Audio Electronics Skill Share

Feb 18, 2006: 1pm- 5pm
Wave Farm + WGXC Acra Studio

5662 Route 23 | Acra, NY 12405 | 518-622-2598
http://wavefarm.org/

This is the first in a series of skill sharing sessions for audio artists and others. Learn electronic basics such as making your own microphone or radio transmitter. Want to spend an afternoon showing others which side of the soldering iron to hold? All levels of skill are welcome to break out the bread boards for the first Audio Electronics Skill Share.

Hosted by Dharma Dailey of Prometheus Radio Project, and Tom Roe from free103point9. Live performance at 4:30 p.m. from The Flames of Discontent.

Streamed live on free103point9 Online Radio.

Part of free103point9 Radio Lab education project.

This workshop is open to the public free of charge. Please email info @ free103point9.org to register. Dharma Dailey works on spectrum issues for the Prometheus Radio Project. Her work seeks to find ways to use unlicensed spectrum to bring free internet access, internet radio, and more to communities all over the world.

free103point9 Co-founder, Program Director, and Transmission Artist Tom Roe is sometimes known as DJ Dizzy. He co-founded microradio stations 87X in Tampa, FL and free103point9 in Brooklyn, NY. Roe performs with transmitters using multiple bands (FM, CB, walkie-talkie), as well as prepared CDs, vinyl records, and various electronics. He has also written about music for The Wire, Signal to Noise, and The New York Post, among others.

The Flames of Discontent
Led by Labor organizer/musician John Pietaro's voice and electrified 5-string banjo, in collaboration with Laurie Towers electric bass guitars, the Flames of Discontent play music that reinvigorates the protest song. New and daring arrangements of Guthrie, Seeger, Ochs, Leadbelly, Hill, Cunningham, Chaplin, T-Bone Slim, Brecht, Weill, Eisler and others, plus original music, spoken word pieces and free improvisations. The Flames' specialty is in reconstructing classic songs of protest, Labor and social change into works that reflect various strains of rock and the more standard folk sounds with touches of rockabilly, punk, world and roots musics to rekindle radicalism at a time when its needed most.