"Frequencies: Dawson City" by Andrew O’Connor. Part public sound installation, part narrative documentary Frequencies: Dawson City is project for a series of low watt FM transmitters laid out around Dawson City Yukon. It was commissioned by the Klondike Institute for Art and Culture as a part of their series The Natural & The Manufactured. The transmitters are all broadcasting on the same frequency and laid out in an array so that as you walk the installation with your radio tuned one transmitter starts to fall out of range as the next one is coming in. Each transmitter broadcasts a different collage of soundscapes and stories (played on a loop) that relate specifically where you are standing. The buildings, the landscapes, the stories and experiences attached to them, and how these memories resonate in a physical location. By employing random chance and juxtaposition, multiple narratives are combined in a way that creates a unique listener guided narrative experience.

"Still Here," by Alyssa Moxley and Ramona Stout. Still Here is a soundscape of the island of Santorini, in the Cyclades, Greece, recorded and composed by the artists Ramona Stout and Alyssa Moxley. We have selectively edited our recordings from Santorini to create a sound map. It is fundamentally inaccurate, yet it is all drawn from the aural environment as it is today, and likely will be for many years to come. It is a soundtrack that glosses the extremes of silence and noise that have come to dominate the island and recreates a bygone era in which there existed a host of functioning communities like Vothonas, of which there are now very few. It is the result of our recording the pulse of a place that now exists in suspended animation, a place that is alive but not quite living.