Wave Farm Events Calendar
Click on a calendar event title for more information.ONGOING
Friday
Feb
04
ONGOING EVENTS
ONGOING
Saturday
Feb
05
ONGOING EVENTS
ONGOING
Sunday
Feb
06
ONGOING EVENTS
Monday
Feb
07
Radio Deprogramming Workshop with Andy Stuhl
What is the nature of the programming that radio programmers do? How did radio practices take shape early on under the idea that it was a programmable medium? What does the work of broadcast programmi...
Deprogramming: micro-interventions for media-makers
These short text prompts, along with their audio and video interpretations, are the products of our collaborative imagining in the Radio Deprogramming workshop. Deprogramming, we decided, can mean many things: disrupting routines, inverting diagrams, restoring relations to space, rupturing the ordinary, transporting while disorienting, flipping what’s public and what’s private in listening, offering footholds in the unscalable walls of communication systems, or perhaps dismantling the very medium-ness of a medium. The prompts are event scores, creative strategies, poetic ruptures, productive ambiguities, speculative fictions, project plans, and counter-imaginaries.
Andrew Madey [Email
Wipe your contacts, then try to reach out to them under a completely unfamiliar address.
Nicolas Montgermont [Radio]
Phone first : when you call a specific phone number, you automatically go live on air, bypassing any show that was playing. (https://nimon.org/en/radio-symetrique)
Andrew Madey [Radio]
Conduct important interviews only during the graveyard shift.
Michelle O'Connor [Radio]
Broadcast sounds rather than voices
Melissa Sarris [Print]
Translate a news story into a language you don’t speak and then attempt to read it aloud. (The chosen language could connect with a current refugee crisis.)
Nicolas Montgermont [Radio]
Ubiquitous : Using several physical studios that are streaming live sounds, an online mixer allows to plays on each studio independently.
Russell Gendron [Audio]
Using the automation tool in your DAW, create 'peaks' of any effect (try echo if you can't think of one) every 30 seconds, starting from the beginning.
Celeste Oram [Radio (public radio)]
When it comes time for the news on the hour, no newsreaders; no scripts. Only live crosses to man-on-the-street eyewitness accounts.
Andy Stuhl [Radio]
Move your station into the cloud. Drive to the nearest data center and stream your conversation with the security guards as you explain why you need to set up your transmitter there, where your sound files reside.
Andy Stuhl [Radio]
Move your station into the cloud. Place wires in a puddle to make the electrical connection between your mixing board and your transmitter. Conclude when the puddle evaporates.
Justin Maiman [Radio]
Build a radio transmission tower that regularly, but randomly, narrowcasts the radio signal to smaller and smaller areas, like neighborhoods or even just blocks or specific homes.
Melissa Sarris [Print]
Starting from the printed page (or print out any news article,) cut up and reassemble the sentences into something new. Attempting to make the new version sensical is optional.
Matthew Flores [Internet]
Make a website through a game of telephone.
Ed Woodham [Print]
Select the first paragraph from a current newspaper article and record yourself reading it backward ending with the headline.
Melike Ceylan [Telephone]
Each time you receive a new voice message, replace your existing voicemail greeting with it.
Jin Zhu [Red tape]
Make the mass or weight of each bureaucratic form you submit directly proportional to the potential consequences it will have on your life or finances.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and replace all vowels with the letter “E”
Ed Woodham [Print]
Select a recent front-page newspaper article (above the fold). Using the context of the article as inspiration – create an abstract visual, sound, dance, or performance interpretation of it – and document it in any form.
Michelle O'Connor [Radio]
Assume the radio is the audience
Melissa Sarris [Print]
A visual exploration: (over)use fonts - change the font (and point size!) repeatedly in every printed story, including the title. The news never looked so good!
Michelle O'Connor [Radio]
Hand the microphone over to the audience
Ed Woodham [Print]
Select the last paragraph of a magazine article. Leave the first word capitalized but make all the other capital words lower case. Remove all of the spaces between the words and all of the punctuation except a period in the end. Create something with this final product.
Sadie Couture [Audio]
Change the mix: music in the front, voices in the back
Sadie Couture [Audio]
Play a piece backwards (not the words, but just the story)
Matthew Flores [Internet]
Make a website that can only be accessed in one location.
