BEGINS WITH THE CUSTOMARY "Tomato Song" by Patrick Cowley & Candida Royalle, FOLLOWED BY "Simple (1961)" by Nam June Paik, SMOTHERED IN A MIX OF Claire M. Singer's "Ceo" and Florist's "A Hospital + Crucifix Made of Plastic" THEN Matmos's "Ultimate Care II" WITH Fucked Up (feat Tanya Tagaq)'s "Our Own Blood". NEXT: On Fillmore's "Bota Fogo", Mecanica Popular's "Daguerrotipo", and Robert Schroder's "Utopia." Grouper's "Alien Observer" SIGNALS A MIC BREAK, THEN Rafael Toral's "The Horizon" MIXED WITH Odeya Nini's "Cyclicality." NEXT, Yo La Tengo's "Nowhere Near", Yuzo Iwata's "Goodnight, Daylight Moon", Camera's "Ildefons", Norman Westberg's "Soothe The String", Holly Herndon's "Morning Sun", Norman Westberg "Oops, Wrong Hat", Harry Nilsson "Life Line". ENDS WITH R. Hundro's "Check out to a Spot."

In a stew of intimate electronics, bad poetry, and tender murk, we swap tongues and reach for more. Olivia Bradley-Skill likes digging up old sensations to find new meaning. Her radio work is a live collage, which warps, overlaps, and extends sound and language, so as to intensify the medium's interactive and elusive qualities. She uses radio to represent the mind, how we listen, and how we forget what we remember. This show is edited from its original broadcast on WFMU.