WGXC-90.7 FM
Radiophrenia Redux: Sally-Ann McIntyre, Catalina Barroso-Luque and Victoria Chen Wei, and gobscure
90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere
http://www.wgxc.org/
wavefarm.org/listen and 1620-AM at Wave Farm
https://audio.wavefarm.org/transmissionarts.mp3
Produced by Radiophrenia.
This month's Radiophrenia. features Sally-Ann McIntyre, Catalina Barroso-Luque and Victoria Chen Wei, and gobscure.
Presented on an annual basis, Radiophrenia is a temporary art radio station – a two-week exploration into current trends in sound and transmission arts. Broadcasting live from Glasgow’s Centre for Contemporary Arts, the station promoted radio as an art form, encouraging challenging and radical new approaches to the medium. Each year, the broadcast schedule includes a series of newly commissioned radio works, live shows, pre-recorded features and 12 Live-to-Air performances. The majority of the program is made up from selections submitted to an international open call for sound art and radio works. Radiophrenia is managed by Mark Vernon and Barry Burns and is funded through Creative Scotland’s Open Project Funding with additional support from CCA Glasgow.
study for a data deficient species (grey ghost transmission) by Sally-Ann McIntyre
Overall, it's drawing on the aesthetics of the earliest field recordings of birds - koch's wax cylinder, arthur allen's ivory billed woodpecker recordings, etc. but it's based on a NZ bird which is "lost" in the present time - which is perhaps extinct. The sound library of a citizen scientist who's spent a lot of time looking for it (and collected a total of 1:26 of audio over 40 years of searching!) is interspersed with recordings of musical interpretations of historic / archival notations used as scores - some from private letters, some published in ornithology journals - played on violin, piano, harpsichord and clavichord. Included are other birds dead or alive which would have been / are in its environment - the huia (exitinct, here on paper music box) and the NZ rock wren - endangered (whose call is so high pitched it's almost outside the range of human hearing - here the audible part itself sounds like radio static or electronic noise). Also some vlf recorded in the mountains, all played back through very unstable microcast transmitters and "flocks" of radios. http://radiocegeste.blogspot.co.uk/
eeeeeeeeeeeeeeeeeeeeeeeeeee by Catalina Barroso-Luque and Victoria Chen Wei
A narrative voice piece, focusing on how the body, the mind, and technology become entangled within inter/intra-personal relationships. The piece is inspired by interviews with my brother regarding his use of GECI viruses to map neural networks, the parallels of working within a hermetic studio and laboratory, and the possibility of slipping into the voices in one’s head. The narration leads the audience through nine hallucinatory episodes within which the narrator slips in and out of consciousness, losing the ability to distinguish inside from outside, body from space, and itself from the ‘you’ it is addressing, Through playing with the desire to become-with an other, the machine and space, the work addresses notions of personal agency. Writing, direction and editing: Catalina Barroso-Luque Voice-over: Victoria Chen Wei. www.victoriachen.co.uk https://soundcloud.com/catalina-barroso-luque
Chalybeate (aka the bees sleep) by gobscure
sound by gobscure / words by sean burn. of llandrindod wells including chalybeate spring. part of our residency with celf, mid-wales a whiles-back, now extensively reworked & dedicated to all folks celf - past-present-futures. spoken-word comes from a poem published as rust never sleeps in otata april 2017 c.e. https://otatablog.wordpress.com/