Stacey Copeland [Print]
Time sensitive news. Attach a wick to the bottom of the newspaper with instructions to lite the wick before reading.
Sadie Couture [Audio]
Constantly set up the story/segment, never do it, and then end
Melissa Sarris [Print]
Variation: Create one news story that includes a sentence (or just a word?) from every article in one day’s newspaper.
Nicolas Montgermont [Radio]
Fallback : when there is no signals in the radio, use a fallback mode that is playing random files in a folder. These files are produced or selected in the context of a sound residency of one month, by an artist changing every month. (https://p-node.org)
Melissa Sarris [Print]
Read a news story while pronouncing every printed letter phonetically, even the the “silent” ones.
Jin Zhu [Radio]
Cater the size of your broadcast to exactly match the size and shape of a family member or friend's current or past residence.
Stacey Copeland [Radio]
Broadcast live from the loudest place in your neighbourhood.
Melike Ceylan [Radio]
Speak without using your voice.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and transcribe the partial article into a perspective of an octopus
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and translate all nouns into French
Stephen Bradley [Radio (public radio space)]
purchase 5 helium-filled balloons large enough to levitate 1 of the solar-powered AM/FM receivers up into airspace. each ballon should have a 1-meter long string attached tied to the antennae of one of the receivers. tune the radio to the clearest station possible. attach a note to the radio with instructions to detune the station if found. release the ballon/receivers early in the morning of a sunny day. attempt to follow on foot the airborne receivers as far as you can.
Jin Zhu [Radio]
Alternately broadcast into outer space and inner space, in sync with your exhales and inhales.
Celeste Oram [Radio (public radio)]
Languages spoken on air are directly proportionate (i.e. airtime per day) to demographics of languages spoken in the broadcasting region.
Justin Maiman [Radio]
Broadcast all local high school and amateur sports games (football, tennis, volleyball, etc.) live without announcers and commentators, just the "nat" sounds from the game in real time.
Stephen Bradley [Radio (public radio space)]
place 3-5 solar-powered FM or AM receivers, with the volume up, and place the receivers high up in several different trees located in a public greenspace - face the radios towards the sun. tune the receivers within a few degrees of one another such as 90.1, 90.2, 90.3, etc avoiding clear commercial broadcasts. sit under the trees and listen.
Matthew Flores [Internet]
Make a website that you can only see half of.
Stephen Bradley [Radio (public radio space)]
prepare a number of cheap solar-powered AM or FM radio receivers with magnets on the back of each receiver. turn the volume up as loud as possible, tune each receiver to the weakest station, attach the prepared radios with magnets to the outside surface of 2-3 public transportation busses. take one of the buses and ride it to the end of its route.
Ricardo Iamuuri Robinson [Radio]
Broadcast sound collaged commercials of concepts and ideas. (eg. Capitalism, Neoliberalism, Freedom, etc)
Jin Zhu [Archives]
Create an archive (or an item for an archive) of forgetting. Is it possible to create an audio recording of someone forgetting a thing?
Justin Maiman [Radio]
"YouTube-ify" community radio. Instead of pushing out station produced content to the community via radio transmission, pull it directly from the local community — allow them to upload audio programming, field recordings, meetings, conversations, etc, directly to a server and then broadcast it. Aim to become a user-generated audio streaming service that aggregates and collects community created audio for broadcast.
Russell Gendron [Music]
Compose something - melody, riff, song - using something other than your primary instrument. Or, take a composition/idea and remove the primary instrument that you made it with.
Celeste Oram [Radio (public radio)]
Entirely UNedited pre-records; keep all the ums and fumbles.
Andy Stuhl [Radio]
Extend your station identification by noting the problems that arise when you only name your transmitter's municipal location. Instead describe in detail each spot of land, sky, and water that your signal reaches. Start over at the top of each hour.
Andrew Madey [TV]
Broadcast a slow screen crawl of inane, unrelated technical information during prime-time hours.
Russell Gendron [Film photography]
Choose any colour, go for a walk and whenever you see that colour, take a photo of whatever you imagine that colour is 'looking' at.
Melike Ceylan [Radio]
Visit stations at neighbouring frequencies while on air: ask about their day, complain about a noise, or ask if they have any spare piece of equipment that you need.
