“Mourning Good” is the work of Black Siren Radio, which is one outlet for the We Be Imagining initiative. We Be Imagining combines academic research and the performance arts to propel “critical conversations around race, gender, class, and disability.” “Mourning Good” exemplifies this approach by collaging music and archival audio including academic work. A keystone source for the remix is a 2017 talk by sociologist Ruha Benjamin, but we also hear Pauline Rogers, Joshua Bennett, Mamie Till, Kendrick Lamar, Geto Boys, 2Pac, and others. The producers of Black Siren Radio, which airs on Columbia University station WKCR-FM, intend for the piece to advance an artistic practice of remixing and re-amplifying Black scholarship.
- Introduced by Wave Farm Radio Artist Fellow 2021/2022, Andy Stuhl.

The Wave Farm Broadcast Radio Art Archive is an online resource and broadcast series on Wave Farm’s WGXC 90.7-FM, which is syndicated to stations across the country through The Radio Art Hour. It aims to identify, coalesce, and celebrate historical and contemporary international radio artworks created specifically for terrestrial AM/FM/Shortwave broadcast, whether it be via commercial, public, community, or pirate transmission. The archive is a product of Wave Farm's Radio Artist Fellowship.

Radio artists explore broadcast radio space through a richly polyphonous mix of practices, including poetic resuscitations of conventional radio drama, documentary, interview and news formats; found and field sound compositions reframed by broadcast; performative inhabitations/embodiments of radio’s inherent qualities, such as entropy, anonymity and interference; playful celebrations/subversions of the complex relationship between senders and receivers, and the potential feedback loops between hosts and layers of audience, from in-studio to listeners at home to callers-in; use of radio space to bridge widely dispersed voices (be they living or dead), subjects, environments and communities, or to migrate through them in ways that would not be possible in real time and space; electroacoustic compositions with sounds primarily derived from gathering, generating and remixing radiophonic sources. Note: Wave Farm continues to expand this definition of radio art through engagement with contemporary practices including those revealed by Wave Farm Artists-in-residence, and the Radio Art Fellowship program.