About "Architecture as Baggage on the Body" Herbst writes: "Through collaborative sessions I capture intimate body sounds moving through space—including participants’ breath, heartbeats, vocal expressions, footsteps, scratches, and gurgling as they traverse through the Gowanus. At a particular space that induces attachment, vulnerability, or connection, each participant sings, hearing one’s own voice resonate within the chosen area. When recorded, each event is an archive of attachment to the given space.

Built by Allie Tsypin, a costume inspired by the bridges and boats of the Gowanus Canal explores relationships between water, architecture, and the female body while materializing my own attachment to particular spaces in the area. Space is carried like a weight on the body, like baggage or an extension of a limb. But what mark does a body make in a given space? You remember space like an appendage on your skin but does space remember you?"

Tune in for selections from Wave Farm's Transmission Art Archive, a specialized online resource of artists' experiments with the electromagnetic spectrum in form or concept. The resource contains primary materials from early microradio broadcast collaborations among Brooklyn-based artists in the mid-nineties, transmission works created by the hundreds of artists who have participated in Wave Farm projects, broadcasts, and residencies, as well as historical and contemporary projects that comprise the canon of the genre.

Visit the Transmission Art Archive here.