Ed Woodham [Print]
Under a pseudonym write a short review (300 words max) of your real or imagined artwork for a major publication.
Matthew Flores [Internet]
Make a website that you have to print out to use.
ONGOING
Monday
Feb
07
ONGOING EVENTS
ONGOING
Tuesday
Feb
08
ONGOING EVENTS
Radio Deprogramming Workshop with Andy Stuhl
Deprogramming: micro-interventions for media-makers
These short text prompts, along with their audio and video interpretations, are the products of our collaborative imagining in the Radio Deprogramming workshop. Deprogramming, we decided, can mean many things: disrupting routines, inverting diagrams, restoring relations to space, rupturing the ordinary, transporting while disorienting, flipping what’s public and what’s private in listening, offering footholds in the unscalable walls of communication systems, or perhaps dismantling the very medium-ness of a medium. The prompts are event scores, creative strategies, poetic ruptures, productive ambiguities, speculative fictions, project plans, and counter-imaginaries.
Andrew Madey [Email
Wipe your contacts, then try to reach out to them under a completely unfamiliar address.
Nicolas Montgermont [Radio]
Phone first : when you call a specific phone number, you automatically go live on air, bypassing any show that was playing. (https://nimon.org/en/radio-symetrique)
Andrew Madey [Radio]
Conduct important interviews only during the graveyard shift.
Michelle O'Connor [Radio]
Broadcast sounds rather than voices
Melissa Sarris [Print]
Translate a news story into a language you don’t speak and then attempt to read it aloud. (The chosen language could connect with a current refugee crisis.)
Nicolas Montgermont [Radio]
Ubiquitous : Using several physical studios that are streaming live sounds, an online mixer allows to plays on each studio independently.
Russell Gendron [Audio]
Using the automation tool in your DAW, create 'peaks' of any effect (try echo if you can't think of one) every 30 seconds, starting from the beginning.
Celeste Oram [Radio (public radio)]
When it comes time for the news on the hour, no newsreaders; no scripts. Only live crosses to man-on-the-street eyewitness accounts.
Andy Stuhl [Radio]
Move your station into the cloud. Drive to the nearest data center and stream your conversation with the security guards as you explain why you need to set up your transmitter there, where your sound files reside.
Andy Stuhl [Radio]
Move your station into the cloud. Place wires in a puddle to make the electrical connection between your mixing board and your transmitter. Conclude when the puddle evaporates.
Justin Maiman [Radio]
Build a radio transmission tower that regularly, but randomly, narrowcasts the radio signal to smaller and smaller areas, like neighborhoods or even just blocks or specific homes.
Melissa Sarris [Print]
Starting from the printed page (or print out any news article,) cut up and reassemble the sentences into something new. Attempting to make the new version sensical is optional.
Matthew Flores [Internet]
Make a website through a game of telephone.
Ed Woodham [Print]
Select the first paragraph from a current newspaper article and record yourself reading it backward ending with the headline.
Melike Ceylan [Telephone]
Each time you receive a new voice message, replace your existing voicemail greeting with it.
Jin Zhu [Red tape]
Make the mass or weight of each bureaucratic form you submit directly proportional to the potential consequences it will have on your life or finances.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and replace all vowels with the letter “E”
Ed Woodham [Print]
Select a recent front-page newspaper article (above the fold). Using the context of the article as inspiration – create an abstract visual, sound, dance, or performance interpretation of it – and document it in any form.
Michelle O'Connor [Radio]
Assume the radio is the audience
Melissa Sarris [Print]
A visual exploration: (over)use fonts - change the font (and point size!) repeatedly in every printed story, including the title. The news never looked so good!
Michelle O'Connor [Radio]
Hand the microphone over to the audience
Ed Woodham [Print]
Select the last paragraph of a magazine article. Leave the first word capitalized but make all the other capital words lower case. Remove all of the spaces between the words and all of the punctuation except a period in the end. Create something with this final product.
Sadie Couture [Audio]
Change the mix: music in the front, voices in the back
Sadie Couture [Audio]
Play a piece backwards (not the words, but just the story)
Matthew Flores [Internet]
Make a website that can only be accessed in one location.
