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Laura Kuhn talks with John Kelly, an award-winning singer, dancer, and writer, as well as performance and visual artist. His performance works range in scale from solo to larger ensemble, and stem from autobiographical, cultural, and political issues. Subjects have included the Berlin Wall, the Troubadours, the AIDS epidemic, and Expressionistic Film, and his character studies have been based on such figures as Caravaggio, Antonin Artaud, Joni Mitchell, and Jean Cocteau. His works have been performed at such hallowed venues as Lincoln Center, the Warhol Museum, the Whitney Biennial, PS 122, BAM’s Next Wave Festival, and London’s Tate Modern.

Kelly has collaborated with many leading composers, including John Cage, in whose works he’s prominently appeared: these include James Joyce, Marcel Duchamp, Erik Satie: An Alphabet, Lecture on the Weather, Aria with Fontana Mix (with Michael Tilson Thomas and the San Francisco Symphony), and The City Wears a Slouch Hat, this last in a staged version at Bard College in 2012. We talk today about his leading role in Cage’s “Alphabet,” which he created for its initial run of performances around the world in 2001-2002 in a staged version directed by me, under the auspices of the John Cage Trust!