WGXC-90.7 FM
Framework: Framework: Jay Deal Lopez
May 26, 2012: 6am - 7am
free103point9 Online Radio
Brooklyn (2003 - 2004) | Acra (2005 - 2015), NY
free103point9.org + transmissionarts.org/listen
90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere
http://www.wgxc.org/
Hosted by Patrick McGinley.
This edition of framework:afield has been produced in Australia by Jay-Dea Lopez. for more information see his website at http://soundslikenoise.wordpress.com/. from jay-dea:
The Menace of Sound
"We often think of the sonic world in binary terms: beautiful verses ugly (sound verses noise). While there is some validity in these categories I would suggest that the two cannot exist in isolation from each other. There is a point at where the two extremes must meet, bleeding into an ambiguous domain that haunts the listener with its uncertainty. For me this domain is where the most interesting experiences can be found for both the artist and the audience.
In this show the simple sounds of crickets, wind, wire, bridge cables, commercial spaces, and seals are recontextualised into a world which resonates with menace. It is to the artists' credit that they never resort to cheap theatrics, instead choosing to build tension through well-crafted layerings and juxtapositions of natural and industrial sounds."
The Menace of Sound
"We often think of the sonic world in binary terms: beautiful verses ugly (sound verses noise). While there is some validity in these categories I would suggest that the two cannot exist in isolation from each other. There is a point at where the two extremes must meet, bleeding into an ambiguous domain that haunts the listener with its uncertainty. For me this domain is where the most interesting experiences can be found for both the artist and the audience.
In this show the simple sounds of crickets, wind, wire, bridge cables, commercial spaces, and seals are recontextualised into a world which resonates with menace. It is to the artists' credit that they never resort to cheap theatrics, instead choosing to build tension through well-crafted layerings and juxtapositions of natural and industrial sounds."