Stacey Copeland [Print]
Time sensitive news. Attach a wick to the bottom of the newspaper with instructions to lite the wick before reading.
Sadie Couture [Audio]
Constantly set up the story/segment, never do it, and then end
Melissa Sarris [Print]
Variation: Create one news story that includes a sentence (or just a word?) from every article in one day’s newspaper.
Nicolas Montgermont [Radio]
Fallback : when there is no signals in the radio, use a fallback mode that is playing random files in a folder. These files are produced or selected in the context of a sound residency of one month, by an artist changing every month. (https://p-node.org)
Melissa Sarris [Print]
Read a news story while pronouncing every printed letter phonetically, even the the “silent” ones.
Jin Zhu [Radio]
Cater the size of your broadcast to exactly match the size and shape of a family member or friend's current or past residence.
Stacey Copeland [Radio]
Broadcast live from the loudest place in your neighbourhood.
Melike Ceylan [Radio]
Speak without using your voice.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and transcribe the partial article into a perspective of an octopus
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and translate all nouns into French
Stephen Bradley [Radio (public radio space)]
purchase 5 helium-filled balloons large enough to levitate 1 of the solar-powered AM/FM receivers up into airspace. each ballon should have a 1-meter long string attached tied to the antennae of one of the receivers. tune the radio to the clearest station possible. attach a note to the radio with instructions to detune the station if found. release the ballon/receivers early in the morning of a sunny day. attempt to follow on foot the airborne receivers as far as you can.
Jin Zhu [Radio]
Alternately broadcast into outer space and inner space, in sync with your exhales and inhales.
Celeste Oram [Radio (public radio)]
Languages spoken on air are directly proportionate (i.e. airtime per day) to demographics of languages spoken in the broadcasting region.
Justin Maiman [Radio]
Broadcast all local high school and amateur sports games (football, tennis, volleyball, etc.) live without announcers and commentators, just the "nat" sounds from the game in real time.
Stephen Bradley [Radio (public radio space)]
place 3-5 solar-powered FM or AM receivers, with the volume up, and place the receivers high up in several different trees located in a public greenspace - face the radios towards the sun. tune the receivers within a few degrees of one another such as 90.1, 90.2, 90.3, etc avoiding clear commercial broadcasts. sit under the trees and listen.
Matthew Flores [Internet]
Make a website that you can only see half of.
Stephen Bradley [Radio (public radio space)]
prepare a number of cheap solar-powered AM or FM radio receivers with magnets on the back of each receiver. turn the volume up as loud as possible, tune each receiver to the weakest station, attach the prepared radios with magnets to the outside surface of 2-3 public transportation busses. take one of the buses and ride it to the end of its route.
Ricardo Iamuuri Robinson [Radio]
Broadcast sound collaged commercials of concepts and ideas. (eg. Capitalism, Neoliberalism, Freedom, etc)
Jin Zhu [Archives]
Create an archive (or an item for an archive) of forgetting. Is it possible to create an audio recording of someone forgetting a thing?
Justin Maiman [Radio]
"YouTube-ify" community radio. Instead of pushing out station produced content to the community via radio transmission, pull it directly from the local community — allow them to upload audio programming, field recordings, meetings, conversations, etc, directly to a server and then broadcast it. Aim to become a user-generated audio streaming service that aggregates and collects community created audio for broadcast.
Russell Gendron [Music]
Compose something - melody, riff, song - using something other than your primary instrument. Or, take a composition/idea and remove the primary instrument that you made it with.
Celeste Oram [Radio (public radio)]
Entirely UNedited pre-records; keep all the ums and fumbles.
Andy Stuhl [Radio]
Extend your station identification by noting the problems that arise when you only name your transmitter's municipal location. Instead describe in detail each spot of land, sky, and water that your signal reaches. Start over at the top of each hour.
Andrew Madey [TV]
Broadcast a slow screen crawl of inane, unrelated technical information during prime-time hours.
Russell Gendron [Film photography]
Choose any colour, go for a walk and whenever you see that colour, take a photo of whatever you imagine that colour is 'looking' at.
Melike Ceylan [Radio]
Visit stations at neighbouring frequencies while on air: ask about their day, complain about a noise, or ask if they have any spare piece of equipment that you need.
