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This week on “All Things Cage” Kuhn opts to do one more program on the subject of Cage’s “number pieces,” this time focusing on his Four⁶ (1992). The recording we will hear is a concert given at Summerstage in New York’s Central Park on July 23, 1992, and this included what would be Cage’s last concert appearance, given his unexpected death on August 12, in the closing Four⁶. This was the premiere performance of the piece, and the cast was stellar: Cage himself, along with Joan La Barbara, vocalists, Leonard Stein, piano, and William Winant, percussion. The program also included Cage’s Music for Three (1984; rev. 1987), featuring Winant, La Barbara, and Stein, and Eight Whiskus (1984), a work composed for La Barbara and sung by her here (twice!), which comprises eight mesostics written on the first three words of a text written by the late Australian spoken word poet Chris Mann entitled “Whistlin is did.” The concert was later released as John Cage at Summerstage on the Music & Arts label, as CD-875, in 1995.

Four⁶ is a somewhat unusual work in the “number pieces,” in that instruments are unspecified, as are the specific sounds that are made. As Cage instructs in his performance notes:

Choose twelve different sounds with fixed characteristics (amplitude, overtone structure, etc.). Play within the flexible time brackets given. When the time brackets are connected by a diagonal line they are relatively close together. When performed as a solo, only the first player’s part is used and the piece is called ONE7 (that is, the seventh work in the series of “number pieces” that is scored for a solo player).