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“The thing to do is to keep the head alert but empty. Things come to pass, arising and disappearing. There can then be no consideration of error. Things are always going wrong.” --John Cage

This evening program for “All Things Cage” continues its focus on a body of works known collectively as “The Ten Thousand Things,” a descriptive title championed by musicologist James Pritchett to denote a grand project initiated by John Cage in 1953 involving the composition of independent pieces for various media, each bearing a number title, each capable of being played alone or together with any number of the others. Tonight’s program will feature a program given at Bard College on Sept. 20, 2014, which comprised five works from the series – 59 ½” for a String Player (1953), 45’ for a Speaker (1954), 31’ 57.9864” for a Pianist (1954), 26’ 1.1499” for a String Player (1955), and 27’ 10.554” for a Percussionist (1956) – as performed in a chance-determined program lasting 90 minutes that featured performers Robert Martin, Adam Tendler, Marka Gustavsson, Garry Kvistad, and myself, Laura Kuhn. This 90-minute program from 2014 has been excerpted to fit our allotted time. The Bard program began with a pre-concert talk by James Pritchett, and I encourage everyone to take a look at his marvelous blog about “The Ten Thousand Things,” accessible here.