The soundtrack to David and Gisela Gamper’s project, See Hear Now, as presented at Roulette for three nights in June 2008. The event was a true collaboration between image and light and sound, with the rhythms of each component reflected by or responded to by each artist: David Gamper (piano, small instruments, found objects, processing) and Gisella Gamper (multiple projectors and mirrors). David Gamper was a composer/performer/improviser and instrument/software designer who had a long collaboration with Pauline Oliveros and Stuart Dempster as part of the Deep Listening Band. Gisela Gamper is a photographer and real-time video collage artist focused on rhythm and color. In these excerpts we get a radio portrait of an immersive, even transcendent concert. There is a DVD release, See Hear Now: Visible Music, and YouTube episodes that capture the full multimedia experience.

"Tracking The Odds: The Roulette Concert Archive" is a monthly hour-long radio special produced by Roulette Intermedium (roulette.org) and broadcast in partnership with Wave Farm’s WGXC 90.7-FM and Standing Wave Radio. The broadcasts feature selected highlights from Roulette’s New York experimental music space dating from the early 1980s to the present. Thousands of rare, formative, and often unheard recordings by innovators and adventurous musicians populate the archive. Tracking The Odds airs the fourth Monday of the month from 3 p.m. to 4 p.m. and is archived at wavefarm.org.

Founded in 1978, Roulette operates a 400-seat concert hall on Atlantic Avenue in Brooklyn with a focus on experimental and unorthodox music and performance across all genres and media. It's archive of thousands of audio and video recordings is currently being restored.

Pictured: A screening, reading, and performance for Henry Hills' film "Money" at Roulette (1985) with dancer Pooh Kaye surrounded by (L-R) John Zorn, Tom Cora, Ciro Baptiste, (obstructed, possibly Sally Silvers), Abigail Child, Diane Ward, Susie Timmons, Alan Davies, Bruce Andrews, Ikue Mori, Jim Staley, Butch Morris. Photo: Lona Foote.