Study Center Book Library

The Wave Farm Study Center provides reference materials to artists, curators, students, and educators researching contemporary and historical practices in media, radio, sound, and visual arts with respect to the topic of transmission and reception. Wave Farm's Research Library is a growing collection of reference materials, which includes books, journals, articles, manuals, and files specific to transmission arts, radio, video, performance, sound, media theory, and contemporary art practice. Contact us to schedule a research visit.

Adams, Bill. 2004. mug. Regency Arts Press.

Ahwesh, Peggy. 2013. Kissing Pont. CR10 Art.

Allain, Paul, and Jen Harvie. 2005. The Routledge Companion to Theatre and Performance. Routledge.

Allison, Marcella. 1995. The Electronic Superhighway: Travels with Nam June Paik. Carl Solway Gallery, in conjunction with the Ft. Lauderdale Museum of Art.

Albertini, Rosanna. 1999. Technological Rituals: Stories from the Annenberg Dialogues. University of Southern California, Annenberg Center for Communication

Ammer, Manuela, and Susanne Neuburger. 2009. Nam June Paik: Exposition of Music, Electronic Television, Revisited. Walther Konig.

Anderson, Edwin P. 1955. Audels radiomans guide;: Covering theory, construction, and servicing, including television [and] electronics. T. Audel.

Anderson, John Nathan. 2013. Radio's Digital Dilemma: Broadcasting in the Twenty-First Century. Routledge.

Ano, Blanco, and Javier Duero. 2006. Observatori 2006: 7o Festival International de Investigation Artistica de Valencia. Observatori.

Apprich, Clemens, Josephine Berry Slater, Anthony Iles, and Oliver Lerone Schultz. 2013. Provocative Alloys: A Post-Media Anthology. Mute.

Armstrong, Elizabeth, Joan Rothfuss, and Janet Jenkins. 1993. In the Spirit of Fluxus. Distributed Art Pub Inc (Dap).

Arnheim, Rudolf. 1969. Visual Thinking. University of California Press.

Arnheim, Rudolf. 1971. Radio. Ayer Co Pub.

Arnheim, Rudolf. 1974. Art and Visual Perception: A Psychology of the Creative Eye. University of California Press.

Aronson, Arnold. 2000. American Avant-Garde Theatre: A History. Routledge.

Artaud, Antonin. 1994. The Theater and Its Double. Grove Press.

Ascott, Roy. 2001. Reframing Consciousness : Art, Mind and Technology. Intellect L & D E F a E.

Atkins, Robert. 1990. Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords. Abbeville Press.

Attali, Jacques. 1985. Noise: The Political Economy of Music. Univ Of Minnesota Press.

Aufermann, Knut, Helen Hahmann, Sarah Washington, and Ralf Wendt. 2019. Radio Revolten: 30 days of radio art. Spector Books.

Augaitis, Daina, and Dan Lander. 1994. Radio Rethink: Art, Sound and Transmission. Banff Centre Pr.

Auslander, Philip. 1999. Liveness: Performance in a Mediatized Culture. Routledge.

Auslander, Philip. 2007. Theory for Performance Studies: A Student's Guide. Routledge.

Avakian, George. 1959. The 25-Year Retrospective Concert of The Music of John Cage (album liner notes.)

Backus, John. 1969. The Acoustical Foundations of Music. Musical sound: a lucid account of its properties, production, behavior, and reproduction. . NY, Norton, 1969. .

Bailey, Derek. 1993. Improvisation: Its Nature And Practice In Music. Da Capo Press.

Baker, Jeannine, Murphy, Kate, and Skoog, Kristin. 2019. Feminist Media Histories. University of California Press.

Banes, Sally. 1993. Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. Duke University Press Books.

Banks, Joe. 2003. Disinformation: The Analysis of Beauty. The Aldgate Press.

Baran, Stanley J. 1980. The Viewer's Television Book: A Personal Guide to Understanding Television and Its Influence. Penrith Publishing Company.

Barrett, G Douglas. After Sound: Toward a Critical Music. Bloomsbury.

