Bill Fontana's 1987 work "Cologne-San Francisco Soundbridge" is featured this week. Exploring ideas about the musicality and physical qualities of sound itself, listening as an act of composition, place, distance, and history, sound artist Bill Fontana’s sound sculptures have been broadcast and installed in cities throughout the world over the last 50 years. In 1987, Fontana created what he calls a sound bridge between the far-flung cities of San Francisco and Köln (Cologne), connecting, mixing, and then broadcasting their soundscapes. 18 microphones were placed in locations throughout each city, and the sounds they picked up were then brought together via satellite. From a radio studio at Westdeutscher Rundfunk Köln (WDR, West German Radio, Cologne), Fontana live mixed a collage of the sounds, including sea lions and the fog horns of the Golden Gate from the San Francisco Bay and the cathedral bells and river boats in Cologne. The hour-long mix was broadcast live from over 50 radio stations internationally, including American Public Radio in the US, who partnered with WDR in the production, as well as museums in Cologne and San Francisco. - Introduced by Wave Farm Radio Artist Fellow 2020/2021, Jess Speer.

Welcome to "The Radio Art Hour," a show where art is not just on the radio, but is the radio. "The Radio Art Hour" draws from the Wave Farm Broadcast Radio Art Archive, an online resource that aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or independent transmission. Come on a journey with us as radio artists explore broadcast radio space through poetic resuscitations and playful celebrations/subversions of the complex relationship between senders and receivers in this hour of radio about radio as an art form. "The Radio Art Hour" features introductions from Philip Grant and Tom Roe, and from Wave Farm Radio Art Fellows Karen Werner and Jess Speer. The Conet Project's recordings of numbers radio stations serve as interstitial sounds. Go to wavefarm.org for more information about "The Radio Art Hour" and Wave Farm's Radio Art Archive.