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Radia: 74.48 db(A) by Igor Štromajer for Radio X

Apr 30, 2026: 3:30 pm - 4pm
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Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X. (cc-by) Igor Štromajer 2026

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X. (cc-by) Igor Štromajer 2026

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X. (cc-by) Igor Štromajer 2026

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X. (cc-by) Igor Štromajer 2026

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X. (cc-by) Igor Štromajer 2026

Produced by a different "Radia" station each week.

Radia Show 1100: 74.48 db(A) by Igor Štromajer for Radio X

radia season 56 – show #1100 (radio x) – 74.48 dB(A) – by IGOR ŠTROMAJER
– playing from April 27 to May 3, 2026 –

74.48 dB(A)
Buffering Love in a Hopeless Place

A sonic datastructure.
Programmed, synthesized, and processed by Igor Štromajer and his computers

The title – 74.48 dB(A) – represents the measured average sound pressure level in decibel in the central processing hub of a data center, where the A-weighting curve simulates the human ear’s response to the raw acoustic power of the hardware.

The sonic datastructure 74.48 dB(A) is an acoustic dissection of a heretical technological sacredness. At the core of the composition lies the processor noise of a server hall, establishing a decaying, mathematical, techno-sacred experience through a monotonous sequence of hums and mechanical sounds. This non-human sonic landscape deciphers the materiality of the internet, which manifests through constant vibration, heat, and forced mechanical cooling.The server room transforms from technical infrastructure into a consecrated space of mathematics, a hopeless place where the biological body can no longer survive due to noise and sterility. Here, the data stream reaches its harmonic peak within a post-human environment where machines communicate with one another in total autonomy, devoid of any human interaction or intervention.

This sonic architecture offers the illusion of salvation through the non-stop flow of information. Every single fan in this system acts as a prayer wheel, maintaining the stability of a fractured digital self in an infinite loop.The core state of this meditative sonic experience is buffering. In the server environment, love, affect, and identity cease to be fixed points; they become ongoing processes, constantly loading but never fully materializing. Simultaneously, the sonic datastructure deconstructs the myth of the ethereal data-cloud, confronting the audience with the brutal physical force required to sustain modern metaphysics. This non-human mantra, where noise and grief are the only remaining relics, offers failed tactics for transcending political anxiety and establishes meaningless strategies of groundless resistance.

IGOR ŠTROMAJER

Igor Štromajer – also known as intima.org – is a non-amateur level electric non-artist, “le Pavarotti du HTML”. He explores tactical artistic techno-performative research intimate guerrilla, and low-tech communication strategies.

He has shown his work at more than two hundred exhibitions in more than sixty countries (transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale and in numerous other galleries and museums worldwide) and received a number of awards (in Frankfurt, Moscow, Hamburg, Dresden, Belfort, Madrid, Maribor).

His projects form part of the permanent collections of the prestigious art institutions, among them Le Centre Georges Pompidou in Paris, the Museo Reina Sofía in Madrid, the Computerfinearts Net and Media Art Collection in New York, and the Maribor Art Gallery in Slovenia.

As a guest artist he lectures at universities and contemporary art institutes. Štromajer lives and works between Frankfurt am Main and Maribor / Ljubljana.

Find out more at intima.org

credits:
great many thanks to Igor Štromajer and his computers for 74.48 dB(A) – Buffering Love in a Hopeless Place!

metadata:
74.48 dB(A) by IGOR ŠTROMAJER
radia production: miss.gunst [GUNST + radiator x]
production date: april 2026
station: radio x, frankfurt am main (germany)
length: 28 min.
licence: (cc-by) Igor Štromajer 2026
www.radiox.de – www.gunst.info – www.intima.org

additional info:
includes radia jingles (in/out), station and program info/intro (english)

links:
radio x & radiator x: www.radiox.de – www.radiox.de/radiator-x
GUNSTradio & radiator x: www.gunst.info – www.gunst.info/radiator
Igor Štromajer: www.intima.org

pics:
(cc-by) Igor Štromajer 2026

Each week one member of the Radia Network produces a show for all the others. The Radia Network emerged from a series of meetings, clandestine events, late-night club discussions, and a lot of email exchanges between cultural radio producers across Europe. The topics vary and the reasons for forming a network are many, but Radia has become a concrete manifestation of the desire to use radio as an art form. The approaches differ, as do the local contexts; from commissioned radio art works to struggles for frequencies to copyright concerns, all the radios share the goal of an audio space where something different can happen. That different is also a form in the making––radio sounds different in each city, on each frequency. Taking radio as an art form, claiming that space for creative production in the mediascape and cracking apart the notion of radio, is what Radia does.

It is producing radio stuff that is hard to describe. Some of it can be labeled radio art, or experimental radio, or creative radio. Sometimes it talks, sometimes it doesn’t. It can be noisy, or a kind of soundscape, or a documentary, a document, a talk, a performance. Each and every week, one of the partners will provide the network program, commissioned and produced especially for this purpose: being broadcast by all the partners and made available online.

Some things have to be said about all those partners. They are radio stations, of the independent, non-commercial, community, cultural species. They all speak different languages, and this should create interesting problems. Although initially they were all European radio stations this has changed over time, and Radia has become not only larger but also more diverse: 22 partners in 14 countries and growing all the time.


Radia Stations

* Duuu (Paris, FR)
* ∏node (Mulhouse, Paris, FR)
* Diffusion (Sydney, AU)
* JET FM (Nantes, FR)
* Kanal 103 (Skopje, MK)
* Orange 94.0 (Vienna, AT)
* Radio Campus (Brussels, BE)
* Radio Grenouille (Marseille, FR)
* Radio Helsinki (Graz, AT)
* Radio One 91 FM (Dunedin, NZ)
* Radio Panik (Brussels, BE)
* Radio Papesse (Firenze, IT)
* Radio Student (Ljubljana, SI)
* radio x (Frankfurt/Main, DE)
* Rádio Zero (Lisboa, PT)
* RadioWORM (Rotterdam, NL)
* Reboot.fm (Berlin, DE)
* Resonance FM (London, UK)
* Soundart Radio (Dartington, UK)
* TEA FM (Zaragoza, ES)
* Usmaradio (San Marino, SM)
* Wave Farm WGXC 90.7-FM (New York, USA)

Affiliates

* Kunstradio (Vienna, AT)
* Mobile Radio (Ürzig, DE)
* Rádio Zero (Lisboa, PT)
* Radioart106 (Haifa, PS48)

Syndicated By

* Campus Paris (Paris, FR)
* Harrogate Community Radio (North Yorkshire, UK)
* KZradio (Tel Aviv, IL)
* Noise Radio (Zwolle, NL)
* Radio ARA (Luxembourg, LU)

More information at http://radia.fm
Playlist:
  • Bongs Not Bombs / AM Gold
  • Pixelherz / Mark Wayne
  • Computer Liebe / Mark Wayne
  • screenshot today / Treyway