WGXC-FM

 

Radio Roaming: "VIVIR MEJOR- a brief, poetic history of Radio Sutatenza" (2026) by Jenni(f)fer Tamayo

Aug 25, 2026: 3pm - 4pm
WGXC 90.7-FM: Radio for Open Ears

90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere
http://www.wgxc.org/

Artist-in-Residence Jennif(f)er Tamayo performing at Meadow Walks, Hive Flights"

Artist-in-Residence Jennif(f)er Tamayo performing at Meadow Walks, Hive Flights". Photographed by Adam T. Deen. (Jul 18, 2026)

Produced by Wave Farm Staff.

This episode of "Radio Roaming" features VIVIR MEJOR- a brief, poetic history of Radio Sutatenza, a new work for radio by 2026 Wave Farm Artist-in-Residence Jenni(f)fer Tamayo. 

Launched in 1947 by the Colombian government, Radio Sutatenza was a publicly broadcast radio school that educated peasants living in the mountainous regions of the capital city, Bogota. (Perhaps fearing a political peasant rebellion), the cultural arm of the Colombian government hoped Radio Sutatenza (la “escuela radiophonica”) could teach peasants how to read and write Spanish. Over the next 40 years, Radio Sutatenza taught peasants how to “vivir mejor”-- or, have a better life broadcasting hundreds of shows on literacy, hygiene, catholicism, western medicine, gender roles, and family planning among others to communities at the edges of so-called “civilization.” Used as a tool for nation building, Radio Sutatenza was considered a great success for transitioning Colombia and its people into the modern era. 

Jenni(f)fer Tamayo's work VIVIR MEJOR- a brief, poetic history of Radio Sutatenza is a lyric radio essay that questions and critiques the colonial project that undergirds the central mission of Radio Sutatenza. Interspersed throughout the broadcast are lyric reflections and sonic collages that depict Tamayo's family’s personal connections to the radio show. How might Radio Sutatenza and its mission to “vivir mejor” influenced their family’s emigration from Colombia in the early 1980s? What does it really mean to “have a better life” under empire and capitalism? And, how are memories of colonial transmissions held and transformed across generations? 

 Acknowledgements:
-Thank you Hernan Mendoza y Flora Sanchez for their reflections & words; and Nancy Mendoza & Jimmy Mendoza for their support in gathering interviews. 

 -Select audio from: Radio Pachone's "Radio Carta: Radio sutatenza;" Son[i]a #282 Zenaida Osorio; interview with Zenaida Osorio; Banco de la República de Colombia & Biblioteca Luis Ángel Arango Radio Sutatenza archives on Radio Sutatenza. -Select Readings: Professor of Global Media Diego Mauricio Cortes' "Community Oriented Radio Stations and Indigenous Inclusion in Cauca, Colombia." 

 -Select songs: Alharaca Radio Feministas's "Vecinas: Músicas populares de Bogotá;" Julián Conrado's "Vengo del Indio;" Teófilo Torres's "himno de colombia;" Manuel de la Patagonia's "Cumbia de la Tierra;" El Cuarteto Imperial''s "El Guere Guere." 

 -Select recordings & samples: recordings collected from Wave Farm, including Zach Poff's "Pond Station" and Quintron's "Weather Warlock;" select audio from the television shows: Barney & Friends, Full House, & El Chapulin Colorado; Bad Bunny's "Titi me Pregunto;" National Institute of Aging's "What is Dementia?...; " and recordings collected from the land of the Yesah Confederacy. 

Radio Roaming bounces across the electromagnetic spectrum, exploring the many possibilities of experimentation with sending and receiving. Produced by Wave Farm staff members, each episode features a selection of contemporary and/or historical radio and transmission art, with the aim of expanding the Wave Farm Radio Art and Transmission Art Archives.