Barry, Judith, Teiji Furuhashi, Chris Marker, and Brad Miskell. 2002. Video Spaces: Eight Installations. The Museum of Modern Art, New York.

Barthes, Roland. 1991. The Grain of the Voice: Interviews 1962-1980. University of California Press.

Barthes, Roland. 1992. On Racine. University of California Press.

Battcock, Gregory. 1978. New Artists Video: A Critical Anthology. E. P. Dutton.

Baudriallard, Jean. 1988. Forget Foucault . Semiotext(e).

Baudrillard, Jean. 1983. In the Shadow of the Silent Majorities. Semiotext(e).

Baudrillard, Jean. 1983. simulations. Semiotext(e).

Baudrillard, Jean. 1995. Simulacra and Simulation. University of Michigan Press.

Becker, Carol. 1994. The Subversive Imagination: Artists, Society & Social Responsiblity. Routledge.

Beckett, Samuel. 1994. Krapp's Last Tape and Other Dramatic Pieces: Includes: All That Fall; Embers; Acts Without Words, I and II; Mimes. Grove Press.

Beers, Frederick L. 1884. History of Greene County, New York: With Biographical Sketches of Its Prominent Men. Higginson Book Company.

Bell, John. 2000. Strings, Hands, Shadows: A Modern Puppet History. Detroit Institute of Arts.

Bell, John. 2001. Puppets, Masks, and Performing Objects. The MIT Press.

Beloff, Zoe, Norman Klein, Amy Herzog, and Aaron Beebe. 2009. The Coney Island Amateur Psychoanalytic Society and Its Circle. Christine Burgin.

Benjamin, Walter and Lecia Rosenthal. 2014. Radio Benjamin. Verso.

Benjamin, Walter. 2014. Sonnets, trans. Carl Skoggard. Publication Studio Hudson.

Benjamin, Walter. 2015. Berlin Childhood Circa 1900, trans. Carl Skoggard. Publication Studio Hudson.

Benjamin, Walter. 2015. The "Berlin Chronicle" Notices, trans. Carl Skoggard. Publication Studio Hudson.

Bernstein, David W. 2008. The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. University of California Press.

Bers, Rachel. 2007. The Andy Warhol Foundation for the Visual Arts 1987-2007 a 20 Year Report Box Set. Andy Warhol Foundation.

Bhagat, Alexis, and Lauren Rosati. 2013. Listen my heart to the whispers of the world with which it makes love to you: A Cinema for the Ear. Khoj International Artists Association.

Bhagat, Alexis. 2005. Everybody says... A study in consonance for four voices. Self-published.

Bial, Henry. 2003. The Performance Studies Reader. Routledge.

Biewen, John and Alexa Dilworth. 2010. Reality Radio: Telling True Stories in Sound. The University of North Carolina Press.

Biggs, Bryan, Christoph Cox, and Sara-Jayne Parsons. 2012. Janek Schaefer: Sound Art: A Retrospective. The Bluecoat.

Biosphere Open Microphones. 18-22 September 2019.

Birringer, Johannes. 1998. Media & Performance: Along the Border. The Johns Hopkins University Press.

Bishop, Claire. 2005. Installation Art. Routledge.

Bishop, Claire, and Boris Groys. 2009. Bring the Noise: Futurism. Tate Etc.

Blau, Andrew. 2005. Deep Focus: A Report on the Future of Independent Media. National Alliance for Media Arts and Culture.

Blonsky, Marshall. 1985. On Signs. The Johns Hopkins University Press.

Boettger, Suzaan. 2004. Earthworks: Art and the Landscape of the Sixties. University of California Press.

Bonney, Jo. 1999. Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century. Theatre Communications Group.

Borelli, Caterina. 1984. From TV to video (e Dal video all TV). Alitalia.

Borger, Irene. 1999. The Force of Curiosity. CalArts/Alpert Award in the Arts, California.

Born, Erik Christopher. 2016. Sparks to Signals: Literature, Science, and Wireless Technology, 1800-1930. University of California, Berkeley.

Boyle, Deirdre. 1997. Subject to Change: Guerrilla Television Revisited. Oxford University Press, USA.