Ed Woodham [Print]
Under a pseudonym write a short review (300 words max) of your real or imagined artwork for a major publication.
Matthew Flores [Internet]
Make a website that you have to print out to use.
ONGOING
Wednesday
Feb
09
ONGOING EVENTS
Radio Deprogramming Workshop with Andy Stuhl
Deprogramming: micro-interventions for media-makers
These short text prompts, along with their audio and video interpretations, are the products of our collaborative imagining in the Radio Deprogramming workshop. Deprogramming, we decided, can mean many things: disrupting routines, inverting diagrams, restoring relations to space, rupturing the ordinary, transporting while disorienting, flipping what’s public and what’s private in listening, offering footholds in the unscalable walls of communication systems, or perhaps dismantling the very medium-ness of a medium. The prompts are event scores, creative strategies, poetic ruptures, productive ambiguities, speculative fictions, project plans, and counter-imaginaries.
Andrew Madey [Email
Wipe your contacts, then try to reach out to them under a completely unfamiliar address.
Nicolas Montgermont [Radio]
Phone first : when you call a specific phone number, you automatically go live on air, bypassing any show that was playing. (https://nimon.org/en/radio-symetrique)
Andrew Madey [Radio]
Conduct important interviews only during the graveyard shift.
Michelle O'Connor [Radio]
Broadcast sounds rather than voices
Melissa Sarris [Print]
Translate a news story into a language you don’t speak and then attempt to read it aloud. (The chosen language could connect with a current refugee crisis.)
Nicolas Montgermont [Radio]
Ubiquitous : Using several physical studios that are streaming live sounds, an online mixer allows to plays on each studio independently.
Russell Gendron [Audio]
Using the automation tool in your DAW, create 'peaks' of any effect (try echo if you can't think of one) every 30 seconds, starting from the beginning.
Celeste Oram [Radio (public radio)]
When it comes time for the news on the hour, no newsreaders; no scripts. Only live crosses to man-on-the-street eyewitness accounts.
Andy Stuhl [Radio]
Move your station into the cloud. Drive to the nearest data center and stream your conversation with the security guards as you explain why you need to set up your transmitter there, where your sound files reside.
Andy Stuhl [Radio]
Move your station into the cloud. Place wires in a puddle to make the electrical connection between your mixing board and your transmitter. Conclude when the puddle evaporates.
Justin Maiman [Radio]
Build a radio transmission tower that regularly, but randomly, narrowcasts the radio signal to smaller and smaller areas, like neighborhoods or even just blocks or specific homes.
Melissa Sarris [Print]
Starting from the printed page (or print out any news article,) cut up and reassemble the sentences into something new. Attempting to make the new version sensical is optional.
Matthew Flores [Internet]
Make a website through a game of telephone.
Ed Woodham [Print]
Select the first paragraph from a current newspaper article and record yourself reading it backward ending with the headline.
Melike Ceylan [Telephone]
Each time you receive a new voice message, replace your existing voicemail greeting with it.
Jin Zhu [Red tape]
Make the mass or weight of each bureaucratic form you submit directly proportional to the potential consequences it will have on your life or finances.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and replace all vowels with the letter “E”
Ed Woodham [Print]
Select a recent front-page newspaper article (above the fold). Using the context of the article as inspiration – create an abstract visual, sound, dance, or performance interpretation of it – and document it in any form.
Michelle O'Connor [Radio]
Assume the radio is the audience
Melissa Sarris [Print]
A visual exploration: (over)use fonts - change the font (and point size!) repeatedly in every printed story, including the title. The news never looked so good!
Michelle O'Connor [Radio]
Hand the microphone over to the audience
Ed Woodham [Print]
Select the last paragraph of a magazine article. Leave the first word capitalized but make all the other capital words lower case. Remove all of the spaces between the words and all of the punctuation except a period in the end. Create something with this final product.
Sadie Couture [Audio]
Change the mix: music in the front, voices in the back
Sadie Couture [Audio]
Play a piece backwards (not the words, but just the story)
Matthew Flores [Internet]
Make a website that can only be accessed in one location.
Stacey Copeland [Print]
Time sensitive news. Attach a wick to the bottom of the newspaper with instructions to lite the wick before reading.
