Join us for an opening reception on Friday July 16, 2010 6 p.m.-10 p.m. to celebrate Sabine Gruffat and Bill Brown's The Bike Box.

Sabine Gruffat is an interdisciplinary artist whose work maneuvers through, manipulates, and challenges prescribed genres and codes. Bill Brown seeks to correlate geographical coordinates with conceptual ones in his work, such as uncovering the memories and histories folded up inside physical landscapes and borders.

The Bike Box is a mobile-media bicycle library and interactive installation housed in the Devotion Gallery. Bike Box allows participants to check out cheap, durable, technology-enhanced bikes and a free open source iPhone application developed especially for this project. As participants pedal around central Brooklyn, they are able to contribute site-specific audio through the iPhone application, as well as listen to a curated collection of geo-specific sounds provided by a variety of local land-use experts, historians, poets, artists, and other interpreters.

The Bike Box hopes to explore and give participants access to the layers of lived experience, personal anecdote, and history that are piled up invisibly on every street corner and city block.

The Bike Box will also host a number of performances and special events during the exhbition at Devotion Gallery:

Friday, July 16th
Sound and video performance by Jesse Stiles using the Bike Box’s locative sound database as raw material for breaking beats.

Saturday July 17, 2 p.m.
Sunday July 18, 2 p.m.
Saturday July 24, 2 p.m.
Sunday July 25, 2 p.m.
Sabine Gruffat and Bill Brown will be leading bike tours through Bike Box geo-tagged sites in Brooklyn.  

Saturday, July 17th, 5 p.m.
Sound and video performance by Jonny Farrow using sounds and images from solo sound walks.

Curated contributions to Bike Box will include:

John Bennet's contact microphone recordings of audio frequencies emitted by power transformers, electric lights, and air conditioners throughout Brooklyn.

Jonny Farrow’s contact mic’d bicycle ride around the gallery neighborhood.

Cathleen Grado's field recordings drawn from locations in Ridgewood and Bushwick, focusing on the contrasting sounds of rural and urban environments. 

Stephanie Gray's ruminations on Saint Anthony of Padua Roman Catholic Church on Manhattan Avenue in Greenpoint.

Jenifer Kaminsky's exploration of the ghosts trapped within the place names of Williamsburg and Greenpont.

Joan Linder and Stephanie Rothenberg's  "Brooklyn-Beijing-Babble," which overlays the cacophonous sounds of modernizing Beijing onto the gentrifying neighborhoods of Williamsburg and Greenpoint.  

Katherin McInnis' Phantom Highway, which follows the path of the never-built Bushwick Expressway through North Brooklyn, and offers a fragmentary and poetic essay on urban planning.

Paul Sargent's Hydronym: Erie Basin Meets Erie Basin, which traces the Erie Basin, taking its name from a long history connecting Brooklyn to territories deep within the North American Midwest and ports all over the world.  

Norm Scott's field recordings from 2005 of spaces surrounding the (then) abandoned McCarren Park Pool. The sounds harken back to summertime at an abandoned magical swimming pool.

This exhibition is part of a series celebrating the 2009/2010 AIRtime Fellowship Recipients: Zach Poff (July 2-11), Sabine Gruffat & Bill Brown (July 16-25), and Brett Balogh (July 30-August 14.)

AIRtime @ Devotion is a series celebrating free103point9’s 2009/2010 AIRtime Fellowship Recipients: Zach Poff, Sabine Gruffat & Bill Brown, and Brett Balogh. AIRtime Fellowships provide assistance to artists creating new Transmission Art works. This genre is informed by works which employ an intentional use of space—often the airwaves. Transmission Art manifests in participatory live art or time-based art including radio, video, light, installation, and performance.

free103point9 is a nonprofit arts organization focused on cultivating Transmission Arts. Based in upstate New York, free103point9’s major programs include the Transmission Art Archive, a definitive resource featuring artists, works, and exhibitions and events that define the genre and place it in a historical context; WGXC: Hands-on Radio, a creative community FM radio station serving Greene and Columbia counties; and the facilitation of a NYSCA Distribution Regrant for individual artists. areyoudevoted.com

Join us for an opening reception on Friday July 30, 2010 6 p.m.-10 p.m. to celebrate Brett Ian Balogh's Noospherium.

Brett Ian Balogh is an artist working at the intersection of objects, sounds and spaces. His current practice employs sound, radio and digital fabrication technologies to re-imagine traditional notions of space and our placement within. Central to his practice is the idea of model making. Models represent a layer of abstraction between us and the world. This layer is a liminal space between object and image, atoms and bits, landscapes and maps, and sounds and signals. It is in this layer that sounds can become mountains, and radio broadcasts maps. The use of digital technologies in concert with traditional modes of representation and construction can afford unique cross-overs between the real and intangible that represent models of other possible worlds.

Since the inception of radio as a broadcast medium, the earth has been covered by an increasingly dense network of airborne communications. AM/FM/SW and other portions of the radio spectrum represent a medium through which a re-imaging of space is possible. This hertzian space is not defined by surveyed boundaries or geographic constraints, but rather by field strengths, mass-media service areas and consumer markets. The overlapping spaces defined by these broadcasts can be collectively referred to as an envelope of thought around the world, or Noosphere.

Noospherium aims to render this sphere of human thought as an immersive sonic environment, providing a pansonic/panoptic view of simultaneous broadcasts. The space of the installation can then be thought of as as a phrenologic observatory to this sphere of human thought where a real-time composition puts as many signals as possible into conversation within the space, allowing one to characterize the nature of our collective thoughts through chance occurrences, spurious juxtapositions and the dynamic spatialization of sound.

This exhibition is part of a series celebrating the 2009/2010 AIRtime Fellowship Recipients: Zach Poff (July 2-11), Sabine Gruffat & Bill Brown (July 16-25), and Brett Balogh (July 30-August 14.)

AIRtime @ Devotion is a series celebrating free103point9’s 2009/2010 AIRtime Fellowship Recipients: Zach Poff, Sabine Gruffat & Bill Brown, and Brett Balogh. AIRtime Fellowships provide assistance to artists creating new Transmission Art works. This genre is informed by works which employ an intentional use of space—often the airwaves. Transmission Art manifests in participatory live art or time-based art including radio, video, light, installation, and performance.

free103point9 is a nonprofit arts organization focused on cultivating Transmission Arts. Based in upstate New York, free103point9’s major programs include the Transmission Art Archive, a definitive resource featuring artists, works, and exhibitions and events that define the genre and place it in a historical context; WGXC: Hands-on Radio, a creative community FM radio station serving Greene and Columbia counties; and the facilitation of a NYSCA Distribution Regrant for individual artists. free103point9.org

Devotion is a new gallery in Williamsburg focusing on the presentation of art, science, design, and complexity to open up a dialogue about the evolution and connection between these disciplines. areyoudevoted.com