Braga, Newton C. 2001. Pirate Radio and Video: Experimental Transmitter Projects. Newnes.

Brand, Stewart. 1988. The Media Lab: Inventing the Future at M. I. T.. Penguin Books.

Brater, Enoch. 1991. Theatre Journal: Radio Drama. The Johns Hopkins University Press/Association for Theatre in Higher Education.

Bravo, Michael, and Nicola Triscott. 201. Arctic Perspective Cahier No. 2: Geopolitics and Autonomy. Hatje Cantz.

Brecht, Bertolt. 1978. Brecht On Theatre. Methuen.

Breitwieser, Sabine. 2000. Re-Play: The Beginnings of International Media Art in Austria. Generali Foundation, Wein.

Brejon, Benjamin, Ewen Chardronnet, Mauel Joao Neto, Jonathan Saldanha, and Filipe Silva. 2012. Sonores: Sound/Space/Signal. Guimaraes- Capital Europeia da Cultura.

Bronowski, Jacob. 1979. The Origins of Knowledge and Imagination. Yale University Press.

Bunyard, Britt. 2018. Fungi Magazine, Volume 11, No. 3.

Bronson, A.A., and Peggy Gale. 1979. Performance by Artists. Art Metropole.

Brown, Carolyn. 2009. Chance and Circumstance: Twenty Years with Cage and Cunningham. Northwestern University Press.

Bua, Matt, and Max Goldfarb. 2012. Architectural Inventions: Visionary Drawing of Buildings. Laurence King Publishers.

Buchloh, Benjamin H. D., Judith F. Rodenbeck, and Robert E. Haywood. 2000. Experiments in the Everyday: Allan Kaprow and Robert Watts--Events, Objects, Documents. Miriam & IRA D. Wallach Art Gallery.

Buchmuller, Eva. 1996. Squat Theatre. Artists Space.

Buckley, Carmel and Mark Harris. 2014. Sparrow Come Back Home. Delaware Center for the Contemporary Arts.

Bussman, Klaus. 1993. Nam June Paik: Eine Data Base. Cantz.

Cage, John and Alfredo Jaar. 2012. Other People Think. John Cage Trust.

Cage, John and Morton Feldman. 2015. Radio Happenings. MusikTexte.

Cage, John, and Laura Kuhn. 2010. John Cage Book of Days 2011. The John Cage Trust.

Cage, John, and Laura Kuhn. 2011. John Cage Book of Days 2012. The John Cage Trust.

Cage, John. 1961. Silence: Lectures and Writings. Wesleyan.

Cage, John. 1968. Soixanté Résponses à Trente Questions de Daniel Charles. Revue d.Esthétique.

Cage, John. 1969. A Year from Monday: New Lectures and Writings by John Cage. Wesleyan University Press.

Cage, John. 1979. Empty Words: Writings '73-'78. Wesleyan.

Cage, John. 1982. John Cage Etchings 1978-1982. Crown Point Gallery.

Cage, John. 1993. Composition in Retrospect. Exact Change.

Cage, John. 2001. James Joyce, Marcel Duchamp, Erik Satie: An Alphabet. The John Cage Trust.

Cage, John. 2012. Cage's Satie: Composition for Musum. Musee d'art contemporain de Lyon.

Cage, John. 2014. A Composer's Confessions. Allia Editions.

Calvino, Italo. 1978. Invisible Cities. Harcourt Brace Jovanovich.

Cannon, Don L., and Gerald Luecke. 1984. Understanding Communications Systems. Sams Publishing.

Cardullo, Professor Bert, and Robert Knopf. 2001. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. Yale University Press.

Carlson, Marvin. 1996. Performance: A Critical Introduction. Routledge.

Carnegie Corporation of New York. 1978. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission of the Future of Public Broadcasting. Carnegie Corporation of New York.

Carr, C. 1993. On Edge: Performance at the End of the Twentieth Century. Wesleyan.

Chadabe, Joel. 1996. Electric Sound: The Past and Promise of Electronic Music. Pearson.

Chandler, Annmarie, and Norie Neumark. 2005. At a Distance: Precursors to Art and Activism on the Internet. The MIT Press.

