As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.

As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.

As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.

As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.

As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.

As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.

As a 2025 Wave Farm Radio Art Fellow, Fabiana writes: "Streaming from an intimate interest in Alien Sound, drawing on what Kodwo Eshun discusses in More Brilliant Than the Sun as Alien Music, I propose writing an essay, culminating on a short book, that uses Tendayi Sithole’s The Black Register, Sun Ra’s MythScience, and Eshun’s concept of Alien Music as an experimental lens to explore how sonic practices articulate modes of Black and Indigenous aesthetic-world-making through vibration as epistemology, transmission, and formless formation. I will focus on the works of Kamari Carter and Gladstone Deluxe (Codes), the ANANSI Revolutionary Collective and SUNJIR0, and Celeste Oram’s TERRA RADIA workshop—all of whom engage with sound as an insurgent force that unsettles hegemonic temporal structures of listening, technology, and registry. Throughout this article, I will explore the breaks where Alien Sound is transmitted (and listened to, dislocated, created, destroyed)—where nothing is fixed in tradition, space, or temporality, but instead dislocated from any origin—proposing sound as a fugitive method of synthetic recombination."

Fabiana Gibim is a performance artist, editor, and curator from the border of Brazil and Paraguay, born into the Guarani-Kaiowá Indigenous Nation. Her work explores concepts of sonic art in relation to the epistemology of vibration. She is interested in radical archives—both sound and printed matter—and dedicates herself to creating imaginary archives that experiment with the concept of “formless formation.” She is also the editor and founder of the São Paulo-based radical press, Sobinfluencia, working collaboratively with over 200 contributors and having published over 40 books and more than 50 mixed-media posters. She is co-founder of the Nocturnal Lab, laboratory of investigations on sound and night.

Fabiana was a special curator at the Beinecke Rare Book and Manuscript Library at Yale, where she received the prestigious John D. and Rose H. Jackson Award for outstanding work in artistic curation. Her efforts culminated in curating the exhibition “Art, Protest & The Archives” at Yale from 2023 to 2024. In 2023, she was a finalist for the Prêmio Jabuti (the "Tortoise Prize"), the most traditional literary award in Brazil, given by the Brazilian Book Chamber (CBL), for her work as the editor of the first book ever written in history, the Mesopotamian long poem “Inana.” Currently, Fabiana lives between Brazil and New York, investigating sound, collage, radio work, and writing about sonic experimentalism.