An intensely intimate and confrontational performance by Pharmakon, a death industrial music project from Margaret Chardiet. Chardiet describes her drive to make noise music as a kind of exorcism, making it possible to express her “deep-seated need/drive/urge/possession to reach other people and make them FEEL something [specifically] in uncomfortable/confrontational ways.” In addition to being one of the few females working in a male dominated noise scene, Chardiet stands out for her meticulous rigor and attention to form, with every performed element methodically planned out in advance for maximum emotional impact.