Chavez, Maria. 2012. Of Technique: Chance Procedures on Turntable. Self-published.

Chavez, Maria. 2015. Hands. Self-published.

Chion, Michel. 1994. Audio-Vision: Sound on Screen. Columbia University Press.

Chion, Michel. 2016. Sound: An Acoulogical Treatise. Duke University Press.

Christie, Amanda Christie. 2014. Amanda Dawn Christie: Land Lost, trans. Pierre Igot. Galerie d'art Louise-et-Reuben-Cohen, Université de Moncton

Coe, Lewis. 1996. Wireless Radio: A Brief History. Mcfarland & Co Inc Pub.

Cohen-Cruz, Jan. 1998. Radical Street Performance: An International Anthology. Routledge.

Collins, Nicolas. ssssssssshhhhhh!!!! Sonic Arts Network.

Committee, the Cairo Bicentennial. 2002. Portrait of the Past. Cairo Bicentennial Committee.

Connor, Steven. 1989. Postmodernist Culture: An Introduction to Theories of the Contemporary. Blackwell Pub.

Cooke, Lynne, Karen Kelly, and Barbara Schroder. 2010. Max Neuhaus: Times Square, Time Piece Beacon. Dia Art Foundation.

Cooper, Beck. 2013. Mapping Manhattan: A Love (and Sometimes Hate) Story in Maps by 75 New Yorkers. Harry N. Abrams.

Cope, David. 1993. New Directions in Music. Brown & Benchmark Pub.

Cornell, Lauren and Halter, Ed. 2015. Mass Effect: Art and the Internet in the Twenty-First Century. MIT Press.

Courtemanche, Peter. 2004. Scrambled Bites: Art's Birthday 2004. The Western Front.

Courtemanche, Peter. 2005. Reverie: Noise City 2004-2005. The Western Front.

Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music. Continuum.

Cox, Christoph. 2018. Sonic Flux. The University of Chicago Press.

Cox, Trevor. 2015. Sonic Wonderland: A Scientific Odyssey of Sound. Vintage Books.

Crawford, Tad. 1999. Business & Legal Forms for Fine Artists. Allworth Press.

Crook, Tim. 1999. Radio Drama. Routledge.

Crosby, Harry H. and George R. Bond. 1968. The McLuhan Explosion; A Casebook on Marshall McLuhan and Understanding Media. New York American Book Company 1968..

Crow, Barbara, Michael Longford, and Kim Sawchuk. 2010. The Wireless Spectrum: The Politics, Practices, and Poetics of Mobile Media. University of Toronto Press, Scholarly Publishing Division.

Culler, Jonathan. 2008. On Deconstruction: Theory and Criticism After Structuralism, 25th Anniversary Edition. Cornell University Press.

Cullinane, James. 2011. Found a Little Jawbone.... soundBarn press.

Cunningham, Merce. 2012. A Pictures Book for J.C. Xmas 1984. The John Cage Trust.

Daedalus, Donald. 2012. Metacontrast. lulu.com.

Davidson, Aaron, and Melissa Dubbin. 2009. Fallen Books: A Project by Melissa Dubbin and Aaron S. Davidson. onestar press.

Davis, Douglas, and Allison Simmons. 1977. The New Television: A Public/Private Art. The MIT Press.

Davis, Douglas. 1993. Five Myths of Television Power or Why the Medium Is Not the Message. Simon & Schuster.

de la Motte, Helga, Bernhard Leitner, and Bernd Schulz. 2003. Resonances. Kehrer Verlag.

de Melo Pimenta, Emanuel Dimas. 2010. Virtual Notations: the music of Emanuel Dimas de Melo Pimenta.

de Melo Pimenta, Emanuel Dimas. 2012. John Cage: the silence of the music: 100 years. CreateSpace Independent Publishing Platform.

De Michiel, Helen, and Jack Walsh (NAMAC Co-directors)S. 2005. Taking Liberties: Freedom, Creativity and Risk in the Media Arts. National Alliance for Media Arts and Culture.

De Michiel, Helen. 2005. A Closer Look: Hidden Histories. National Alliance for Media Arts and Culture.

