This mix is a compilation of snippets from (mostly) live radio experiments, working with site- and time-specific transmissions of microFM, walkie-talkie, short wave and/or ‘natural’ radio, together with speculative histories/futures and situatedness. An underlying thread tying these works together is the expanded (ecological) perspective of radio as an inextricably intertwined medium of more-than-human transmissions. Included in this mix are moments from: - “..and there were frequencies of light”, a live radio piece made with David Corbett, broadcast on CoLaboRadio in Berlin. - “Navigating Twilight Radio”, which is a durational radio work that was broadcast live through the three phases of twilight - civil, nautical, astronomical - in May 2021 for the Reveil project. - “Radio Ecologies,” which was made for the Museum for Communication in Berlin for their ‘100 Jahre Radio’ exhibition. The German text in English: “Some say that there was a quickening, And that the Earth’s core bubbled and burped to release the egg, And that the soft, brittle egg cracked to release the worm - The double worm of two entwined in one - To let it slither out and go underground, To disperse through all elements and up through the aether, Burrowing down and emerging up at the same time. But the sun and rocks and stars know that there was radio even before that, And nuclear waste (among other things) will go on to tell our more-than-human successors of the future, That there will still be radio, even then.” - “Tuning to the Bird Body,” which was commissioned by Soundart Radio and was made in collaboration with Jan Verberkmoes. Jan’s poem project ‘Cliff if Felsen’ centres around the birds that zoologist Ernst Schäfer and American naturalist Brooke Dolan II collected during their expedition to Tibet, Sikkim, and adjoining provinces in China in 1934/35. In this radio piece, poems are interlaced with sounds of shortwave radio, referring to multiple mottled histories of colonial acts of claiming and taking. The bird body and the radio body interweave to reveal complex relationships of movement through space and time. - “Nightcall Radio” is a durational work transmitted live during the lockdown of May 2020, which was also the nightingale season in Berlin. It was created for Soundcamp’s annual Reveil event.

Kate Donovan is a radio artist and researcher based in Berlin. Her work deals with radio in an elemental sense, in terms of transmission and interconnectedness, but also disruption and interference. She is actively involved in Archipel Stations Community Radio, CoLaboRadio/Free Radios Berlin Brandenburg, Datscha Radio Berlin and the Shortwave Collective. She is part of the research group ‘SENSING. The Knowledge of Sensitive Media’, at ZeM/Potsdam University with a project titled ‘More-than-human Radio Ecologies.’ Together with Monaí de Paula Antunes, she formed the ongoing artistic research project ‘Radio Otherwise’.

Curated by Afroditi Psarra, "Transmission Ecologies" explores the turbulent world of radio signals which propagate around us. Each show features a guest sound artist who broadcasts their radio experiments using EMFs, interference patterns from devices, HAM, RF field recordings, satellite signals, space astronomy research, etc. to formulate their interpretations, compositions, and translations of the invisible and unheard layer of telecommunication technologies.

"Transmission Ecologies" is commissioned by Stegi Radio / Onassis Culture.

Afroditi Psarra is a multidisciplinary artist and an Associate Professor of Digital Arts and Experimental Media at the University of Washington where she runs the DXARTS Softlab. Her research focuses on the interweaving of art and science through the creation of artifacts with a critical lens. In her projects she explores energetic phenomena like electromagnetic radiation, and technologies such as radio-frequency sensing, fractal antennas, and software-defined radio. She is particularly interested in the use of the body as an interface of control, and the revitalization of tradition as a methodology of hacking existing norms about technical objects. Her art practice builds on and extends the work of Cyber and Techno-Feminism(s) and the idea of bodies as archives of information, and manifests through e-textiles and wearables, performances, installations and sound art.

She has exhibited her work internationally in venues such as Onassis Stegi, Bozar, Laboral, EMST, Ars Electronica, Transmediale and CTM, Eyeo, Amber, Piksel, and WRO Biennale between others, and published at conferences like Siggraph, ISWC (International Symposium of Wearable Computers), DIS (Designing Interactive Systems), C&C (Creativity and Cognition), and EVA (Electronic Visualization and the Arts).