: texts on sound + media art . Ramapo College of New Jersey.

Oliva, Ralph A., and Charles W. Dale. 1986. DC Circuits Vol. 1: Basic Electricity and Circuit Concepts. Tandy Corporation.

Oliveros, Pauline. 1984/2015. Software for People: Collected Writings 1963-1980. Pauline Oliveros Publications.

Oliveros, Pauline, Samuel Golter, and Lawton Hall. 2013. Anthology of Text Scores. Deep Listening Publications.

Olsen S., Ann, 1992. The Black Mountain Connection. Tampa Museum of Art.

Orr, William I., and Stuart D. Cowan. 1991. Simple, Low-Cost Wire Antennas for Radio Amateurs. Rac Books.

Ostertag, Rhoda and George. 1996. Hiking New York. Falcon.

Ouzounian, Gascia. 2021. Stereophonica: Sound and Space in Science, Technology, and the Arts. The MIT Press.

Owsinski, Bobby. 2006. The Mixing Engineer's Handbook. Thomson Course Technology.

Packer, Randall, and Ken Jordan. 2002. Multimedia: From Wagner to Virtual Reality, Expanded Edition. W. W. Norton & Company.

Pagnutti, Anna. 2016. Reception: The Radio-Works of Robert Rauschenberg and John Cage. Smith+Brown.

Paik, Nam June, Wulf Herzogenrath,, and Shuya Abe. 2000. Fluxus/Video. Verlag De Buchhandlung Walter.

Paik, Nam June. 1979. How to Keep Experimental Video on PBS National Programming. Publisher.

Paik, Nam June. 1986. Beuys Vox 1961-1986. Won Gallery/Hyundai Gallery, Seoul, Korea.

Paik, Nam June. 1988. Icarus=Phoenix. Parco.

Parker, Andrew, and Eve Kosofsky Sedgwick. 1995. Performativity and Performance. Routledge.

Parks, Lisa, and Nicole Starosielski. 2015. Signal Traffic: Critical Studies of Media Infrastructure. University of Illinois.

Paul, Christiane. 2011. Cory Arcangel Pro Tools. Whitney Museum of American Art.

Penny, Simon. 1995. Critical Issues in Electronic Media. State University of New York Press.

Perec, Georges. 2010. An Attempt at Exhausting a Place in Paris. Wakefield Press.

Perloff, Marjorie. 1989. The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture . University Of Chicago Press.

Perloff, Marjorie. 1998. The Silence That is Not Silence: Acoustic Art in Samuel Beckett's Embers.

Perls, Jeffrey. 1999. Paths Along The Hudson: A Guide to Walking and Biking. Rutgers University Press.

Perry, Ted. 2004. Buky Schwartz: The Seeing I. Olive Production and Publishing.*

Phelan, Peggy, and Jill Lane. 1998. The Ends of Performance. NYU Press.

Piekut, Benjamin. 2011. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. University of California Press.

Pilgrim, Dianne H., and Richard Guy Wilson. 1986. The Machine Age in America : 1918-1941. Brooklyn Museum/Harry N. Abrams.

Pioneer Works. 2013. Intercourse Spring 2014. Pioneer Works.

Pioneer Works. 2014. Intercourse Winter 2015. Pioneer Works.

Pope, Emily. 2018. The Interjection Calendar 003. Montez Press.

Popper, Frank. 1968. Origins and Development of Kinetic Art. Littlehampton Book Services Ltd.

Popper, Frank. 1997. Art of the Electronic Age. Thames & Hudson.

Prieto, Eric. 2002. Listening In: Music, Mind, and the Modernist Narrative. University of Nebraska Press.*

Public Journal. Vo. 4-5, 1990-1991. Sound. Public Journal.*

Purdie, Ian C. 2000. What are the basics of radio receivers?

Quasha, George, and Charles Stein. 2009. An Art of Limina: Gary Hill's Works and Writings . Ediciones Poligrafa.

Quasha, George. 2016. art is (speaking portraits). PAJ Publications.

Quinn, Patrick. 2017. DRIFT/COPY/PASTE: Poetics 1. Publication Studio. (2 copies)

Radden Keefe, Patrick. 2006. Chatter: Uncovering the Echelon Surveillance Network and the Secret World of Global Eavesdropping. Random House Trade Paperbacks.

radioCona. 2013. Radio Arts Space. Publisher.

Radius. 2015. GRIDS. Radius

Ranaldo, Lee. 2011. how not to get played on the radio. soundBarn press.

Rathborne, St. George. 1924. Tom Turner's Adventures with the Radio. Whitman.