De Oliveira, Nicolas, Nicola Oxley, and Michael Petry. 2004. Installation Art in the New Millennium: The Empire of the Senses. Thames & Hudson.

de Vega, Mario. 2016. Limen: Ecologies of Transmission.

Decker-Phillips, Edith. 2010. Paik Video. Barrytown/Station Hill Press, Inc..

Deitsch, Dina. (Dir.) 2018. Expressions Unbound: American Outsider Art. Tufts University Art Galleries.

Deschamps, Francois. 1995. Memoire D'un Voyage En Oceanie. PhotoForum, Inc..

Deschamps, Francois. 1999. Sombras Rojas. Visual Studies Workshop Press.

Despont, Louise. 2014. The Six-Sided Force. Pioneer Works.

Dewey, Johy. 1980. Art as Experience. Perigee Trade.

Dewey-Hagborg, Heather, and Chelsea E. Manning. 2017. A Becoming Resemblance. Fridman Gallery.

Dickinson, Peter. 2008. John Cage Was All The Rage. British Association for American Studies.

Dieringer, Jon. 2017. Screen Slate: New York City Cinema 2011-2015. Screen Slate & Topos Press.

Doherty, Claire. 2004. From Studio to Situations: Contemporary Art and the Question of Context. Black Dog.

Dolan, Jill. 2001. Geographies of Learning: Theory and Practice, Activism and Performance. Wesleyan.

Donovan, Kate. 2017. Datscha Radio: Plots and Prophecies.

Donovan, Kate. 2018. Expanding Radio: Ecological Thinking and Trans-scalar Encounters in Contemporary Radio Art Practice. Universitat Potsdam.

Dorpfeld, David and Wanda. 2014. Legendary Locals of Greene County. Arcadia.

Douglas, Susan J. 2000. Listening In: Radio and the American Imagination. Three Rivers Press.

Dreishpoon, Douglas. 2017. Nothing and Everything: Seven Artists, 1947-1962. Hauser & Wirth Publishers.

Droste, M, and Bauhaus Archiv. 1993. Bauhaus : 1919-1933. Taschen.

Druckrey, Timothy. 1996. Electronic Culture: Technology and Visual Representation. Aperture.

Druckrey, Timothy. 1999. Ars Electronica: Facing the Future: A Survey of Two Decades. The MIT Press.

Dubbin, Melissa, and Aaron S. Davidson. 2009. Hungry Woman LSD Made My Son A Killer. Publisher.

Dubbin, Melissa, and Aaron S. Davidson. 2012. the camera moves… Publisher.

Dubbin, Melissa, and Aaron S. Davidson. 2013. Making a Record (Diamond, Ruby, Sapphire, Emerald). Publisher.

Duggan, Kevin, Lindsay K. Campbell, Bram Gunther, and Carol Parkinson. 2018. Common Ground: Art, Data, and Ecology at New York State Field Stations. Harvestworks Digital Media Arts Center.

Dunbar-Hester, Christina. 2014. Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism. The MIT Press.

Dunifer, Stephen. 2001. Seizing the Airwaves: A Free Radio Handbook. AK Press.

Dworkin, Craig Douglas. The Greatest Works You've Never Heard.

Dworkin, Craig Douglas. Unheard Music.

Dyson, George B. 1998. Darwin Among The Machines: The Evolution Of Global Intelligence. Basic Books.

Eady, Cornelius. 2008. Hardheaded Weather. G. P. Putnam's Sons.

Eaton, Manford L. 1974. Bio-Music. Barton: Something Else Press,.

El Haouli, Janete. 2001. Radio: The Art of Sonorous Space. Online Contemporary Music Journal.

Ennes, Harold E. 1967. AM-FM Broadcast Operations. Howard W. Sams & Co., Inc./The Bobbs-Merrill Co., Inc. .

Ennes, Harold E. 1968. AM-FM Broadcast Maintenance. H. W. Sams.

Enrile, TJ. 2005. Popular Guide to Building a Community FM Broadcast Station. Free Radio Berkeley.

