WGXC-90.7 FM

Radia: Yéti

Jan 24, 2019: 3:30 pm - 4pm
WGXC 90.7-FM: Radio for Open Ears

90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere
http://www.wgxc.org/

Produced by a different "Radia" station each week.

Radia Show 721: Yéti from Radio Picnic for Radio Campus Bruxelles. EN : Myself and my partner Dr. Kawai, we would go through our voices this part of the world where the scientific legend believe the cosmic yeti is hidden. It is a vast country where, since its discovery, the adventurers dare and are damaged. However, they do not risk their life because bodies does not have access to this world made of waves and vibrations. Not that the skin, like the body and any other physical form, does not belong to it, but here it is preferable to travel light and limit the sources of sensation. The voice is the congenial tool to this crossing, it allows us to not lose our life. To get lost remains the only danger and get lost for good. FR : Accompagné du Docteur Kawai, nous parcourons de nos voix cette partie du monde où la légende scientifique veut cacher le yéti cosmique. C’est un pays vaste où les aventuriers s’osent et s’abiment depuis sa découverte. Ils n’y laissent cependant pas leur peau puisque leur peau n’a pas accès à ce monde fait d’ondes et de vibrations. Non pas que la peau, comme le corps et toute autre forme physique, n’y appartienne pas, mais ici il est préférable de voyager léger et limiter les sources de sensation. La voix, la voix oui, étant l’outil congénial à cette traversée, on ne pouvait y perdre la vie à proprement dire. Et dire que de s’y perdre demeure l’unique danger : s’y perdre pour de bon Un projet de David Liver et Jonathan Frigeri. With texts from David Liver, Gregory Whitehead, Pier Luigi Ighina, Tesla. Jonathan Frigeri is a sound and radio artist. He is mainly interested in revealing a hidden layers of reality by underlining sounds we don’t usually pay attention to, a practice that explore the relation of sound as a door that opens imaginative space. On his work for radio he tends to incorporate on the creative process, the radio device and the space between the transmitter and the receiver. Radio art is a set of parameters which have to deal also with the space in between, between here and there. http://jfz.zonoff.net/jfz In writing, performance and visual art, David Liver incisively provokes the boundaries that define cultural standards. David Liver considers writing to be the root of his creative output. A major Liver’s theme is the institution of “Believes” in the western social identity and it’s particular system of faith. http://www.the-david-liver.com/

The Radia Network emerged from a series of meetings, clandestine events, late-night club discussions and a lot of email exchanges between cultural radio producers across Europe. The topics vary and the reasons for forming a network are many, but Radia has become a concrete manifestation of the desire to use radio as an art form. The approaches differ, as do the local contexts; from commissioned radio art works to struggles for frequencies to copyright concerns, all the radios share the goal of an audio space where something different can happen. That different is also a form in the making – radio sounds different in each city, on each frequency. Taking radio as an art form, claiming that space for creative production in the mediascape and cracking apart the notion of radio is what Radia does.

It is producing radio stuff that is hard to describe. Some of it can be labeled radio art, or experimental radio, or creative radio. Sometimes it talks, sometimes it doesn’t. It can be noisy, or a kind of soundscape, or a documentary, a document, a talk, a performance. Each and every week, one of the partners will provide the network program, commissioned and produced especially for this purpose: being broadcast by all the partners and made available online.

Some things have to be said about all those partners. They are radio stations, of the independent, non-commercial, community, cultural species. They all speak different languages, and this should create interesting problems. Although initially they were all European radio stations this has changed over time and Radia has become not only larger but also more diverse: 17 partners in nine countries and growing all the time.

Radia Stations

* Campus Paris (Paris, FR)
* CFRC 101.9 FM (Kingston, CA)
* CKUT (Montréal, CA)
* JET FM (Nantes, FR)
* Kanal 103 (Skopje, MK)
* Orange 94.0 (Vienna, AT)
* Radio Campus (Brussels, BE)
* Radio Corax (Halle, DE)
* Radio Grenouille (Marseille, FR)
* Radio Helsinki (Graz, AT)
* Radio Nova (Oslo, NO)
* Radio One 91 FM (Dunedin, NZ)
* Radio Panik (Brussels, BE)
* Radio Papesse (Firenze, IT)
* Radio Student (Ljubljana, SI)
* radio x (Frankfurt/Main, DE)
* Rádio Zero (Lisboa, PT)
* RadioWORM (Rotterdam, NL)
* Reboot.fm (Berlin, DE)
* Resonance FM (London, UK)
* Soundart Radio (Dartington, UK)
* TEA FM (Zaragoza, ES)
* Wave Farm WGXC 90.7-FM (New York, USA)
* XL Air (Brussels, BE)

Affiliates

* Kunstradio (Vienna, AT) More information at http://radia.fm