09:00am Prelude

Georgian Polyphony Workshop with Carl Linich (Director of Bard Georgian Choir) [Jazz Room N211]

10:00am Aurality

Chair: Alex Benson (Bard College) Panelists: Amanda Weidman (Bryn Mawr College), Brian Hochman (Georgetown University), Tomie Hahn (Rensselaer Polytechnic Institute), Julianne Swartz (Bard College) [Jazz Room N211]

11:30am Interlude Physics of Sound with Matthew Deady [Seminar Room N210] Soundwalk with Todd Shalom [Start Outside of László Z. Bitó Conservatory Auditorium]

01:00pm Transmission Chair: Danielle Riou (Bard College) Panelists: Tom Porcello (Vassar College), Olga Touloumi (Bard College), Masha Godovannaya (Smolny College), Drew Thompson (Bard College) [Jazz Room N211]

03:30pm Resonance

Chair: Laura Kunreuther (Bard College) Panelists: Marié Abe (Boston University), Emilio Distretti (Al-Quds), Erica Robles Anderson (NYU), David Suisman (University of Delaware), Maria Sonevytsky (Bard College) [Jazz Room N211]

05:00pm Deep Listening Workshop with Pauline Oliveros [Avery Integrated Arts Room]

06:00pm Closing Remarks

Sound in Theory, Sound in Practice brings together scholars and practitioners to consider the potential of thinking about and through sound. Recent years have witnessed a sonic turn in the humanities and beyond. Many working in the fields of anthropology, literature, urban studies, history, media studies, and the arts have increasingly shifted their attention to sound as both an expressive medium, a material, and a critical object of inquiry. Under the auspices of Experimental Humanities and the Sound Cluster at Bard College, this two-day symposium will focus on questions of aurality, transmission, aesthetics, and evidence. Open and Free to the Public. Registration required at http://blogs.bard.edu/soundsymposium.

Wave Farm Radio and WGXC 90.7-FM are pleased to provide an online stream as well as future radio broadcast of much of this two-day symposium. The stream will be available here and on the Sound in Theory, Sound in Practice website during the event.