Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com

Wave Farm Radio: WGXC 90.7-FM is pleased to be a broadcast partner for Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington and Knut Aufermann) and the Luxembourg community station Radio ARA, broadcasting for 100 days from 18th June to 25th September 2022 as part of the European Capital of Culture Esch2022. Tune in late nights on WGXC 90.7-FM to hear what's happening in the Radio Art Zone!

The schedule consists of two daily programs: a 22-hour radio art production, and a two-hour lunchtime live radio show from a local kitchen. It also features two month-long artist residencies and a program of public events. Each day the radio sounds different from the next: 100 international and local artists and groups have been invited to produce a durational program, requiring them to fully immerse themselves in topics and production techniques of their choice. Taking form through performances, compositions, installations and interventions in public space, from the point of view of the listeners Radio Art Zone is a kind of audible lucky dip. Every day a distinctive concept is offered, a new experience of sound, a novel idea of radio. The lunchtime shows bring a domestic scenario to the radio: people cook and talk, relax with guests and laugh. This framework makes space for spontaneous discussions about the radio art works between artists, invited guests and passers-by, all involved in cooking together on air, without agenda or formal interviews. Some live lunches will be hosted in Radio Art Zone's publicly accessible studio, others broadcast from private and workplace kitchens in and around Esch, anchoring the project in the everyday life of the audience. For 100 days Radio Art Zone will be broadcast within the Esch2022 Capital of Culture area on FM radio. It will also be available online and via simultaneous broadcast on a host of international partner stations which enable the program to be widely accessed across the globe. Follow the project at www.radioart.zone.

WGXC's Summer 2022 Online Pledge Drive will take place from Thu., Jul. 14 through Sun., Jul 24, 2022. Join us as we continue to build a base of monthly sustaining donors. Growing a community of sustaining supporters is vital to the station’s longevity.

To make a recurring donation, or to make a one-time gift, visit: wgxc.org/donate or call 518-697-7400 and pledge your support of Creative Community Radio for Open Ears.

Inhaled Yowls Machine is the name of a project and novel tape instrument which will be used for composing, recording, and broadcasting during the Wave Farm Residency by the artist duo Victoria Shen and Aaron Dilloway. The instrument will consist of hacked 8-track tape players that will function like a motorized Mellotron. This novel approach to tape manipulation presents the opportunity for multichannel sound collage and a unique sounding instrument. Dilloway/Shen will use recorded samples from the local radio as the chief material for the tape compositions. These compositions will be broadcast over local radio during the course of the residency and culminate in a live performance with a quadraphonic sound configuration.

Aaron Dilloway is an improviser and performer who works with 1/4" tape loops in 8-track cartridges as well as other obsolete electronic equipment. In his performance-based practice, he manipulates magnetic tape in real-time by feeding the loops sounds from his body, everyday objects, electronic sources, prepared tapes, as well as the occasional actual instrument. Since 1994 he has run Hanson Records, a record label, mail-order service, and brick and mortar record store. In 1998 with instrument builder Nate Young he co-founded the industrial noise group Wolf Eyes, recording and touring extensively with them until leaving the band in 2005. Since then Dilloway has performed all over the world as a solo artist including gigs and residencies including Wave Farm in NY, Museion in Bolzano, INA-GRM in Paris, Istituto Svizzero in Rome, Station Museum in Houston, New Museum in NY, and countless others. Dilloway is an avid collaborator working alongside many artists and musicians including Genesis P-Orridge, Lucrecia Dalt, Victoria Shen, C. Lavender, Kim Gordon and Bill Nace. aarondilloway.bandcamp.com

Victoria Shen is a sound artist, experimental music performer, and instrument-maker based in San Francisco. Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Her music features analog modular synthesizers, vinyl/resin records, and self-built electronics. Eschewing conventions in harmony and rhythm in favor of extreme textures and gestural tones, Shen uses what she calls "chaotic sound" to oppose signal and information, eluding traditionally embedded meaning. Her DIY approach to deconstructing the concepts of “materiality, value and mass production” both integrate and re-contextualize the formats of the readymade and assemblage techniques. For example, the album art for her debut LP, “Hair Birth,” utilizes copper to transform the cover into a loudspeaker through which the record can be played. For recent performances, she pioneered the use of Needle Nails, acrylic nails with embedded turntable styluses, which allow her to play up to 5 tracks of a record at once. Shen has performed solo across North America, Japan, Mexico, and Europe as Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, the Sound Laboratory of The Royal Danish Academy Copenhagen DK, and AUDIUM San Francisco. evicshen.com