Esslin, Martin. 1993. Antonin Artaud. Riverrun Pr.

eteam. 2013. Buzz Cut. UCRARTSblock

Evenson, Dudely, and Michael Shamberg. 1972. Radical Software (#5). Gordon and Breach.

Everitt, William L. 1942. Fundamentals of Radio. Prentice Hall.

Evers, Alf. 1987. Woodstock: History of an American Town. Overlook Books.

Farrington, Margot. 2005. Flares and Fathoms: Poems. Bright Hill Press.

Feldman, Matthew, Erik Tonning, and Henry Mead. 2014. Broadcasting in the Modernist Era. Bloomsbury Academic.

Felton, Felix. 1949. The Radio Play: Its Techique and Possiblities. Sylvan Press.

Ferguson, Russell, William Olander, Marcia Tucker, and Karen Fiss. 1992. Discourses: Conversations about Postmodern Culture. The MIT Press.

Finkelpearl, Tom. 2001. Dialogues in Public Art. The MIT Press.

Fischer, Saskia, and Margot Hardenbergh. 2004. Media Empowerment Organizing Manual: A Guide to Understanding Media Power and Organizing for Media Justice in your Community. Media Empowerment Project.

Fisher, Margaret. 2002. Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933. The MIT Press.

Flesch, Hans. Zauberei auf dem Sender. http://mediaculture-online.de.

Foljahn, Tim, and Rick Moody. 2006. Thatcher Keats: Confidence Games. Charta.

Föllmer, Golo and Alexander Badenoch. 2018. Transnationalizing Radio Research - New Approaches to An Old Medium. [transcript] Media Studies.

Foreman, Richard. 1993. Unbalancing Acts: Foundations for a Theater. Theatre Communications Group.

Foundation, The BENTON. 2005. Citizen's Guide to the Public Interest Obligations of Digital Television Broadcasters. Benton Foundation.

Fowler, Gene, and Bill Crawford. 2002. Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, Revised Edition. University of Texas Press.

Frelin, Adam. 2010. Diviner. Bemis Center for Contemporary Arts.

Friedman, Martin, and Jan van der Marck. 1967. Light/Motion/Space. Walker Art Center.

Fry, Tony. 1993. RUA/TV?: Heidegger and the Televisual. Indiana University Press.

Fuegi, John. 1987. Bertolt Brecht: Chaos, according to Plan. Cambridge University Press.

Furlong, William. 1994. Audio Arts: Discourse and Practice in Contemporary Art. St Martins Pr.

Gallerneaux, Kristen. 2018. High Static Dead Lines. Strange Attractor Press.

Gann, Kyle. 2011. No Such Thing as Silence: John Cage's 4'33". Yale University Press.

Gazi, Angeliki, Guy Starkey, and Stanislaw Jedrzejewski. 2012. Radio Content in the Digital Age: The Evolution of a Sound Medium. Intellect Ltd.

Geers, Doug. 2006. Spark Festival of Electronic Music and Art. University of Minnesota School of Music.

Gentlemen, The Video. 2008. BYOTV Operations Manual. The Video Gentlemen.

Gerrish, Howard H. 1969. Transistor Electronics. Goodheart-Willcox Co Inc.,U.S..

Gessner, Robert. 1968. The Moving Image; a Guide to Cinematic Literacy. Dutton.

Giannachi, Gabriella. 2004. Virtual Theatres: An Introduction. Routledge.

Gilbert, Alan. 2006. Another Future: Poetry and Art in a Postmodern Twilight. Wesleyan.

Gilfillan, Daniel. 2009. Pieces of Sound: German Experimental Radio. University of Minnesota Press.

Gimarc, George. 1997. Post Punk Diary: 1980-1982. St. Martin's Griffin.

Glass, Philip, and Robert T. Jones. 1995. Music by Philip Glass. Da Capo Pr.

Gleick, James. 2012. The Information: A Hisotry, A Theory, A Flood. Vintage.

Goebel, Johannes and Kevin Duggan. 2015. Programming EMPAC: The First 4,158 Days. Rensselaer Polytechnic Institute

Goebel, Johannes. 2004. Wow & Flutter: The San Fransisco Tape Music Center, 1961-now. Rensselaer EMPAC: Experimental Media & Performing Arts Center.