Raudive, Konstantin. 1971/2021. Breakthrough: An Amazing Experiment in Electronic Communication with the Dead. White Crow Books.

Ravlich, Robyn. 2019. Skywriting: Making Radio Waves. Brandl & Schlesinger.

Ray, Rex. 2002. Fascination: The Bowie Show. Publisher.

Razlogova, Elena. 2011. The Listener's Voice: Early Radio and the American Public. University of Pennsylvania Press.

Rebok, Barbara. ---. Excerpts from Historical Collections of the State of New York: Greene County and Columbia County. Publisher.

Reck, David. 1997. Music Of The Whole Earth. Da Capo Press.

Roberts, Matana, Tyshawn, Sorey. 2022. Who Is Queen?. DABA.

Rockwell, John. 1997. All American Music: Composition in the Late Twentieth Century. Da Capo Pr.

Rodgers, Tara. 2010. Pink Noises: Women on Electronic Music and Sound. Duke University Press Books.

Roman, David. 1998. Acts of Intervention: Performance, Gay Culture, and AIDS. Indiana University Press.

Rosebush, Judson. 1997. Nam June Paik : Videa ' n ' Videology 1959 - 1973. The Everson Museum of Art.

Roth, Richard. 2010. Hudson Opera House: Local Self Portraits. Hudson Opera House.

Rothenberg, David. 2013. Bug Music: How Insects Gave Us Rhythm and Noise. St. Martin's Press.

Rouget, Gilbert. 1985. Music and Trance: A Theory of the Relations Between Music and Possession. University of Chicago Press.*

Ruggiero, Greg. 1999. Microradio & Democracy. Seven Stories Press.

Ruppel, Warren. 2002. Not-for-Profit Accounting Made Easy. John Wiley & Sons, Inc.

Rush, Michael. 1999. New Media in Late 20th-Century Art. Thames & Hudson.

Rush, Michael. 2005. New Media in Art. Thames & Hudson.

Russo, Alexander. 2010. Points on the Dial. Duke University Press.

Russolo, Luigi. 2022. The Art of Noises. Absurdist Texts & Documents.

Ryan, James Anthony. 2011. Frederic Church's Olana: Architecture and Landscape as Art. Black Dome Press.

Sabinson, Allen, and Jack Walsh. 2005. What price media consolidation? A symposium on the impact of media consolidation and concentration in the film, television, radio, internet & music businesses. Drexel University.

Satz, Aura. 2016. Her Marks, A Measure. Fridman Gallery.

Satz, Aura. 2018. Listen, Recalibrate. Fridman Gallery.

Sauter, Willmar. 2000. The Theatrical Event: Dynamics of Performance and Perception. University Of Iowa Press.

Sayre, Henry M. 1992. The Object of Performance: The American Avant-Garde since 1970. University Of Chicago Press.

Schacter, Daniel L., and Elaine Scarry. 2001. Memory, Brain, and Belief. Harvard University Press.

Schafer, R. Murray. 1993. The Soundscape. Destiny Books.

Schaub, Mirjam, Daniela Zyman, and Andreas Schlaegel. 2010. Figura Cuncta Videntis: Thyssen-Bornemisza Art Contempoary. Buchhandlung Walther Konig GmbH & Co. KG. Abt. Verlag

Schechner, Richard. 1969. Public Domain : Essays on the Theatre. Bobbs-Merrill.

Schechner, Richard. 2002. Performance Studies: An Introduction. Routledge.

Schimkat, Anna. 2018. Make Some Noise. Edition Kunstraum Michael Barthel.

Schneemann, Carolee. 2014. Flange 6rpm. 'T' Space.

Scholder, Amy. 2001. Interaction: Artistic Practice in the Network. D.A.P./EYEBEAM ATELIER.

Schrader, Barry. 1982. Introduction to Electro-Acoustic Music. Longman Higher Education.

Schraenen, Guy. 2006. Vinyl, Records and Covers by Artists. Museu De Arte Moderna.

Schultz, John J. 1971. TV, Radio & Hi-FI Hints & Kinks. Tab Books.

Schuman, Joan. 2017. Radio's Art - Earlid.

Science, Popular. 1954. How to Fix Your Own TV, Radio and Record Player. Popular Science Publishing Co..

Sconce, Jeffrey. 2000. Haunted Media: Electronic Presence from Telegraphy to Television. Duke University Press Books.

Seror, Benjamin. 2015. Mime Radio. Bat; Adéra; CRAC Alsace; Kunstverein, Amsterdam; and Sternberg Press.

Shank, Theodore. 2002. Beyond the Boundaries: American Alternative Theatre. University of Michigan Press.