Sadie Couture [Audio]
Constantly set up the story/segment, never do it, and then end
Melissa Sarris [Print]
Variation: Create one news story that includes a sentence (or just a word?) from every article in one day’s newspaper.
Nicolas Montgermont [Radio]
Fallback : when there is no signals in the radio, use a fallback mode that is playing random files in a folder. These files are produced or selected in the context of a sound residency of one month, by an artist changing every month. (https://p-node.org)
Melissa Sarris [Print]
Read a news story while pronouncing every printed letter phonetically, even the the “silent” ones.
Jin Zhu [Radio]
Cater the size of your broadcast to exactly match the size and shape of a family member or friend's current or past residence.
Stacey Copeland [Radio]
Broadcast live from the loudest place in your neighbourhood.
Melike Ceylan [Radio]
Speak without using your voice.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and transcribe the partial article into a perspective of an octopus
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and translate all nouns into French
Stephen Bradley [Radio (public radio space)]
purchase 5 helium-filled balloons large enough to levitate 1 of the solar-powered AM/FM receivers up into airspace. each ballon should have a 1-meter long string attached tied to the antennae of one of the receivers. tune the radio to the clearest station possible. attach a note to the radio with instructions to detune the station if found. release the ballon/receivers early in the morning of a sunny day. attempt to follow on foot the airborne receivers as far as you can.
Jin Zhu [Radio]
Alternately broadcast into outer space and inner space, in sync with your exhales and inhales.
Celeste Oram [Radio (public radio)]
Languages spoken on air are directly proportionate (i.e. airtime per day) to demographics of languages spoken in the broadcasting region.
Justin Maiman [Radio]
Broadcast all local high school and amateur sports games (football, tennis, volleyball, etc.) live without announcers and commentators, just the "nat" sounds from the game in real time.
Stephen Bradley [Radio (public radio space)]
place 3-5 solar-powered FM or AM receivers, with the volume up, and place the receivers high up in several different trees located in a public greenspace - face the radios towards the sun. tune the receivers within a few degrees of one another such as 90.1, 90.2, 90.3, etc avoiding clear commercial broadcasts. sit under the trees and listen.
Matthew Flores [Internet]
Make a website that you can only see half of.
Stephen Bradley [Radio (public radio space)]
prepare a number of cheap solar-powered AM or FM radio receivers with magnets on the back of each receiver. turn the volume up as loud as possible, tune each receiver to the weakest station, attach the prepared radios with magnets to the outside surface of 2-3 public transportation busses. take one of the buses and ride it to the end of its route.
Ricardo Iamuuri Robinson [Radio]
Broadcast sound collaged commercials of concepts and ideas. (eg. Capitalism, Neoliberalism, Freedom, etc)
Jin Zhu [Archives]
Create an archive (or an item for an archive) of forgetting. Is it possible to create an audio recording of someone forgetting a thing?
Justin Maiman [Radio]
"YouTube-ify" community radio. Instead of pushing out station produced content to the community via radio transmission, pull it directly from the local community — allow them to upload audio programming, field recordings, meetings, conversations, etc, directly to a server and then broadcast it. Aim to become a user-generated audio streaming service that aggregates and collects community created audio for broadcast.
Russell Gendron [Music]
Compose something - melody, riff, song - using something other than your primary instrument. Or, take a composition/idea and remove the primary instrument that you made it with.
Celeste Oram [Radio (public radio)]
Entirely UNedited pre-records; keep all the ums and fumbles.
Andy Stuhl [Radio]
Extend your station identification by noting the problems that arise when you only name your transmitter's municipal location. Instead describe in detail each spot of land, sky, and water that your signal reaches. Start over at the top of each hour.
Andrew Madey [TV]
Broadcast a slow screen crawl of inane, unrelated technical information during prime-time hours.
Russell Gendron [Film photography]
Choose any colour, go for a walk and whenever you see that colour, take a photo of whatever you imagine that colour is 'looking' at.
Melike Ceylan [Radio]
Visit stations at neighbouring frequencies while on air: ask about their day, complain about a noise, or ask if they have any spare piece of equipment that you need.
Ed Woodham [Print]
Under a pseudonym write a short review (300 words max) of your real or imagined artwork for a major publication.
