Wave Farm's Art Park is now open. Drop-in unannounced for guided tours on Saturdays, or book a tour in advance on other days.

Wave Farm's 29-acre campus in Acra, NY is home to our public Art Park featuring 13 installations, the Study Center including a Research Library, the WGXC 90.7-FM Acra broadcast studio, and accommodations for Wave Farm's international artist Residency Program. Visitors to Wave Farm receive a guided tour of our campus. Admission is free, and tours typically last 60-90 minutes.

The Wave Farm campus is open June 1 – October 31
Monday-Thursday: Open by appointment. Email info@wavefarm.org to schedule your visit
Friday: Open by appointment from noon to 6 p.m. Book your guided visit here
Saturday: Open for drop-in visits anytime noon to 6 p.m.
Sunday: Open by appointment from noon to 6 p.m. Book your guided visit here
To schedule a research visit to our Study Center Library, email info@wavefarm.org.

Wave Farm is delighted to announce that Lia Kohl will serve as Wave Farm's Radio Art Fellow September - November 2023. During her engagement, Kohl will make additions to the Wave Farm Broadcast Radio Art Archive online resource and to the syndicated weekly radio show "The Radio Art Hour." Kohl will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

Lia Kohl is a composer, cellist, and sound artist based in Chicago. Her wide-ranging practice includes solo composition and performance, installation, improvisation, and collaboration. Kohl tours nationally and internationally, working in theater, jazz, rock, and experimental contexts. Her work centers curiosity and patience, an exploration of the mundane and profound possibilities of sound.

Our Non-Understanding of Everything is a multi-channel video installation by eteam (Franziska Lamprecht and Hajoe Moderegger). The exhibition, co-organized by CREATE Council on the Arts and Wave Farm, features an immersive video installation in which eteam invites us to consider the emotional and rational relationships we have with our personal tech devices.

This new installation to debut at CREATE’s gallery in Catskill was conceived in early 2021 during a pandemic lockdown in Taipei, when eteam began to explore a set of urgent questions: “Should we/could we consider/worship our smart devices like deities in order to honor the spiritual connections we have with them and their connected technologies? How can we entertain and relax our smart devices? What would happen if they would be given a chance to directly interact with our natural environments? Would they start to develop a form of care that would in turn teach us to care in new and unexpected ways?”

Over the course of two years, eteam turned these questions into a daily practice, observing and documenting encounters between their smart devices, the natural environments in which they live, and their proximity to massive architectural grids such as New York City. The exhibit represents the culmination of eteam’s findings. The work consists of 16 single-channel videos shot in Greene County, NY; Taipei, Taiwan, New York City; and Mannheim, Germany. The exhibition features two 50-inch monitors installed in the gallery’s storefront windows, and three video projections. The central projection will be rotated on a weekly basis –inviting audiences to make multiple visits to the space to watch the iterations of the show’s theme unfold. Our Non- Understanding of Everything is a recipient of a 2023 New York State Council on the Arts (NYSCA) grant and fiscally sponsored by Wave Farm.

An opening reception will be held on Friday, October 13, 2023 from 6 - 8 p.m.. This exhibit will be open to the public and on view from Friday, October 13 to Sunday, November 12. Gallery@CREATE is located at 398 Main Street in Catskill and is open Fridays, 4pm-7pm, and on Saturdays and Sundays, 11am-6pm. The exhibit is free and open to the public. For more information, visit: www.CREATEcouncil.org.

eteam is a two person collaboration who uses video, performance, installation, and writing to instigate and articulate encounters at the edges of diverging cultural, technical and aesthetical universes. eteam’s narratives have screened internationally in video- and film festivals, they have lectured in universities, presented in art galleries and museums, and performed in the desert, on fields, in caves and on mountaintops, in ships, black box theaters, and horse-drawn wagons. https://www.meineigenheim.org/portfolio/

Wave Farm is an international transmission arts organization driven by experimentation with the electromagnetic spectrum. We cultivate creative practices in radio and support artists and nonprofits in their cultural endeavors. Based in New York’s Upper Hudson Valley, Wave Farm is a media arts center, media platform, and arts service organization. Wave Farm offers interdisciplinary outdoor installations, residencies and fellowships, and a research library. We operate FM radio station WGXC and host many online radio channels. Wave Farm provides fiscal sponsorship, consultation, and grants to artists and organizations. https://wavefarm.org

CREATE Council On The Arts is a non-profit, arts service organization whose purpose is to support and advance the arts and cultural community by broadening and enriching creative resources and economic growth in the region. CREATE serves as the Statewide Community Re-grant arts organization for Greene, Columbia and Schoharie Counties. Since 1975, CREATE has provided information and essential services to artists, arts organizations, cultural and educational institutions, civic groups, community agencies and the general public. CREATE is supported in part with public funds from the New York State Council on the Arts with the support of the governor and the New York State Legislature. Questions? Email info@createcouncil.org