Shapiro, Peter. 2000. Modulations: A History of Electronic Music: Throbbing Words on Sound. D.A.P./Caipirinha.

Shaver, Nancy, Maximilian Goldfarb, and Sterrett Smith. 2022. Wolf Tones. Soberscove Press.

Shyer, Laurence. 1993. Robert Wilson And His Collaborators. Theatre Communications Group.

Sideli, John. 1990. Classic Plastic Radios of the 1930s and 1940s. E.P. Dutton.

Silberman, Marc. 2000. Bertolt Brecht on Film & Radio. Bloomsbury Methuen Drama.

Silence Archives, The. 2002-2006.

Siler, Todd. 1990. Breaking the Mind Barrier: The Artscience of Neurocosmology. Simon & Schuster.*

Silverman, Kaja. 1984. The Subject of Semiotics. Oxford University Press, USA.

Silverman, Kenneth. 2010. Begin Again: A Biography of John Cage. Knopf.

Singer, Brooke, Beatriz da Costa, and Jamie Schulte. 2005. Stop the Creep!: How to Become a Zapped! RFID Scout (a Zapped! RFID Workbook). Eyebeam.

Singer, Katie. 2014. An Electronic Silent Spring: Facing the Dangers and Creating Safe Limits. Portal Books.

Slate, Sam J., and Joe Cook. 1963. It Sounds Impossible: The hilarious story of radio broadcasting from the beginning to the future. Macmillan.

Sisters Akousmatica. 2023. Foraged Frequencies.

Small, Christopher.1980. Music, Society, Education. John Calder.*

SMFA at Tufts. THERE: 2018 Master of Fine Arts Thesis Exhibition. Puritan Press.

Smite, Rasa, and Armin Medosch. 2008. Spectropia. Acoustic Space #7. RIXC, The Centre for New Media Culture.

Smite, Rasa, Raitis Smits, and Armin Medosch. 2006. Waves. Acoustic Space #6. RIXC, The Centre for New Media Culture.

Smith, Jordan and Public Collectors. 2015. 73s From the Evergreen State: CB Radio QSL Cards from Washington. Public Collectors.

Smithson, Robert, and Jack Flam. 1996. Robert Smithson: The Collected Writings. University of California Press.

Snelson, Danny. 2016. Radios. Make New Press.

Sofer, Danielle Shlomit. 2022. Sex Sounds: Vectors of Difference in Electronic Music. The MIT Press.

Sohm, Hans, and Harald Szeemann. 1970. happening & fluxus. Kolnischer Kunstverein.

Soldier's Manual: MOS 31M Multichannel Communications Equipment Operator Skill Levels 1 and 2. September 1982. Headquarters of the Department of the Army.

Solomon, Rory. 2017. The past, present and future of CB Radio. Self.

Somol, Robert E. 1997. Autonomy and Ideology: Positioning an Avant-Garde in America. The Monacelli Press.

Song, Misook, et al. 2000. Media City Seoul 2000 - Media Art 2000. Inter Media-City, Seoul.*

Song, Misook. 2001. Media_City Seoul 2000. media_city seoul 2000.

Sontag, Susan. 1967. The Aesthetics of Silence. The Minimalism Issue, Aspen Magazine.

Soulard, Ida, Abinadi Meza, and Bassam El Baroni (eds). 2005. Manual for a Future Desert. Massachusetts Institute of Technology.

SoundCamp 6: 4 to 5 May 2019.

SoundCamp. 2016. Sounds Remote. Uniformbooks and SoundCamp.

Stanford Humanities Review. Vo. 3, No. 2, 1993. Music in the Age of Postdisciplinarity. Stanford Unviersity Press.*

Stanislawski, Ryszard (Editor). 1973. Constructivism in Poland 1923-1936”. BLOK. Museum Folkwang Essen.*

Starosielski, Nicole. 2015. The Undersea Network. Duke University Press.

Steinitz, Richard. 2003. Gyorgy Ligeti: Music and Imagination. Northeastern University Press.*

Stern, Carol Simpson, and Bruce Henderson. 1993. Performance: Texts and Contexts. Longman Pub Group.

Sterne, Jonathan. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press Books.

Stewart, Garrett. 1990. Reading Voices: Literature and the Phonotext. University of California Press.*

Stiegele, Juliane. 2015. Utopia Toolbox: An Incitement to Radical Creativity. STAMPS.

Stoever, Jennifer Lynn. 2016. The Sonic Color Line: Race & The Cultural Politics of Listening. New York University Press Books.

Stooss, Toni, and Thomas Kellein. 1993. Nam June Paik: Video Time, Video Space. Harry N Abrams.