Goldberg, Ken. 2001. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet. The MIT Press.

Goldberg, Roselee. 1993. Performance Art from Futurism to the Present. THAMES AND HUDSON.

Goldberg, Roselee. 2004. Performance: Live Art Since the '60s. Thames & Hudson.

Goldberg, RoseLee. 2007. Performa: New Visual Art Performance. Performa.

Goldfarb, Maximilian. 2010. Deep Cycle. M49.

Goldfarb, Maximilian. 2015. Handbook + For Human Machines. Publication Studio Hudson.

Goldfarb, Maximilian. 2016. Remote Viewing: 500 Tableaux. Publication Studio Hudson.

Goldfarb, Maxmilian, Patrick Kiley, and Chris Lee. 2019. Repeater. Publication Studio Hudson.

Goodman, Lizbeth, and Jane de Gay. 2000. The Routledge Reader in Politics and Performance. Routledge.

Goosen, E.C. 1968. The Art of the Real: USA 1948-1968. MoMA.

Gorham, Joan. 2006. Annual Editions: Mass Media 06/07. McGraw-Hill/Dushkin.

Graf, Rudolf F., and William Sheets. 2001. Build Your Own Low-Power Transmitters: Projects for the Electronics Experimenter. Newnes.

Grant, H. Kester. 2004. Conversation Pieces: Community and Communication in Modern Art. University of California Press.

Gregory, Danny, and Paul Sahre. 2003. Hello World: A Life in Ham Radio. Princeton Architectural Press.

Griffiths, Paul. 1985. Modern Music, the Avant Garde Since 1945. George Braziller.

Grubbs, David. 2014. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. Duke University Press.

Grundmann, Heidi, Elizabeth Zimmermann, Reinhard Braun, Dieter Daniels, Andreas Hirsh, and Anne Thurmann-Jajes. 2008. Re-Inventing Radio: Aspects of Radio as Art. Revolver.

Hall, Doug, and Sally Jo Fifer. 2005. Illuminating Video: An Essential Guide To Video Art. Aperture/Bay Area Video Coalition.

Hanhardt, John G. 1982. Nam June Paik. Whitney Museum of American Art, New York, in association with W. W. Norton & Company, New York, London.

Hanhardt, John G. 1987. Video Culture: A Critical Investigation. Gibbs Smith.

Hanhardt, John G. Year. The Worlds of Nam June Paik. Guggenheim Museum.

Hanhardt, John G., Gregory Zinman, and Edith Decker-Phillips. 2019. We Are In Open Circuits: Writings by Nam June Paik. The MIT Press.

Haring, Kristen. 2006. Ham Radio's Technical Culture. The MIT Press.

Hawes, R. 1991. Radio Art. Amr Pub Co.

Heathfield, Adrian. 2004. Live: Art and Performance. Routledge.

Hecker, Florian, Reza Negarestani, and Stefan Helmreich. 2013. Florian Hecker: Chimerizations. Primary Information.

Hendricks, Jon, Marianne Bech, and Media Farzin. 2009. Fluxus Scores and Instructions. Museum of Contemporary Art, Denmark.

Hendy, David. 2014. Noise: A Human History of Sound and Listening. Profile Books.

Henney, Keith. 1947. Principles of Radio. Wiley & Sons Inc.

Heuck, Farida, Ralf Homann, and Pia Lanzinger. 2006. Dangerous Crossings. The Grammar of Tolerance. Silke Schreiber Publisher.

Higgins, Dick. 1997. Modernism Since Postmodernism: Essays on Intermedia. San Diego State University Press.

Higgins, Dick. 2018. Intermedia, Fluxus and the Something Else Press. Siglio.

High, Kathy, Sherry Miller Hocking, and Mona Jimenez. 2014. The Emergence of Video Processing Tools: Television Becoming Unglued V1. Intellect Ltd.

High, Kathy, Sherry Miller Hocking, and Mona Jimenez. 2014. The Emergence of Video Processing Tools: Television Becoming Unglued V2. Intellect Ltd.