Matthew Flores [Internet]
Make a website that you have to print out to use.
ONGOING
Thursday
Feb
10
ONGOING EVENTS
Radio Deprogramming Workshop with Andy Stuhl
Deprogramming: micro-interventions for media-makers
These short text prompts, along with their audio and video interpretations, are the products of our collaborative imagining in the Radio Deprogramming workshop. Deprogramming, we decided, can mean many things: disrupting routines, inverting diagrams, restoring relations to space, rupturing the ordinary, transporting while disorienting, flipping what’s public and what’s private in listening, offering footholds in the unscalable walls of communication systems, or perhaps dismantling the very medium-ness of a medium. The prompts are event scores, creative strategies, poetic ruptures, productive ambiguities, speculative fictions, project plans, and counter-imaginaries.
Andrew Madey [Email
Wipe your contacts, then try to reach out to them under a completely unfamiliar address.
Nicolas Montgermont [Radio]
Phone first : when you call a specific phone number, you automatically go live on air, bypassing any show that was playing. (https://nimon.org/en/radio-symetrique)
Andrew Madey [Radio]
Conduct important interviews only during the graveyard shift.
Michelle O'Connor [Radio]
Broadcast sounds rather than voices
Melissa Sarris [Print]
Translate a news story into a language you don’t speak and then attempt to read it aloud. (The chosen language could connect with a current refugee crisis.)
Nicolas Montgermont [Radio]
Ubiquitous : Using several physical studios that are streaming live sounds, an online mixer allows to plays on each studio independently.
Russell Gendron [Audio]
Using the automation tool in your DAW, create 'peaks' of any effect (try echo if you can't think of one) every 30 seconds, starting from the beginning.
Celeste Oram [Radio (public radio)]
When it comes time for the news on the hour, no newsreaders; no scripts. Only live crosses to man-on-the-street eyewitness accounts.
Andy Stuhl [Radio]
Move your station into the cloud. Drive to the nearest data center and stream your conversation with the security guards as you explain why you need to set up your transmitter there, where your sound files reside.
Andy Stuhl [Radio]
Move your station into the cloud. Place wires in a puddle to make the electrical connection between your mixing board and your transmitter. Conclude when the puddle evaporates.
Justin Maiman [Radio]
Build a radio transmission tower that regularly, but randomly, narrowcasts the radio signal to smaller and smaller areas, like neighborhoods or even just blocks or specific homes.
Melissa Sarris [Print]
Starting from the printed page (or print out any news article,) cut up and reassemble the sentences into something new. Attempting to make the new version sensical is optional.
Matthew Flores [Internet]
Make a website through a game of telephone.
Ed Woodham [Print]
Select the first paragraph from a current newspaper article and record yourself reading it backward ending with the headline.
Melike Ceylan [Telephone]
Each time you receive a new voice message, replace your existing voicemail greeting with it.
Jin Zhu [Red tape]
Make the mass or weight of each bureaucratic form you submit directly proportional to the potential consequences it will have on your life or finances.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and replace all vowels with the letter “E”
Ed Woodham [Print]
Select a recent front-page newspaper article (above the fold). Using the context of the article as inspiration – create an abstract visual, sound, dance, or performance interpretation of it – and document it in any form.
Michelle O'Connor [Radio]
Assume the radio is the audience
Melissa Sarris [Print]
A visual exploration: (over)use fonts - change the font (and point size!) repeatedly in every printed story, including the title. The news never looked so good!
Michelle O'Connor [Radio]
Hand the microphone over to the audience
Ed Woodham [Print]
Select the last paragraph of a magazine article. Leave the first word capitalized but make all the other capital words lower case. Remove all of the spaces between the words and all of the punctuation except a period in the end. Create something with this final product.
Sadie Couture [Audio]
Change the mix: music in the front, voices in the back
Sadie Couture [Audio]
Play a piece backwards (not the words, but just the story)
Matthew Flores [Internet]
Make a website that can only be accessed in one location.
Stacey Copeland [Print]
Time sensitive news. Attach a wick to the bottom of the newspaper with instructions to lite the wick before reading.
Sadie Couture [Audio]
Constantly set up the story/segment, never do it, and then end
Melissa Sarris [Print]
Variation: Create one news story that includes a sentence (or just a word?) from every article in one day’s newspaper.