Strauss, Neil. 1993. Radiotext(e). Semiotext(e).

Stuhlmann, Andreas. 2001. Radio-Kultur und Hör-Kunst: Zwischen Avantgarde und Popularkultur 1923 - 2001. Koenigshausen + Neumann.

Sturken, Marita, and Lisa Cartwright. 2001. Practices of Looking: An Introduction to Visual Culture. Oxford University Press, USA.

Sturken, Marita, Chrissie Iles, Thea Westreich, Robert R. Riley, and David A. Ross. 2000. Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art. San Francisco Museum.

Suarez, Lavender. 2020. Transcendent Waves: How Listening Shapes our Creative Lives. Anthology Editions.

Suisman, David, and Susan Strasser. 2010. Sound in the Age of Mechanical Reproduction. University of Pennsylvania Press.*

Superette, La. 2008. La Superette: 10 Superettish years of Art, Music, and Shopping. La Superette/

Tapper, Dan. 2013. VLF: A Sound Artist's Guide. Self-published.

Teasdale, Parry D. 1999. Videofreex: America's First Pirate TV Station & the Catskills Collective That Turned It on. Black Dome Pr.

Teflon, Zeke. 1993. The Complete Manual of Pirate Radio. See Sharp Press, Arizona.

Tesla, Nikola, and David Hatcher Childress. 2000. The Tesla Papers. Adventures Unlimited Press.

The Hong Kong Puppet and Shadow Arts Center & eteam. 2018. Zhong Kui—and the Reform of Hell. Kai Tak Gallery.

The Opera Quarterly. Vol. 26, Nos. 2-3, 2010. Chinese Opera Film. Oxford University Press.*

The Opera Quarterly. Vol. 27, Nos. 2-3, 2011. Opera in Transition. Oxford University Press.*

The Second Annual John Cage Mycology Weekend: Bard College Oct. 19-20, 2019.

Thomas, Michael Tilson. 2013. Making the Right Choices: A John Cage Centennial Celebration. New World Symphony, America's Orchestral Academy.

Thompson, Emily. 2004. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. The MIT Press.*

Thompson, Nato, and Gregory Sholette. 2006. The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. MASS MoCA.

Thomson, Peter, and Glendyr Sacks. 1994. The Cambridge Companion to Brecht. Cambridge University Press.

Thurmann-Jajes, Anne, and Ursula Frohne, Jee-Hae Kim (Eds.) 2019. Radio as Art: Concepts, Spaces, Practices. Transcript Publishing.

Titus, Robert and Johanna. 2012. The Hudson Valley in the Ice Age: A Geological History & Tour. Black Dome Press Corp.

Tomkins, Calvin. 1998. Duchamp: A Biography. Holt Paperbacks.

Tompkins, Jeff. 2008. Directory of Brooklyn Arts Organizations. Brooklyn Arts Council.

Toop, David. 1999. Exotica. Serpent's Tail.

Topolski, Krzysztof. 2013. Dźwiękowiska / Soundplay. CCA Laźnia.

Tyler, Parker. 1969. Underground Film: A Critical History. Grove Press.

U.S. Bureau of Aeronautics. Handbook Operation Instructions: Radio Test Set An/TRM-1. Naval Aeronautics Publications.

U.S. Scouting Service Project, Inc. 2014. Boy Scout Radio Merit Badge Workbook. Boy Scouts of America.

Ugelstad, Caroline M. 2007. Høvikodden live 1968-2007: Henie Onstad Art Centre as cross-artistic arena. Henie-Onstad Kunstsenter.

Upton, Monroe. 1962. Electronics for everyone: The story of electricty in action . New American Library.

van Amerongen, C. (Translator). 1967, The Way Things Work:. An illustrated Encyclopedia of Technology, Volume One. Simon & Schuster.*

Van Deventer, Betty. 1929. How to Become a Radio Artist. Haldeman-Julius Publications.

van Loon, Hendrik. Air Storming: A Collection of 40 Radio Talks. 1935. Harcourt, Brace, and Company.

Vanek, Ian A. 2021. Puppy Dog Ice Cream: The Story of Japanther. Outlandish Press.

Vargas, Elia. 2016. The Living Room Light Echange is always located in a place. Self-published

Vargas, Elia. 2017. Lubricated Substrates: Earth Infrastructure, Light andtheOil Ontology. B4BEL4B.

Various. 1998. New American Filmmakers Series Program Notes 1982-1998. Whitney Museum of American Art.*

Various. 1999. Transmediale 99 Catalogue. Internationales Mediankunstfestival Berlin.*

Verma, Neil. 2012. Theater of the Mind: Imagination, Aesthetics, and American Radio Drama. The University of Chicago Press.