Border_Radio is a conceptual inquiry about ownership of the airwaves. Originally commissioned as a video and ‘radio play’ script for Donner forme à l’éther (curated by Pali Meursault at Espace Multimedia Gantner, France), the project is a research project that has manifested in performance lectures, the evolving radio play script, a series of sound works that expand and contract on the original script, as well as public and individual consultation. The project is an unfolding conceptual space, exploring questions about sovereignty, ownership, transmission law, international treaties, history, and potentialities. The aim of this on-going, long form process is to unravel the edges of transmission legitimacy and to try to understand how we can better engage and collaborate with electromagnetic forces beyond the colonial paradigm. At Wave Farm, Sisters Akousmatica will experiment with different modes of transmission, including Earth-Moon-Earth propagation, IRLP, and amateur radio to explore and blur the limits of broadcast territories and borders.

Sisters Akousmatica is the collaborative, expanded radio project of Julia Drouhin and Phillipa (Pip) Stafford – exploring the radical possibilities of transmission since 2016. Sisters Akousmatica weave projects in, around, with and for radio. Their work is concerned with collective, feminist radio practices and auditory-spatial exploration. As a vehicle for on-going research and discrete projects, Sisters Akousmatica is deeply collaborative and they have worked with artists and communities in lutruwita/Tasmania, mainland Australia and worldwide. They are on-going artists in residence and members of the Radio and Electronics Association of Southern Tasmania (REAST) and hold their Foundation Amateur Radio Licenses, operating as VK7SEA (Stafford) VK7HAG (Drouhin). Together they have been the recipients of multiple grants and prizes, including: the CBAA Excellence in Music Programming award at the 2017 Community Broadcasting Association of Australia Conference (with 3CR community radio), Arts Tasmania, the Australia Council for the Arts, and the Women in Sound, Women on Sound award for Goldsmiths, University of London.

Sisters Akousmatica is the inaugural recipient of the Rising Tide Award.

The Radio as Collaborator workshop explored the possibilities of radio as an instrument, a score, and a conversation partner in the creative process. In two-sessions, participants worked on improvisation and score-making with the radio, including both solo making and group collaboration. Starting with a series of deep listening exercises, participants then took a series of recordings of radio, exploring intuitive making, response improvisation, and “signal sweeps”. Participants brought aspects of their own practices to the workshop, in the form of instrumental music, poetry, and engineering, to name a few.

The sessions, conducted via zoom, offered the opportunity to share radio content from different parts of the country and the world, highlighting the site-specificity of radio and the possibilities of collaboration between places as well as people. Sharing and discussing recordings became a conduit for sharing listening space, hearing through new ears via the radio. Each participant’s unique relationship with time, place, and listening was manifested in their unique relationship to their radio collaborator.

The workshop culminated in a creative commons of participant’s recordings, available for all to ‘remix’. Kohl’s own remix was broadcast on Wave Farm’s The Radio Art Hour.

These recordings were made by Greg Cerveny, Eve Cavanaugh, Jack Thompson, Ginebra Raventós, Michelle Kaplan, Jillian McDonald, Eric Theise, Stevie Jones, Anton Pickard, Dawood Nadurath, Cotter Luppi, Ed Woodham, Bob Drake, Veronica Anne Salinas, Eve Madalengoita, Winslow, and Lia Kohl as part of The Radio as Collaborator workshop, facilitated by Lia Kohl in conjunction with her Wave Farm Radio Art Fellowship in Fall 2023.

Wave Farm is delighted to announce that Desiree Mwalimu-Banks will serve as Wave Farm's Radio Art Fellow December 2023 - February 2024. During her engagement, Mwalimu-Banks will make additions to the Wave Farm Broadcast Radio Art Archive online resource and to the syndicated weekly radio show "The Radio Art Hour." Mwalimu-Banks will also conduct workshops and listening sessions with WGXC programmers and interested members of the public, and create original radio artworks for broadcast.

Desiree Mwalimu-Banks is a Zambian-born, East Coast-raised interdisciplinary artist and educator. Her work explores somatic relationships between indigenous identity, water ecologies, and apiary culture within the framework of the sacred feminine and the African diaspora. Her partners have included CCCADI, Movement Research, Naropa University, Stanford University, Wave Farm, among others. Her works have appeared in several magazines and her article, “Nectar of the Divine Feminine: The Ancient Bee Mothers of the Anahata Chakra,” was featured in the anthology, Harmony In Chakras. When not hunting leylines, labyrinths, or deep space objects, Desiree can be found making miracles on a budget in her kitchen. She lives in Harlem with her husband, sons, and Smith Corona Electric ‘76 typewriter.