Hilmes, Michele, and Jason Loviglio. 2001. Radio Reader: Essays in the Cultural History of Radio. Routledge.

Himmelman, John. 2011. Cricket Radio: Turning In the Night-Singing Insects. Harvard University Press.

Hollander, David. 2018. Unusual Sounds: The Hidden History of Library Music. Anthology Editions.

Holtzman, Steven R. 1995. Digital Mantras: The Language of Abstract and Virtual Worlds. The MIT Press.

Hong-hee, Kim. 1995. InfoArt '95 Kwangju Biennale. Kwangju Biennale Foundation.

Horne, Field. 2000. Greene Country Catskills: A History. Black Dome Press.

Hour, The Harvey Christ Radio. Year. Kool Aid . The Harvey Christ Radio Hour.

Hu, Tung-Hui. 2016. A Prehistory of the Cloud. MIT Press.

Huelsenbeck, Richard. 1994. The Dada Almanac. Atlas Press.

Huisman, Hetty. 1987. Sound Re Visited: an anthology concerning sound in art. Void Editions.

Huldisch, Henriette. (Cur.) 2018. Introducing Tony Conrad: A Retrospective. Carpenter Center for the Visual Arts at Harvard University.

Hulten, K.G. Pontus. 1968. The Machine: As Seen at the End of the Mechanical Age. The Museum of Modern Art, New York.

Humphreys, Richard. 1999. Futurism. Cambridge University Press.

Hunt, David. 2006. Scope New York. Scope.

Hunt, Samantha. 2009. The Invention of Everything Else. Mariner Books.

Huxley, Michael, and Noel Witts. 1996. The Twentieth-Century Performance Reader. Routledge.

Ingall, Andrew, Daniel Belasco, and Tom Colley. 2014. Videofreex: The Art of Guerilla Television. State University of New York Press.

Innes, Christopher. 1993. Avant Garde Theatre: 1892-1992. Routledge.

Irving, Washington. 1863. Rip Van Winkle. Elegant Ebooks.

Irwin, Robert. 1985. Being and Circumstance Notes Toward a Conditional Art. Lapis Pr.

Johansson, Anna, Linda Rydberg and Jessica Segerlund (Eds.). 2009. REsidency Far Away So Close: Reality and Visions for Independent Curators.

Johnson, Nicholas. 1970. How to Talk Back to Your Television Set. Bantam.

Johnson, Ronald. 2005. Radi os. Flood Editions.

Joseph-Hunter, Galen, and Lukasz Ronduda. 2004. The Workshop of the Film Form 1970-1977. Electronic Arts Intermix and the Polish Cultural Institute in New Yok.

Joseph-Hunter, Galen, Penny Duff, and Maria Papadomanolaki. 2011. Transmission Arts: Artists and Airwaves. PAJ Publications.

Joseph-Hunter, Galen. 2003. free103point9's: Tune (In))). free103point9.

Joseph-Hunter, Galen. 2004. Tune(In))) Santa Fe. free103point9 and SFAI.

Kac, Eduardo. 2005. Telepresence and Bio Art: Networking Humans, Rabbits and Robots. University of Michigan Press.

Kahn, Douglas, and Gregory Whitehead. 1994. Wireless Imagination: Sound, Radio, and the Avant-Garde. The MIT Press.

Kahn, Douglas. 1999. Noise, Water, Meat: A History of Sound in the Arts. The MIT Press.

Kahn, Douglas. 2013. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts. University of California Press.

Kahn, Douglas. 2019. Energies In The Arts. MIT Press.

Kaprow, Allan, and Jeff Kelley. 2003. Essays on the Blurring of Art and Life: Expanded Edition. University of California Press.

Karasek, Cynthia and Randall Evans. 2012. A Rising Tide: Imagining a Warmer Climate in the Hudson Valley. Athens Cultural Center.

Kass, The Sight of Silence: John Cage's Complete Watercolors. 2011. National Academy Museum.

Kato, Sawako. 2009. Nijika. Tiny Tiny Press.

Keats, Thatcher. 2013. My Book of Lists. Publisher.

Kelly, Caleb. 2009. Cracked Media: The Sound of Malfunction. The MIT Press.

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