Viola, Bill. 2002. Going Forth By Day. Deutsche Guggenheim.

Virilio, Paul. 1995. Art Of The Motor. Univ Of Minnesota Press.

Voegelin, Salomé. 2010. Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum.

Voegelin, Salomé. 2014. Sonic Possible Worlds. Bloomsbury Academic.

Voegelin, Salomé. 2019. The Political Possibility of Sound. Bloomsbury Academic.

Voegelin, Salomé. 2023. Uncurating Sound: Knowledge with Voice and Hands. Bloomsbury Academic.

Volckers, Hortensia. 2006. Radio Revolten. Radio Revolten.

von Florian Matzner, Herausgegeben. 1996. Nam June Paik: Baroque Laser. Reihe Cantz.

Wadsworth, Bruce. 1994. Guide to Catskill Trails. Adirondack Mountain Club.

Walker, Jesse. 2001. Rebels on the Air: An Alternative History of Radio in America. NYU Press.

Waltham-Smith, Naomi. 2021. Shattering Biopolitics. Fordham University Press.

Washington, Sarah (ed). 2023. Radio Art Zone. Hante Cantz.

Watkins, Glenn. 2010. The Gesualdo Hex: Music, Myth, and Memory. W. W. Norton.*

Webber, Alan, and Mike Schmidt. 2005. Rural Route Film Festival. Rural Route Film Festival.

Weibel, Peter, and Timothy Druckrey. 2001. net_condition: art and global media. The MIT Press.

Weibel, Peter. 2019. Sound Art: Sound as a Medium of Art. The MIT Press.

Weiss, Allen S. 2000. Experimental Sound and Radio. The MIT Press.

Weizenbaum, Joseph. 1984. Computer power and human reason: From judgment to calculation. Penguin Books Ltd.

Westcott, James. 2010. When Marina Abramovic Dies: A Biography. The MIT Press.

Wigley, Mark. 2015. Buckminster Fuller Inc. : Architecture in the Age of Radio. Lars Müller

Whitehead, Gregory. 2016. Almanach de plaies insensées. Van Dieren Éditeur.

Williams, Dawn. 2010. Strange Attractor. Strange Attractor Project.

Williams, Emmett, and Ann Noel. 1998. Mr. Fluxus: A Collective Portrait of George Maciunas, 1931-1978. Thames & Hudson.

Williams, Raymond. 2003. Television: Technology and Cultural Form. Routledge.

Wilson, Peter Lamborn. 1995. Pirate Utopias: Moorish Corsairs & European Renegadoes. Autonomedia.

Wilson, Stephen. 2003. Information Arts: Intersections of Art, Science, and Technology. The MIT Press.

Wirth, Karen, and Robert Lawrence. 1989. How to Make an Antique. Minnesota Center for Book Arts.

Witkiewicz, Stanislaw Ignacy, and Daniel Gerould. 1992. The Witkiewicz Reader. Northwestern University Press.

Wooley, Nate (ed.). 2021. Traducción de la revista Sound American 26: The OCCAM Ocean Issue. Anthology of Recorded Music, Inc.

Yaron, Ezrahi, Mendelsohn Everett, and Howard P. Segal. 1995. Technology, Pessimism, and Postmodernism. University of Massachusetts Press.

Yates, Frances A. 1992. The Art of Memory. Random House UK.

Yoder, Andew. 1995. Pirate Radio: The Incredible Saga of America's Underground, Illegal Broadcasters. Universal Radio Research.

Yoder, Andrew R., and Earl T. Gray. 1997. Pirate Radio Operations. Breakout Productions.

Young, Rob. 2002. Undercurrents: The Hidden Wiring of Modern Music. Continuum.

Youngblood, Gene. 1971. Expanded Cinema. Littlehampton Book Services Ltd.

Yusaf, Shundana. 2014. Broadcasting Buildings: Architecture on the Wireless, 1927 - 1945. The MIT Press.

Zacks, Stephen. 2022. G.H. Hovagimyan: Situationist Funhouse. Goff Books.

Zanni, Carlo. 2005. Vitalogy: A study of a Contemporary Presence in thirty five volumes. ICA Institute of Contemporary Arts.

Zippay, Lori. 1991. Electronic Arts Intermix: Video. Electronic Arts Intermix.

Zurbrugg, Nicholas. 2004. Art, Performance, Media: 31 Interviews. Univ Of Minnesota Press.


*Donated to the Wave Farm Study Center in 2022 from the personal library of John G. Hanhardt.