Nicolas Montgermont [Radio]
Fallback : when there is no signals in the radio, use a fallback mode that is playing random files in a folder. These files are produced or selected in the context of a sound residency of one month, by an artist changing every month. (https://p-node.org)
Melissa Sarris [Print]
Read a news story while pronouncing every printed letter phonetically, even the the “silent” ones.
Jin Zhu [Radio]
Cater the size of your broadcast to exactly match the size and shape of a family member or friend's current or past residence.
Stacey Copeland [Radio]
Broadcast live from the loudest place in your neighbourhood.
Melike Ceylan [Radio]
Speak without using your voice.
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and transcribe the partial article into a perspective of an octopus
Kirsten Chervinsky [Print]
Take the first paragraph of a news article and translate all nouns into French
Stephen Bradley [Radio (public radio space)]
purchase 5 helium-filled balloons large enough to levitate 1 of the solar-powered AM/FM receivers up into airspace. each ballon should have a 1-meter long string attached tied to the antennae of one of the receivers. tune the radio to the clearest station possible. attach a note to the radio with instructions to detune the station if found. release the ballon/receivers early in the morning of a sunny day. attempt to follow on foot the airborne receivers as far as you can.
Jin Zhu [Radio]
Alternately broadcast into outer space and inner space, in sync with your exhales and inhales.
Celeste Oram [Radio (public radio)]
Languages spoken on air are directly proportionate (i.e. airtime per day) to demographics of languages spoken in the broadcasting region.
Justin Maiman [Radio]
Broadcast all local high school and amateur sports games (football, tennis, volleyball, etc.) live without announcers and commentators, just the "nat" sounds from the game in real time.
Stephen Bradley [Radio (public radio space)]
place 3-5 solar-powered FM or AM receivers, with the volume up, and place the receivers high up in several different trees located in a public greenspace - face the radios towards the sun. tune the receivers within a few degrees of one another such as 90.1, 90.2, 90.3, etc avoiding clear commercial broadcasts. sit under the trees and listen.
Matthew Flores [Internet]
Make a website that you can only see half of.
Stephen Bradley [Radio (public radio space)]
prepare a number of cheap solar-powered AM or FM radio receivers with magnets on the back of each receiver. turn the volume up as loud as possible, tune each receiver to the weakest station, attach the prepared radios with magnets to the outside surface of 2-3 public transportation busses. take one of the buses and ride it to the end of its route.
Ricardo Iamuuri Robinson [Radio]
Broadcast sound collaged commercials of concepts and ideas. (eg. Capitalism, Neoliberalism, Freedom, etc)
Jin Zhu [Archives]
Create an archive (or an item for an archive) of forgetting. Is it possible to create an audio recording of someone forgetting a thing?
Justin Maiman [Radio]
"YouTube-ify" community radio. Instead of pushing out station produced content to the community via radio transmission, pull it directly from the local community — allow them to upload audio programming, field recordings, meetings, conversations, etc, directly to a server and then broadcast it. Aim to become a user-generated audio streaming service that aggregates and collects community created audio for broadcast.
Russell Gendron [Music]
Compose something - melody, riff, song - using something other than your primary instrument. Or, take a composition/idea and remove the primary instrument that you made it with.
Celeste Oram [Radio (public radio)]
Entirely UNedited pre-records; keep all the ums and fumbles.
Andy Stuhl [Radio]
Extend your station identification by noting the problems that arise when you only name your transmitter's municipal location. Instead describe in detail each spot of land, sky, and water that your signal reaches. Start over at the top of each hour.
Andrew Madey [TV]
Broadcast a slow screen crawl of inane, unrelated technical information during prime-time hours.
Russell Gendron [Film photography]
Choose any colour, go for a walk and whenever you see that colour, take a photo of whatever you imagine that colour is 'looking' at.
Melike Ceylan [Radio]
Visit stations at neighbouring frequencies while on air: ask about their day, complain about a noise, or ask if they have any spare piece of equipment that you need.
Ed Woodham [Print]
Under a pseudonym write a short review (300 words max) of your real or imagined artwork for a major publication.
Matthew Flores [Internet]
Make a website that you have to print out to use.