Airing on Radio Coyote, an online and FM station conceived by Diné composer, performer, and installation artist Raven Chacon, Broken Boxes is a recurring show in which Ginger Dunnill presents interviews and a wide variety of other sounds arising from her practice as a multi-disciplinary artist and community organizer. For the fifth episode of the show's run on Radio Coyote, Dunnill reworked a live set she had performed as DJ Miss Ginger at a 2017 exhibition and concert called the Art of Indigenous Resistance. The resulting hour-long composition interleaves music, interview clips, and Dunnill's recordings of water protectors at Oceti Sakowin Camp. If this broadcast mixtape presents a departure in form for Broken Boxes, which is also the name of a podcast Dunnill hosts, then it resounds the deeply intersectional approach to soundwork that the show maintains. Dunnill writes that the "work I create through Broken Boxes aims to archive the stories of radical and vibrant human beings existing in collective growth, who are aligning through the intersection of resisting contemporary colonization, heteronormativity and patriarchy." "WE ARE AWAKE" puts sonic collage and transmission toward the task of producing an energized vehicle for resurgent solidarities among these various lines of resistance.

Artists featured in the mixtape include: unknown singer ("Water Song"), Alas, Kinnie Starr, anonymous freestylers (live onsite at Sacred Stone), Aisha Fukushima, Angel Haze, Rebel Diaz, Mob Bounce, A Tribe Called Red, Saul Williams, Tanya Tagaq, Legends & Lyrics / Leanne Simpson, Nneka, Buffy Sainte Marie, Aceyalone, Wake Self, Audiopharmacy, Mr. Lif and Thievery Corporation, Trevor Hall, Lyla June, and Kumu Hina (chant onsite at Mauna Kea) -
Described by Wave Farm Radio Artist Fellow 2021/2022, Andy Stuhl.

The Wave Farm Broadcast Radio Art Archive is an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks created specifically for terrestrial AM/FM/Shortwave broadcast, whether it be via commercial, public, community, or pirate transmission. The archive is a product of Wave Farm's Radio Artist Fellowship.

Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and the Radio Art Fellowship program.