Turn out at The Avalon Lounge on Sunday, June 29th at 7:30pm for a Wave Farm Radio fundraiser organized by Sunday Night Swim, a monthly ambient series! This month features Grains of Euphoria (Bradford Reed and Ryder Cooley) and Music for Furniture. Proceeds go to Wave Farm's WGXC!

In Grains of Euphora, Bradford Reed and Ryder Cooley combine strings, reeds, keys, bows and steel to create euphoric, mesmerizing plateaus of sound, intertwined with pizzicato ostinatos and improvisatory elements as the musicians respond to the energy of the room.

The electro-acoustic duet blends the dreamy sounds of bowed saw with harmonic overtones of pencilina, a zither-like instrument designed by Bradford. The music segues into traditional reedy melodies and drones on the accordion, then back again to the whispery moans of the saw interspersed with rhythmic pulses on the Pencilina. Traversing a broad sonic palette, Grains of Euphora can be categorized as simultaneously symphonious and rambunctious.

Bradford Reed is a multi-instrumentalist, composer, producer and inventor of the Pencilina, an electro-acoustic double necked string instrument inspired by the sounds of Indonesian Gamelan music and appearing similar to the Korean Kayagum. His projects have included King Missile III, The Blue Man Group as well as TV and film scoring. He currently plays with The Dirt Whisperers and Order of The Illusive.

Ryder Cooley is an interdisciplinary artist, accordionist, singing saw player and founder of the band Dust Bowl Faeries. The accordion was passed down to Ryder by her grandmother, who was a composer and piano accordionist.

Music for Furniture is an experiment in attentive listening. Rodney Alan Greenblat, David Garland, Jimmy Garver, Kenji Garland, and Dan Kirkhus pool their musical perspectives to create spontaneous soundscapes using synthesizers, electronics, and woodwinds.

Please Note: Registration is now full. If you'd like to be placed on a waiting list, please contact info@wavefarm.org

Develop sound skills to share your story through best practices for recording, editing, and live radio.

• First Thursdays of the month, 6 - 8 p.m. February - November 2025
• WGXC Catskill Studio 393 Main Street Catskill, NY 12414
• Registration limited to 15 participants per session. No experience required.
• Instructor: Jen Kutler, Wave Farm Technical Director
• Questions: Email Meredith Kooi, meredith@wavefarm.org

February 6, 2025: Basic Audio Concepts 

Session objectives include an overview of common and useful terms related to acoustic, electronic, and digital ecologies, with a technical focus on audio transduction and microphone varieties. Additional topics for discussion include psychoacoustics—the branch of science studying the psychological responses associated with sound—with a focus on physical spatial considerations and panning/width in recording.

March 6, 2025: Filters

Session objectives include an introduction to common concepts related to filters in audio production, including frequency response, polar pattern, and equalization. Participants will also learn about The Fletcher Munson Curve, frequency masking, and infrasound, and how to apply these concepts to your work. We will also consider recording height and how to address unwanted plosives and sibilance.

April 3, 2025: Considering Loudness when Recording

Session objectives include strategies for achieving desired “depth” in your recordings. Topics include gain staging, dynamic range, compression, and the concept of distance in recording, including reverb and distortion.

May 1, 2025: Editing Bootcamp

Editing bootcamp! We will cover hotkeys, fades, matching takes, punching in/out, layering tracks, and bus processing. Participants will learn shortcuts for quicker and better edits, as well as bulk import/export strategies.

June 5, 2025: Creative processing

Session objectives include strategies for creating your own audio effects (FX). Topics include delays, filters, autopan, and time stretching. Participants will learn about sequences FX and FX automation in order to achieve the sounds you are imagining.

July 3, 2025: Multitrack Mixing

Session objectives include strategies for mixing multitrack sessions for full height, width, and depth without murkiness. The goal of this session is to understand how to make multiple tracks fit together in a mix. Attendees will participate in critical listening for frequency range, dynamics, and headroom.

August 7, 2025: The Physical Components of Recording Audio

Session objectives include an overview of crucial care and maintenance of recording equipment to ensure longevity of your tools, including a hands-on introduction to soldering and light electronic repairs.

September 4, 2025: The Intangible Components of Recording Audio

Session objectives include discussions about analog-to-digital and digital-to-analog conversion and digital audio processing. Specific topics will include block size, sample rate, bit depth, compression, streaming, and physical media. Additional topics include how best to manage computer resources in large sessions, latency for high track count, and CPU intensive processing.

October 2, 2025: Understanding Monitoring Sources and Taking it to the Stage

Session objectives include a conceptual overview of possible monitoring sources: speakers, headphones, and subwoofers, as well as the impacts of the space or room on your recording quality. Additional topics will include techniques for recording live performance, including ringing out microphones, PA system safety, microphone techniques, and streaming.

November 6, 2025: Taking It to the Field

Session objectives include field recording tools, principles, refinement, and processing.

Jen Kutler is a multidisciplinary artist and Technical Director of Wave Farm. Kutler modifies found objects that are cultural signifiers of power, gender, queerness, and intimacy to create atypical instruments and sculptures. Her performances feature many of her instruments incorporated with immersive field recordings to explore common and discrepant experiences of familiar social tones in immersive sound and media environments. You can learn more about her at jenkutler.com.

Wave Farm programs are made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the National Endowment for the Arts; the Greene County Legislature through the Greene County Cultural Fund; the Alexander and Marjorie Hover Foundation; and hundreds of other generous individual donors, including WGXC Monthly Supporters, who provide critical monthly support to Wave Farm's radio station WGXC 90.7-FM. A special acknowledgment to the Alexander and Marjorie Hover Foundation for their support of the the All Things Audio workshop series.